The Unbearable Lightness of Robert Garnham

I’ve been busy writing a lot during the last twelve months and the upshot of this is that I have a lot of material which doesn’t fit in with the any of the projects I’ve been working on. The idea came after a conversation with film maker John Tomkins to make a short mini web series.

The hardest part was coming up with a title, and after exhausting Plop, Whimsy, or just Series, and every other one word idea, I came up with the Unbearable Lightness of Brian. Humorous as this was, the main problem was that my name is not Brian. So I settled on the rather less colourful, but rather more meaningful, The Unbearable Lightness of Robert Garnham.

It was a joy to make the series and we’ve optimistically called it Season One.

And here’s the first one! There’ll be one a week now for the next seven weeks.

https://youtu.be/b4fTPDC4vwU
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Englefield Green Blues

Between 1994 and 1996 I worked at a small village shop in the village of Englefield Green in Surrey. I was twenty years old and it felt like the best job in the world, because I got to know all the local characters. The drunks, the ne’erdowells, the good people, the bad people. A local author who was published to great acclaim came in every day after the school run. A member of the House of Lords.the local vicar and the local priest, who would buy the Holy Water and take it away to be blessed. Oh, such good times.

While I was there I wrote a comedy novel called Englefield Green Blues, about a trainee guardian angel who was not very good at his job. The novel was a turning point for me because it was the first time that I employed, throughout the narrative, funny poetry. The other day I sat down and looked at the poems again. They may not be classics, but they take me right back to 1995.

1.
Englefield Green Blues
(A song for the ukulele)

Plang plang plang plang pla-la-lang plang plang
Plang plang plang plang pla-la-lang plang plang

I told my wife
I says to her
What you looking
At me for?
And she says back
To me that is
This cola’s lost its fizz

Plang plang plang plang pla-la-lang plang plang
Plang plang plang plang pla-la-lang plang plang

I took it back
To the corner shop
He says to me
What’s this for?
I says to him
You know what it is
This cola’s lost its fizz

Plang plang plang plang pla-la-lang plang plang
Plang plang plang plang pla-la-lang plang plang

You take a gulp
It’s stale and flat
I says to him
Well fancy that
Just get me a refund
No need for a tizz
This cola’s lost its fizz

Plang plang plang plang pla-la-lang plang plang
Change of key
Plang plang plang plang pla-la-lang plang plang
First key again
Plang plang plang plang pla-la-lang plang plang

This cola’s lost its fizz
This cola’s lost its fizz
Oh yeah this cola’s lost its fizz
No its hasn’t
Yes it has
No it hasn’t
Yes it has
This cola’s lost its fizz

2. Fairground

It’s a fairground, it’s a fairground
Adults full price children free
Merry go round, merry go round,
Will you take a ride with me?

Tunnel of love, dodge the dogems,
Life is but a chamber of horrors
When it’s midnight at the funfair
You don’t care about tomorrow.

Roll up
Roll down
Fall down
Roll over
Tell me when
This feelings over.
Fairground
Fairground
Fairground people
We’re all just visitors
We’re all just sampling
life.

Funfair funfair
Why the hell should you care?
You know where you’re going
You know you can’t get there
Merry go round, miserable go round
Candy floss yes please
Eat it quick, kiss me quick,
I’m begging on my knees!

Roll up
Roll down
Fall down
Roll over
Tell me when
This feelings over.
Fairground
Fairground
Fairground people
We’re all just visitors
We’re all just sampling
life.

Win a goldfish, win a horse
You can take it home, of course.
Life’s so happy, life’s so fab
I’m going to explode with mirth.
Throw your balls at aunt Sally,
She won’t throw them back.
Ha ha ha
Ha ha ha
Ha ha ha ha ha ha haaaa.

Roll up
Roll down
Fall down
Roll over
Tell me when
This feelings over.
Fairground
Fairground
Fairground people
We’re all just visitors
We’re all just sampling
life.

3. Flute

I played my flute
Till the cows came home.
Tum de tum de tum de de
Tum de tum de tum de de
I played my flute like a woman possessed
Toodle toodle toodle all day.

I played my flute
I played my flute
And then I stopped
For the cows had come home.

4. I Am A Genius

There is a fine line
Between genius and prat.
Like:
This poem is either brilliant
Or
Rubbish.
Ooga ooga ooga ooga ooga
As the sun sets over
Englefield Green
And the vampires walk the aisles
I ponder
I ponder life through poetry.
Ooga.

5. Silly hat.

Do not wear
A silly hat.
People will say
‘What is that?’
You will have
To take it off
We will then
Suppress a cough
That is really
A raucous laugh
Cos its sensible
By half
To wear a hat
That suits your head
Wear that hat?
I’d rather be dead!

6. Strong wind pot tragedy.

Flower pot
On the wall
In the gale
Defying all.

Flower pot.
On the ground.
Potting compost
All around.

7. Untitled (Although Now It’s Called That It Has a Title,
Therefore No Longer Untitled)

The cosmos is so big
And I am so small
You should never get the two confused.
Lord knows, I don’t!
It would be embarrassing
To book into an hotel
Under the name ‘Existence’
Or look up at the night sky
And say
‘Doesn’t George look lovely tonight?’

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On having a larf.

For goodness sake, anything makes me laugh these days. I don’t know what it is but if it’s funny, then I’m in to it. Over the last week I’ve listened to Steve Martin, watched a Judd Apatow Netflix special, several episodes of the Larry Saunders show, I’ve listened to Gecko’s wonderful album, Ivor Cutler, watched an Arnold Brown DVD, Flight of the Conchords, and, believe if or not, Hinge and Brackett. Oh, and I’ve just started rereading Hunter S Thompson.

Why this sudden need to immerse myself in comedy? And also the sort of comedy that I don’t normally watch or listen to or read?

For some reason I’m remarkably receptive at the moment to anything which makes people laugh. I start each day with web comedy shows of snippets, such as Portlandia, to which I’ve become addicted, or Comedians In Cars Getting Coffee. I’ve also watched hundreds of hours of random sketches and web broadcasts from comedians and Youtubers, some of which is particularly cringe worthy or not really funny. And that’s now I spend my breakfast, a bowl of coco pops and squinting at my iPad.

Life by its very nature is serious, and because it’s so serious, it’s also inherently funny. We go to work and we work and we come home from work. To my mind the funniest places in the world are the city of New York and the whole of Britain. These are places where life is taken seriously yet, at the same time, not that seriously. Where humour exists to alleviate awkwardness or to get a point across, where sarcasm dances with parody to create something truly special.

Watching all these funny people, I noticed something funny, and that’s the Funny Muscle. Being funny and spontaneous is a skill which can be developed. I’m using mine right now as I write this sentence and I’m wondering where the next time during this sentence will be where I might be funny. Ok, so it didn’t happen during that sentence, and it’s probably not happening during this sentence either.

The weird thing is, immersing myself in such a way has helped me to see the world differently. I have a day job, which is filled with the usual petty annoyances and temporary hardships, but I look at it now more as a sitcom. Admittedly, not a very interesting sitcoms, but the situations which arise certainly have comedy in retrospect. I get home and I laugh, honestly, I do. Likewise, if you’re afraid of a person, or have a certain aversion to a person because of the way that they make you feel, then look at them as a character in a sitcom. They begin to conform to their own stereotypes and this makes them funny, even if they’re not funny people.

Perhaps that’s why I’m watching so much comedy, and so much diverse comedy. The warbling and innuendo of Hinge and Brackett are a long way from the stand up of, say, Trevor Noah, but they are a diversion from my every day life which I feel that I need right now, to take my mind off the normal crushing loneliness of existence. And in not restricting myself to a certain genre or type of comedy, I’m hoping to give my comedy muscle a huge work out. Though obviously, not enough to end this blog with a joke. IMG_0348

Best year of my life?

There’s about six hours of 2017 left here in Devon. And it’s a year which I really don’t want to end just yet as so many amazing things have happened. I know in the real world it’s been pretty naff for a vast number of reasons, but for me it’s been, without hyperbole, the best year I’ve had. The year started with appearing in indents for a certain building society which was incredibly surreal. I then was longlisted as Spoken Word Artist of the year with the Saboteur Awards. Next up I devised Juicy, which was always going to be a stop gap show showcasing different poems, and it got into various fringes. Performing at Edinburgh, Denbury and London at the Redgates Theatre were all highlights, and I had some amazing gigs in other places. On top of everything I finally went semi professional as a spoken word artist, doing corporate work and education work too, and then just when the year was ending, I had a book published and a couple of videos released in YouTube. It’s been an amazing year!

I’ve got so many projects pending. As well as the ongoing Zebra tour, I’ve got a one night performance of Juicy at the Bike Shed theatre on the seventeenth of January, a film project with film maker John Tompkins based on Beard Envy, and a new show which I’ve already written called In The Glare of the Neon Yak, which is set on a sleeper service from London to Edinburgh. Performance wise, I’ve started learning all of my material and I’m about to start working with a director. Things are very exciting!

Naturally, the year was made by the wonderful people I’m surrounded by, such as Melanie Branton for her advice and support, Mark Tunkin for everyday practical issues. It’s been an incredibly busy twelve months and there have been days where I’ve not known where I was heading, or why, catching trains, the whole thing being a bit of a blur. Sadly, I also lost two friends this year, both of whom were incredibly supportive of my work.

I’d like to wish everyone a fantastic 2018 and all the health, happiness, fulfilment and success you can grab!

Here’s a new poem.

Poem

Part One

Flat cap on, whiskers brushed,
His wife giving him a kiss at the
Door of their bungalow.
Have a good day, dear, she says.
There’s a packed lunch
In your satchel.
See you tonight, my love,
He says.
We’ll listen to Des O’Connor
On the wireless tonight.
He walks down the front path,
She watches him go.

Part Two

An eerie silence
Looms over the
Lingerie department.
He’s got his flask and
His camping chair,
His Daily Mail.
He’s set for the day,
Ensconced in the gap
Between the cut price knickers
And a dump bin of socks,
His own niche in the market.

The throbbing passion of moments sublime
In their inexorable rush between
All human desire
And the urges that certain men feel.

Part Three

In the 1950s he’d go to the barbers.
Something for the weekend, sir?,
They’d ask.
He thought they were offering him
A bus timetable.
And meeting his wife, Marge.
His father asked if she was called that
Because she spread like butter.
He thought that this was a reference to
Her technique for doing
The plastering.

Married in 1959,
He remained a virgin until 1973
And that was only because there
Was an incident
While she was giving him eye drops.
Ever since then
He always comes over
Unnecessary when he heard the
Word Conjunctivitis.
They didn’t get a TV
Until 2003
And the first thing he’d see
Was a woman in a bikini
Being sensuously doused
In lukewarm Ovaltine.

His false teeth
Shot out of his mouth and
Ricocheted off the
Sideboard.
The next day he ordered
A crate of the stuff.
Marge, he said,
Bung the kettle on.

Part Four

How proudly
Marge would tell her
Friends,
He’s still working
At his age
At the department store.

He tells her that
He’s a diesel fitter.

He holds up a pair of knickers
And says,
‘Dese’ll fit her!’

Part Five

You can do it,
He imagines the merchandise
Saying to him.
You can do it, Jim.
You can do it.
You can do it.
You can do it, Jim.
You can do it.
You can really really do it.
Such a great selection
Of support bras.

Part Six

This unsolicited assister,
This unpaid worker,
This societal resister,
This brazen lurker,
This flat capped octogenarian
Amid the Lycra spandex,
This persistent drooler
At the opposite sex.
This pleasure seeker
This knicker peeker,
This old man ahead of
Society’s curve,
This outright perv.
This troubled he
Amid the double Ds,
The birds and the bees,
The dogs and the cats,
This ghost in a coat,
This phantom amid the scats,
This downright fool
Amid the smalls
He wipes the drool
Away from his chin
He wipes the drool
Away from his chin
He wipes the drool
Away from the chin
His name is Jim.

Oh, Jim.
Oh, Jim.
Where do we begin
To obey those little voices from deep within.
Saying Jim, oh Jim,
Do just what you may
And spend another day
Surrounded by lingerie.
Way hay.

Part Seven

Another day done, he
Wipes the crumbs from his lap,
Folds up his chair,
Picks up his mack,
Bids the staff a fond farewell.

Marge has cooked him
A casserole.
As they eat, the clock ticks
On the mantelpiece.

This casserole
Is very nice, he says.
Yes, she replies,
Yes, it is.
It has been rather clement today,
Weather wise, he says.
Yes, she replies,
Yes, it has.
I see interest rates are
Remaining the same, he says.
Yes, she replies,
Yes, they are.
Then she leans close to him
And whispers,
I know where you’ve been spending
Your days.
The clock continues to tick
For at least two minutes.
This casserole
Really is first class, he says.
Yes, she replies,
Yes, it is.

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Zebra

My new book Zebra is out now! I’m hugely proud of it. I believe that it contains some of my best writing, and I can’t wait for other people to read it and let me know what they think.

Zebra is a book several years in the making. Not only does it contain more of my comedy poems including some old classics as well as newer pieces, but it also contains my more serious work as well as material from my two Edinburgh shows, Static and Juicy. It’s a layered, textured book, which really gets a grip on life and what it means to be alive. There are one or two deeply autobiographical pieces, dealing with growing up in the suburbs of Surrey, first love, school, as well as a poem written five minutes after learning of the death of David Bowie. There’s also plenty of merrymaking and whimsy, of course, playfulness and poetry.

So why is it called Zebra? There are several reasons, not least that it’s named after a poem of mine which I used to perform while sharing stage with a cardboard Zebra. At the Barnstaple Fringe a few years ago the cardboard Zebra started getting a bit ragged so a friend and and I went round the art and craft shops of Barnstaple to find some gaffer tape to fix it. On the way home from Barnstaple my friend’s car had its sump guard fall off, and the zebra gaffer tape saved the day! He used it to stick the sump guard back on. The other reason is that it’s a nod to one of my favourite groups, Yello, who had an album called Zebra. Everything I used to write at the time was done to that cd. I must have been about nineteen.

I’m enormously proud of Zebra!

You can purchase your copy wherever you see me, or here http://robertgarnham.bigcartel.com/product/zebra

Static : The Script

Hello,

Here’s the script of my first solo show, Static. It hasn’t got the poems in it, but I thought people might like to read the in between material.

It was performed on several occasions throughout 2016 and on one occasion in 2017 in Torquay, Exeter, Bristol, Edinburgh, Guldford and Totnes.

It was all a bit wobbly but I had great fun with it, and it was the mist autobiographical thing I’ve written.

STATIC
Robert Garnham

Robert is in the performance space with a small battery radio tuned loudly to static.

Poem : ‘Static / Wind’

I tell you what, it gives you the willies. 

Thinks about things for a while. Opens performance book.

Poem: ‘The Increasing Physical Dexterity of Justin Bieber’

2009.
Feeling so damn unique. There’s nobody like me in the world! That sensation of circumstance, geography and time being in just the right alignment to create me, and me alone. And there’s poetry in my chest, it’s beating away, pounding out strange rhythms with the absolute promise of being such an individual, that I might one say change society and make a real difference to the world!

Putting pen to paper. Oh, you brave poet! Your words will echo like an aftershock, an earthquake as time itself bends in on you with your uniqueness, like Lord Byron with a megaphone, Wordsworth with an attitude, Ted Huges on the ten o clock news shaking his fists at convention.

2016
Seven years of writing poetry and discovering that there’s nothing really unique about me after all.

Seven years of writing poetry about minor trips out to the dentist, mild personal discomfort and vacuum cleaners. Seven years of looking in the mirror every morning and saying, Yeah, that’ll do. Seven years of my work being compared to that of John Betjeman, usually by people who say things like, ‘His work is not as good as that of John Betjeman’.

Seven years static. A life spent going nowhere.

(Sit)

I want this show to be one of those worthy shoes, you know, where you learn all about me as a person and all of my shortcomings. I suppose my first shortcoming is that I was born in Surrey, a county so bland and so irrelevant that absolutely nothing newsworthy or interesting has ever happened there. And that’s a fact. Look it up in the history books, if you like. Nothing interesting has ever happened in Surrey. My birth there in 1974 coincided with the resurfacing of the Guildford bypass, whereas here in the same year you of course had the Olympics. Oh, and later that year my aunt saw a badger.

I was brought up with this sense of low expectations and the absolute blandness of existence. Even my name is boring. Robert Garnham. I sound like an estate agent. I like to think that I was named after my dad’s favourite singer, Bob Dylan, who is of course, Robert Zimmerman, and this at least makes me a little bit excited about being called Robert. But at the time I was born my aunt worked in the factory making Robert’s Radios in Molesey. I can imagine the decision-making process that led to my parents choosing such a boring name.

(Improvised family conversation involving Robert’s Radios).

Robert sits in the chair as his own mother while feeding a baby, presumably Robert. He stands to indicate when his father is speaking.

I suppose I got off lightly. My Uncle worked for a fork lift truck company called Lansing Bagnall.

Robert builds a theremin on the table out of a corn flakes packet, two Wellington boots, a tape machine. He plays the theremin.

Let’s try and . . .

The tape machine interrupts him. Improvised silliness with the tape machine.

School was hell.

Poem : ‘2 Abbey 1’

(Stand)

I grew up in a house on a hill. Three generations, six of us in a two-up, two-down cottage surrounded by woods in the hills of Surrey. From the back bedroom window at night I could see the whole of West London. In the evenings I’d tune my radio through the static to the jazz stations, sit there for hours in the heat and the humidity of the sticky forest Surrey summer, and gaze at the neon and the road signs and the motorway lights.

Poem: ‘The Prince of Belgium’

Apart from being gay, that was.

(Sit).

And oh, mamma! I was very gay. I was probably the gayest thirteen year old that Surrey had ever seen. Yet my whole suburban mindset dictated that I should stay in the closet and not tell anyone because this was Surrey and people didn’t really want to know about such things, they were too busy buying bowler hats and going to wife swapping parties and voting for weird Conservatives and because of that I thought there was something wrong, a strange error in the system which just affected me. I knew that everything had to change but the time was never right.

It took a few years, and I came out to my friends first. They were surprisingly supportive, but at the same time they were incredibly surprised. Even though I’d been the gayest thirteen year old that Surrey had ever seen. You see, by the time I was twenty, I was a completely different person.

In fact, it still comes as a complete surprise when people discover that I’m one of those gay people that you hear about. I think, personally, it’s because I’m so macho, and manly, and tough, and masculine, and something of a hard nut. I think, basically, it’s because I’m a stud.

(Stand).

Though to be honest, I’ve always felt like a gay man trapped in the body of a bus driver.

I always wonder what my friends thought about that whole gay thing.

Poem : ‘Not Flamboyant’

I was set up on a blind date suggested by mutual friends and we hit it off immediately. At the time I was a part time shop assistant, and he was a trampoline salesman. Looking back now I see that he was incredibly patient with me. In fact he even said that it was what inside that counts, and that to him looks weren’t . . .

Hmmm.
Come to think of it, he charged me twenty quid.

Poem : ‘The First Time’

So I came out. And I had oodles of sex. And I masturbated a hell of a lot. It’s hard to believe looking at me now but when I was 18 to 20 I was a very attractive young slip of a thing with a trendy haircut and a face lit up with the evident joys of life. I always wondered what my first partner would be like and I would daydream about the usual ones, bearing in mind that this was the early 1990s. Peter Davison from Doctor Who, or Chesney Hawkes, or for some weird reason, foreign secretary Douglas Hurd. My first proper partner was a young man called Jamie, a slightly taller, thinner version of Lance from Neighbours. He invited me back to his place ostensibly to show me his collection of Star Trek memorabilia. I knew it was about to get really interesting when he took me up to his bedroom to let me see his collection of phasers.

Poem : ‘Jamie’.

Oh, when I look back on it now it’s like I was doing it all the time. But as I’ve got older, I’ve shown less and less interest in these matters. Things have slowed down. I’ve slowed down. I’ve become static.

I feel like there’s this sense that my life is going nowhere. I’m now officially middle aged and there’s a huge list of things that I’ve never done.

(The list is written on cards. Robert dances and improvises as he unveils them).

I’ve never bought a house.
Learned to drive.
Fallen in love.
Had a promotion.
Earned the respect of my contemporaries.
Had a jacket dry cleaned.
Hosted a barbecue.
Owned a sofa.
Walked a dog.
Got married and had kids.
Bought a round in a pub.
Used a power drill.
Been arrested.
Paid a bribe to council bin men.
Used an axe.
Slapped a yak.

When I look at my life I’m tempted to think that I haven’t done much with it. I don’t have a fancy job or a nice big house or a big throbbing monster of a car. In fact all of the things that seem to drive successful people seem to have passed me by.

And I’m ok with this.

It lets me concentrate on the important aspects of living, like sleeping and biscuits and buying hair gel.

Here’s a diagram to illustrate my thinking on this.

(Improvised diagram and flip chart section).

I’m about as camp as an oak tree. I’m about as flamboyant as Ryvita.

(Look left and right as if imparting a secret).

Yet I see wonder and amazement everywhere. I watched a documentary once in which it was pointed out that the echoes and shockwaves from the Big Bang which created existence itself can still be heard as static on a radio receiver. The idea of this has always interested me immensely. I may be just a poet, but I’ve always wanted to probe the origins of life and existence and make my own little mark on the world. The work of the large hadron collider, I believe, will ultimately shed new light on the mysteries of the universe, and I try to muck in and help where I can.

So for you, ladies and gentlemen, and for science in general, and for deeper understanding, I’m going to construct a large hadron collider right now, right here, on stage.

Robert takes a length of garden hose, a camera, a biscuit on a plate, and attempts to create a black hole by smashing atoms together in the garden hose. He finishes by holding up photos on his ipad of the resulting smashed atoms.

Of course, I would need a proper scientist to tell me what this all means.

It’s all connected. Everything is connected. Time and memory, light and shade, and all those atoms spinning around, radio signals from the original Big Bang, and me, me as a young man with all that wonder and amazement, I’m still that person only I’ve channelled it all elsewhere, the parts of it that haven’t been ground down by the finer detail of living, every now.

Yet I’m also aware that the world I live in is freer and more open and accepting than other parts of the world, and that’s what this next poem is about.

Poem: ‘The Doors’
Poem: ‘Badger in the Garden’

Robert performs the performance piece ‘Static’ which starts with the radio being switched on again.

The whole piece is delivered with the radio on. At the end of the piece, Robert packs away all of the paraphernalia and sits on the chair with the radio in his lap. He turns it off.

How Sultry the Night that is Ours

I was coming back from a gig in Taunton last night and I had to change trains at Newton Abbot, with a  half hour wait. So I decided to set up my camera and film this, the poem I’d spent two weeks learning. I didn’t realise that the waiting room was next to the station office with staff still in there, but hey, I’m sure they enjoyed it!
https://youtu.be/9k72hubbjRg

Duck fight.

The other day I came through the park
And there was a duck fight,
Two male ducks going at it,
Quacking in the most boisterous manner
And flapping their wings.
Duck fight.

When people are insulted and they don’t care,
It’s said to be water off a duck’s back.
When ducks are insulted they
Are less inclined to be poetically philosophical.
They don’t take it lying down.
They don’t lie down.
I stood at the pond and I pointed and laughed
At the fighting ducks.

One duck was up for it.
The other was a well ‘ard mallard.
One duck showed a lack of respect.
He was pecked
By the other duck.
It was like watching Daffy arguing with Bugs
Only it was two Daffies
And nobody had a carrot.

A woman walked past and I said,
Duck fight!
She looked at me weird
And quickened her pace.

Peck flap quack flap peck flap quack.
Quack peck flap flap peck peck flap.
Flappity flappity peckerty perkerty
Quackety quackerty quack.
Peck flap quack flap peck flap quack.
Moo.
There was a cow nearby.

It made the pond
Awfully turbulent.
It was all kicking off.
I expect at the end of the fight
They would’ve both been cream quackered.

Wait for laughter.

I wondered what had started it.
Perhaps a transaction gone wrong,
A dispute with the bill.
Perhaps they were playing snooker
And one of them did a fowl shot.
Perhaps one of them said quack,
And the other replied,
I was going to say that.
Perhaps they were fighting over a chick.
Perhaps someone threw a frisbee
And shouted, duck!
But instead of ducking the ducks looked up
Because they were both ducks.
Perhaps it was none of these things.
Perhaps one of them
Made a wise quack.

I wanted to stop it.
I wanted to stop the duck fight.
But it’s never a good idea
Just to wade in.

I wrote in my diary that night,
I wrote,
And they’ve info the firmament of my rigid
Imagination,
Forgoing all but the sweetest dreams
Of nature divine and the privilege of
Which I have been thankfully prone,
Did I espy, in the park,
A duck fight.
Also, I went to Lidl and bought some fish fingers.

In the eighties I invented an
Alternative to My Little Pony.
It was called
My Little Duck
It was a My Little Pony
With the nose sawn off and a beak
Welded on.
It had too many legs.
Which gave it stability but was
Anatomically incorrect.

The park ranger put
His hand on my shoulder and said,
Just let them get on with it, son,
Let them sort it out between them,
And I said,
Why have you got your hand
On my shoulder?
And he said,
Why don’t you come back to my shed
And watch some duck fight DVDs with me?
And I said,
Ok.

On learning poetry from memory.

I’ve spent the last week learning a new poem. This might not seem like the most startling revelation from a spoken word artist, it’s what they do. I know lots of my poems from memory, especially the short ones or the ones which rhyme, a process I started when I got an eye problem and had difficulty in reading the book on dark stages. What makes this one different is that it’s a brand new poem which I haven’t yet performed.

I have a shocking memory for learning material. A long while ago I was in a play at the Northcott Theatre in Exeter, it was a production of Sarah Kane’s Crave, and it felt almost impossible to learn because none of the lines made any logical sense compared to the line before it. I can’t remember how I managed to do it in the end.

The reason I’ve learned a new poem is that I’m taking part in a theatre writing showcase in London tomorrow and the director wants the poem to be performed from memory. So I’ve spent the last two weeks learning it, and using all kinds of techniques to make sure that the lines go in. So what I’ve been doing is making crazy associations between the end of one line and the start of the next.

For example:

. . .when he gets distracted by the cricket results.

So we’re walking on the beach, me and Brandon . .

I visualised cricket on the beach.

For ‘butt blocks in the rigging,
Man the head!’

I visualised someone getting their head caught in the rigging of a ship.

And for ‘whales both hump back and sperm,
First mate officers . .’,

I visualised . .
Well, someone would really have to be your mate to do anything with them and sperm.

I’ve also been practising the poem all the time, in the shower, at the gym, in the sauna, and while walking through town. I must have looked like something of a loony, walking along and mouthing words to myself, but it’s working. The poem is currently locked in place and I’m feeling rather pleased.

So the next step, of course, is to memorise a whole hour show. A three minute poem took two weeks, so a sixty minute show should take . . . Well, it should be ready by 2018!

Here’s the poem:

Poem

It must be hot,
My mars bar’s turned to mush,
The sound of melting tarmac
In the late night hush.
Bread in the packet has already turned to toast,
My neighbours pet chicken is now a Sunday roast.
Now I don’t like to boast,
Because I’ve got Brandon, oooo, Brandon
Basking on my bed in his boxers,
Both of us pining for something fresh
Other than the obvious
Like the steering freeze of truth,
The cool, cool wash of contentment,
Or a vanilla ice cream.

Bung a flake in it, good fellow.
Bung a flake in that thing!
Grab it, twist it, thrust it in,
Now how much do I owe you?

We’re making our way through this
Seaside town now, me and Brandon,
He’s promised something hot and long and sticky
The moment we get back.
It’s been years since I had a kebab.
Past shop clad shutters and graffiti denouncing
Tracey as a slag,
To the neon buzz moth hub
Of the prom prom prom
Tiddly om Pom Pom
Last night in bed he said
It isn’t  very long
Tiddly om Pom Pom
And it’s very limp.

And I said,
It’s seen a lot of tourists over the years
And it’s prone to erosion
And longshore drift.
Half of it was swept away
By a giant squid.

The rash on the side of my neck
Is caused by Brandon’s stubble as if scrapes
Sandpaper scrapey sprapey scrape
When he gets distracted by
The cricket results.

And now we’re walking next to the beach and his face is
Lit up like that of a cartoon ferret on a box of cheap own brand
Rice Krispie knock offs
The spoon filled with ricey goodness
Hovering inches from his cavernous gob 

And the salt air late night sea breeze
Caresses our manly frames
Imbuing in us all kinds of nautical hi jinx
Naval seriousness, merry little frigates,
Dolphin blowholes, bottom feeding mullets,
Whales both humpback and sperm,
First mate officers, salty sea dogs,
Able bodied seamen, bow thrusters,
Butt blocks in the rigging, man the head,
Bump head gurnards and bottle nosed lumpsuckers.
And chub.

Do you see the ice cream van?
Do you see the ice cream van?
An oblong of light spilled out on the
Sand flecked concrete,
It’s refrigeration generator
Throbbing the sir with a sudden intensity,
Chugga chugga chugga
Do you feel it throbbing away there?
Chugga chugga chugga
Window stickers advertising all kinds
Of things to lick and nibble and crunch down on
Cool and ever so creamy.

The moon beams on high like someone from Dorset.
In the glow of it’s madness we dance.
Oh, Brandon, I want to do things
To certain bits of you
For most of the night,
Though I’m conscious you’ve got an early shift
At the Lady Remington Smooth N Silky
Cordless Rechargeable Hair Removal Facility factory
And the ice cream man,
Oh,
The ice cream man,
Did I mention he’s also a magician?
A sparkle in his eye,
He starts waving his magic wand at us, and

Poof!

All is gone.
The ice cream man is gone.
The ice cream van is gone.
The neon and the stats are gone.
And Brandon is gone.
None of them ever existed.
It’s just me, and the prom
On a sultry night in a sleepy coastal town,
And the kebab shop is closed,
And the rash on my neck
Is just a fungal infection
And Tracey is still a slag, apparently,
And I walk sadly home,
I walk sadly home.

We’re sending our thoughts and our prayers.

Hey there Mister President, it’s happened again,
What shall we tell our tax payers?
We could jump into action, but action costs money,
Let’s send out our thoughts and our prayers.

Guess what, Mister President, a hideous happening,
World leaders and other big players
Have pledged their assistant, so I guess that means
We can just send our thought and our prayers.

Omg Mister President, you’ll never guess what’s
Been committed by some mad doomsayers,
We could be brave. Or perhaps just cave
In and send our thoughts and our prayers.

An island community hit by a hurricane
Melting ice and sea level layers
We could put a stop or just contribute
But let’s just send our thoughts and our prayers

The vocal minority is righteous and loud
And they foam and they spit, they’re such bayers,
For mercy for those who think that they know
So let’s just send our thoughts and our prayers

When the obvious is called for and various choices
Deep thinkers and other conveyors
Can make such great changes and go with their hearts
So we’ll send them our thoughts and our prayers

It’s hard to seem righteous when appearing so wrong
It’s hard to seem like a soothsayer
But acting with solemnity and a smidgen of balls
And the tiniest amount of knowing bravado
And the minimum amount of presidential clout
And not even sending out thoughts
And not even sending out prayers
But just the expression,
‘We’re sending our thoughts and our prayers’
At least makes it look like all of the above.

You’ve got a golf match
At two o clock, by the way.