Coffee Shop – Poem in the style of Dame Edith Sitwell

Coffee shop

Breakfast bap in a non-stop coffee shop
Mocker mocha joker taking calculated pop shots
Nutty roast flapjacks fluffy most backpack
Flat pack sad sack I bet he drives a hatchback
Souped up car drives it far have a pain au chocolat
It’s a coffee shop, coffee shop, coffee coffee coffee shop.

Costa roaster boaster toasting toast in Costa’s toaster
Toasting roasted roasting roasts on the table use a coaster
Barista sister kissed her gets a blister from the steamer
Throw a plaster to my sister better duck oh good it missed her
Get a cup o’ cappuccino fill it up with roasted beano
From the coffee roast costa boaster toasted coffee cuppa hoster
It’s a coffee shop, coffee shop, coffee coffee coffee shop.

Steam spewing steamer spewing stream stewing cleaner
With a skinny latte somewhat leaner steaming customer less keener
Cream topped coffee toffee syrup frothy coffee
With a hot milk steamer up his nose let’s out a cough, he
Raises up his china mug he sips his coffee from his lip
Though his coffee drips from his lips think I’m gonna be sick
It’s a coffee shop, coffee shop, coffee coffee coffee shop.

Drip fed filter throws barista off a kilter
Puts a filter on the filter done without a sense of guilt, her
Shaky hand means Some’s a-spilt speaks so softly with a lilt, her
Filter coffee has gone off she leaves a sediment of silt, her
Queue grows longer like a conga and its winding and its snaking
In for caffeine every day they go all jittering and shaking
In for caffeine every day they go all jittering and shaking
In for caffeine every day they go all jittering and shaking
It’s a coffee shop, coffee shop, coffee coffee coffee shop.

Flurgen

Poem

Flurgen the Viking lay on the floor of the house
A spear sticking from the middle of his back.
Bloody hell, who did this?

My friend Mark has bet me ten quid that
I couldn’t incorporate the number 12 bus timetable
Into this poem.

Yesterday the sunrise was resplendent.
Flurgen the Viking dead on the floor.
Whoever pulls the spear from his back
By Icelandic law
Has to avenge his death.

0723 Brixham Town Square
0724 Brixham New Road
And every twelve minutes thereafter.

Will it be Erik Jansen?
Will it be Jan Ericsson?
Will it be Ethel Shufflebottom?
She’s not from round these parts.
0726 Brixham Monksbridge Drive

I don’t know what happened
To the man who was meant to
Come and fix my door.
I don’t even care what happened.
I just want some closure.
Yesterday the sunrise was resplendent.

Ethel yanks the spear.
That’ll do to train my runner beans, she says.
But now you have to avenge the death of Flurgen,
Points out Jan Ericsson.
Can’t be arsed with that, she replies.
0729 Churston Village.

I work in a shop
Which sells ornamental horses
This morning I sold three on the trot.
I said to the bloke,
You wanna box for that?
He knocked me out in Round Two.
Yesterday the sunrise was resplendent.

0730 Churston Village School

Ethel that’s a fine spear you’ve got there.
Shame about Flurgen.
0731 Churston Village.
The bus is going backwards!
My brother’s got a police record.
It’s Every Breath You Take.
He played it on a old gramophone.
Wow, I said, that’s an old gramophone.
Is it a wind-up?
No, he said, it’s real.
Yesterday the sunrise was resplendent.
I work in a shop
Which sells ornamental horses.
He knocked me out in Round Two.
0733 Windy Corner.
Get up, Flurgen, for goodness sake.
The bus is going backwards!
I just want some closure.

In a misty glen Ethel
Came across the miscreant.
Did you kill Flurgen Flurgenssen?, she asked.
Yes, he said.
She gave him a damn good frowning andf said,
0734 Broadsands Library
Except for Bank Holidays
She said
How come the Three Musketeers
Are called the Three Musketeers
When there’s four of them
And they don’t use muskets?
She said
0735 Cherrybrook Drive
She said
Hey Mark that’s ten quid you owe me
She said
ABBA were being stalked
By Hank Marvin and his band.
Won't somebody help me chase the shadows away?


Christmas Eve with my Grandparents

There was always something special about the house where my Grandparents lived. On a wooded hill to the west of London, in winter the back bedroom window looked out over the whole of the city right the way from Heathrow to Canary Wharf and if you looked close enough you could see the fins of the aircraft winding their way between the hangars, the motorway signs of the M25, and maybe I’m just imagining it, but the lights of Piccadilly Circus. Actually, I’m probably just imagining that last one.

          The front windows looked out over dense woodland. Dense, creepy woodland which in my imagination went on and on and housed bears, wolves, ghosts, and extended all the way to the Arctic. I was a pretty imaginative kid. The woods actually ended after a couple of miles with a golf course. But it’s always fun to paint such vivid pictures.

          The thing about my Grandparent’s house was that bits had been added on the back over the years, so that what once had been a two up, two down cottage was now a two up, six down jumble of rooms one built on the back of another, so that it was always an adventure as a kid making your way from the front living room to the toilet, passing through five different doors and feeling as if one were getting further and further away from planet earth.

          But it was a house where I always felt happy and comfortable, because it seemed like the sort of place where nothing bad could ever happen. There was a jumble of outbuildings at the bottom of the garden, one of which was Grandad’s magical workshop which had lathes and drills and drawers and a workbench and blueprints and I imagined him pottering away like the mad inventor that he probably was, and how I would later become a similar mad inventor, except with words. Perhaps.

          The best day of the year was Christmas Eve. We would go to visit my Grandparents and the dark woods would kind of hold a romance within them, and the lights of London would twinkle like stars, and halfway through the evening, Gran would go to the kitchen and come back with sausage rolls baked in the oven, severed on her famous ‘silver salver’, and to be, this felt the most festive time of the year. And we’d chat, and Grandad would get merry on his whiskey, and my sister and I would sit on the floor and have cola, and it seemed such the most perfect night of the year.

          It’s probably my Grandad that I most resemble. We both wear the same kinds of glasses and I found a photo of him the other day where he was wearing clothing remarkably similar to that which I wear on stage. Grandad was a mild, quietly-spoken man who would make a room crack up with just a soft-spoken phrase or one-liner. He was kind of a mix of Ronnie Barker and George Burns, and I miss him every day even though he passed away in 1995.

          ‘Have you been waiting long?’, I remember my gran once asking.

          ‘No, not at all’, he’d replied. ‘I watched the sun go down, and I watched the Moon come up’.

          Tomorrow is Christmas Eve, and I’ll be off to my mother’s in Brixham. And tomorrow night, she will bake some sausage rolls and we’ll be using that same silver salver. It’s a tradition we’ve kept up with every year.

          The following poem is taken from my book Woodview, the first third of which is about life growing up in that house on the hill in the woods.

Christmas Eve on Knowle Hill

In this room sing the memories of moments,
of spiced pies and flames a flicker,
frost sipped from removed overcoats which
smell of cross city trains, junctions,
winding B roads to this wooded hill
and a cottage barricaded against forest intensity.

Glimmer stars glimpsed between bare branches,
curtains drawn. The city lights undulating
on waves of cold, curtains drawn.
Ramshackle architecture, bits added on, the
kitchen with the oven through labyrinths of dark
passageways, rooms locked against the winter,
curtains drawn.

A spindly tree with multicoloured lights
and baubles on the picture tail, tinsel
twisting as heat rises from the gas fire.
A draught under the living room door.
Can you smell the sweetness of the city?

Come in.
I hum this festive murmur of jovial
whisky warmth, sausage rolls, a silver salver,
seasonal serviettes and a quiet magic in the
woodland mysterious, this love we have
for moments and memories past.

Yay! Recorded live in the stock room of a shop

The thing was, I was fed up with lugging props around the various fringes and festivals. That was the crux of the issue. Each year I would devise a new solo show and each year I’d promise myself that it would be a simple affair, and within weeks I had incorporated so many props, costumes and technical details into the show that it couldn’t possibly be performed without a big box of paraphernalia. Which is not what you need when you have to run for trains or make your way from Devon to the Edinburgh fringe.

          2019 was when things got just too much. That year, I had a show all about tea. The show was called ‘Spout’. ‘Spout’ could only be performed with: a tea pot, a cup, a saucer, a tea caddy, a box of drawstring teabags, a tea cosy, an iPad which had all the various sounds, music and cues stored on it, a Bluetooth speaker, some juggling balls, a large pad of paper with a word search written on it in sharpie, and a tray on to which I had glued another teapot, another cup, another saucer, a milk jug and a sugar bowl, so that I could dance around the stage without them falling off. So once you add luggage for a week in Scotland, merchandise to hopefully sell, and everything else which I normally travel with, you can see that performing the show was more like moving house.

          And then on the way back from Edinburgh, someone stole my luggage. Sure, I had my box of props, but the tea cosy was in the suitcase which got stolen. The tea cosy was actually a proper hat knitted and created by the artist Hazel Hammond, and I think I was more upset about this than the fact I’d lost all my clothing. And that’s when I decided, the next show will have no props!

          No music, either. No complicated cues. No background beats. It would just be me and the audience with no embellishment whatsoever. Something about this felt pure. It felt real. It felt grown up.

          In 2020 I started work on the new show. I decided that it would tie in with my new book, published by Burning Eye. I decided that the show would feature only poems from the new collection. Which I knew would make the writing somewhat limited, but I was determined to get it done. 

          Each one of my shows was inspired by something or someone during the planning process. My first show, Static,  (2014), was heavily influenced by the work of performance artist Laurie Anderson. In the Glare of the Neon Yak (2017) was influenced by storytellers such as Dandy Darkly. And when it came to the Yay show, I was busy looking at the work of singer David Byrne, and storyteller Spalding Gray. Spalding’s only prop was often just a table which he sat behind. And Byrne’s American Utopia stage show concentrated on choreography and movement. These were the two things I was watching or reading about during the creative process.

          I also read a book about creating solo work, and it suggested keeping a diary. Aha, I thought. Now that’s something I can definitely do. I thought I’d forget about the diary, but it actually helped with the creative process because it pushed me to do something which I could then write in the diary as proof that I was making some kind of progress.

Naturally, at the time I had no idea that this period of creativity and rehearsal would coincide with various lockdowns, pandemic mandates, and the whole paranoia and psychological malaise which these brought to the art industry. At some moments I wondered if I would ever get the chance to perform the show. As it is, with a bit of luck and some nifty admin, I managed to perform Yay twice in 2021, as well as perform it to a completely empty theatre for the benefit of a filmmaker, so that people could view the show online during lockdown.

Bad Pint

Bad pint 

‘To be honest’, he says, ‘I really can’t remember getting home last night ‘.

         And there he is, standing in the doorway of my flat, and he’s saying this with what almost amounts to a hint of jubilation in his voice. It’s New Year’s Day. And he obviously did get home last night.

          ‘Didn’t your brother give you a lift?’

          ‘He might have done, yeah, but . . . You know, I’m never drinking again. Well, not for a bit. Time for a dry January’.

          It’s four in the afternoon and he’s obviously just got up.

          ‘I must have had a bad pint or something’.

          ‘There’s no such thing as a bad pint. It’s just an urban myth’.

          ‘Mum used to say all the time, whenever I got like this, that it’s a bad pint. That’s what does it. Ask anyone’.

          ‘It’s a euphemism’.

          ‘A new what?’

           ‘Euphemism’.

           ‘They should get Health and Safety to look into these breweries. All these bad pints. Oh, my head!’

          He comes in and sits down in my armchair.

          ‘Ohhh, I think I’m going to be . .’.

          I hold the waste paper bin under his nose.

          ‘It’s ok’, he says. ‘I’ve swallowed it’.

          ‘Dear god!’

          I look at him, sitting there. He’s wearing his t-shirt and shorts, the clothes that he wears when he’s in bed. At least he had time to change out of the clothes that he had been wearing. I look at him, with his features that look like the face of a teenager has been grafted on to the frame of a sixty year old.

          ‘Can you remember midnight?’ I ask.

          ‘No’.

          ‘The fireworks woke me up’.

          ‘You were asleep?’

          ‘Yes’.

          ‘Jeez. You’re such a party animal’.

          ‘But you had a good time, though?’

          ‘I can’t remember’.

          I look out of the window. It was a mild, overcast afternoon. I can see people walking past to the park at the end of the street. I live in the ground floor flat directly beneath his. I knew that he was asleep because I couldn’t hear him moving around. I couldn’t hear his television, either.

          ‘Do you want something to eat?’

          ‘Urghhhhh’.

          He puts his hand right over his eyes.

          ‘Never drinking again. Too many bad pints’.

          His brother also lives in the same building. When the fireworks had started at midnight, his brother had gone outside and started up his car, and then he had just sat there for a bit, watching the fireworks from behind his windscreen. His rear brake lights had lit up my flat an otherworldly red as the new year came in. I must have gone back to sleep just after he had driven away.

          ‘I think maybe it might be a good idea for you to go off the booze for a little while’, I say to him.

          ‘I told you! It was a bad pint! And anyway, I’m doing the dry January thing. Not that I need it. Don’t you listen?’

          ‘I know, but you’re never serious about these things’.

          ‘Bucket’, he says.

          I reach for the waste paper bin again.

          ‘Swallowed’.

          His mother had thought we were lovers. I’ve never told him this, because I knew he’d go off on one. And when I’d told her that we weren’t, at the time that she was seriously ill and only a few days away from dying, she had told me that I should look after him. Make sure that he was okay. And I’d said, yes, I will. And that’s why I’d had been relieved, the night before at midnight, when I’d heard his brother get in the car at midnight.

          ‘I was thinking of going for a walk’, I say.

          ‘Urghhhhh’.

          He clamps his hand right over his eyes, tightly.

          ‘Work, tomorrow’, I whisper.

          ‘I know’, he says. ‘Bad pint . . .’.

          He gets up and shuffles towards the door.

          ‘Let me know if you need any food’, I tell him.

          ‘Yeah’, he says.

          ‘Yeah, you do, or yeah, you don’t?’

And then he’s gone, and it’s a happy new year, and the kids are going past on their bicycles and skateboards to the park at the end of the road, and the sun is already beginning to set, and his brothers car is still there where he’s parked if the night before, after he had brought him home.