Badger in the Garden (Who thinks he’s on EastEnders)

Here’s a new film version of my poem, Badger in the Garden. It’s actually the first three minutes of a longer piece which I shall be releasing shortly. I hope you like it! It’s a little silly . . .

Some useful tips for performing performance poetry at performance poetry performance nights.

1. Sit at the back. Don’t sit at the front. If you sit at the front, when it’s your turn to perform you’ll be performing to an empty chair.

2. Also, if you sit at the back, the audience will clap for longer while you’re walking to the microphone.

3. If you are a prop poet and you bring a cow to the stage, don’t point out that you’ve brought a cow to the stage, because people can see that you’ve brought a cow to the stage.

4. Don’t milk it.

5. If you bring books to sell, beg the host for a slot in the first half. That way you can sell books during the interval and still have time to run off and get the train. Make sure you can change a twenty.

6. If someone says they like your stuff, they usually mean it. Sometimes they say it so that you’ll automatically reply that you like their stuff, but not always. Sometimes they’ll say it because you were awful and they feel sorry for you, but not always. But most of the time they mean it.

7. I mean, I think they do.

8. I’m pretty sure of it but you’ve got me thinking, now.

9. If it’s an open mic, spell your name legibly on the sign-in sheet. I usually end up being announced as Rupert Graham.

10. If you’re performing haiku, for gods sake, we all know what haiku are, so you don’t have to explain what a haiku is. Syllables and stuff. The explaining is usually longer than the haiku. Sodding haiku. Same goes for acrostics and villanelles.

11. Don’t get rat-arsed.

12. If you’re using props, check for light fixtures and obstructions.

13. I mean, is it me, or do haikus always seem like they should be longer?

14. If you want to have a laugh while performing, make eye contact only with one audience member, then glare at them, give them the old state, really freak them out.

15. It’s not a competition.

16. Well, except for slams. I forgot about slams.

17. Don’t give away all your poem in the introduction.

18. If you bow to the audience at the end of your set, don’t bang your forehead on the microphone. It bloody hurts.

19. The long walk back to your seat is still part of the performance. Maintain your aura. Try not to trip over handbags. And listen out, because the compere might make some wise-arse remark about you.

20. Always leave them wanting more. Try to do less than the time allocated. The host will love you for it.

21. Make sure your flies are done up.

22. Sitting at the back gives you a sense of mystique.

23. If you really want to infuriate the host, turn towards them almost at the end of your set and ask, ‘Have I got time for another two poems?’ They will always be too polite to say, ‘No, sod off’.

24. If there’s a mic, then don’t say, ‘Oh, I think I’ll perform without the mic. Can you all hear me?’ The people at the back who can’t hear you won’t hear you say ‘can you hear me’. For goodness sake, use the damn mic!

25. Not everyone enjoys the phrase ‘this poem requires some audience participation. Let’s practice, shall we?’

26. But poems with audience participation get stronger applause because the audience is clapping themselves, and most of them are relieved that they don’t have to do any more audience participation.

27. There really is no subtle method in plugging a book.

28. I reiterate, if you’re using props, then check for light fittings.

29, Don’t hold a massive folder in front of your face while you’re reading.

30. Practice at home, time yourself, and aim to do less than your allocated slot.

31. Talk to the other poets.

32. Look for the following: a poem about a cat, a poem in which the performer uses the expression ‘You have no right to tell me how I must feel, how dare you tell me how I must feel’, a poem in which the poet turns on the waterworks halfway through, a poem about some Ancient Greek myth which you’ve never heard about but then everyone laughs knowingly and you laugh too even though you have no idea what they were going on about, a poem which finishes with everyone just going, ‘Mmmmmm’, a poem about being a poet, a poem with a modern cultural reference or metaphor which everyone laughs about and again you join in even though you have no idea what they’re talking about, a poem in which the poet does that strange thumb and forefinger pinched motion as it plucking a finely tuned delicate word from the ether, another poem about a cat. There’s no wrong way to do it, but give yourself a point for each of these!

33. Enjoy the whole experience!

The Lighthousekeeper

Today’s poem is about a quite randy lighthousekeeper. This poem is not for the faint hearted!

<div style=”font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;”><a href=”https://soundcloud.com/robertdgarnham&#8221; title=”Robert Garnham” target=”_blank” style=”color: #cccccc; text-decoration: none;”>Robert Garnham</a> · <a href=”https://soundcloud.com/robertdgarnham/robert-garnham-poems-trim-trim&#8221; title=”Daily Poem 10: The Lighthouse” target=”_blank” style=”color: #cccccc; text-decoration: none;”>Daily Poem 10: The Lighthouse</a></div>

A dance poem

Give it all you’ve got

You can dance to this poem,
Throw shapes,
Take a stance
And go with it.
Give it all you’ve got.
But
I’ll have to move some of the
Words around.

And you’ll be giving it large!
Move this verse over here,
It’s like furniture,
And you’ll need room.
Flailing limbs and all that,
You might knock the full stop
Right off the end of this line

.
Is that better?

Boom. Boom.
Boom. Boom.
This poem ain’t no dancer
This poem ain’t no dive
This poem ain’t no chancer
Makes you glad to be alive.
This poem she’s got rhythm
This poem she’s got pace.
This poem she’s gyrating now
All around the place.

It’s a dance poem
Dance poem dance poem
It’s a dance dance dance dance poem
It’s a dance poem
Dance poem dance poem
It’s a dance dance dance dance poem.

(Laser flash in dry ice dreams
Lights ablaze and psychic screams!)
Let’s all go for a nice ice cream!

This poem ain’t no danger
This poem she’s got soul
This poem is a ticket machine
It really takes its toll.
This poem she’s so classy
This poem is so cute
This poem is so cheeky
And something of a brute

It’s a dance poem
Dance poem dance poem
It’s a dance dance dance dance poem
It’s a dance poem
Dance poem dance poem
It’s a dance dance dance dance poem.

(Laser flash in dry ice dreams
Lights ablaze and psychic screams!)

Give it all you’ve got.
It’s a dance poem.
Wordsworth did it nightly
It’s a dance poem.
Byron bopping to the beat
It’s playing on repeat
Shakespeare was the coolest cat
Shouting in the street
It’s a dance poem.

It’s a dance poem
It’s a dance poem
(Getting quieter now)
Dance poem.
Dance poem.
Dance.

A letter to Buzz Aldrin

Hello,

Here’s today’s poem podcast and it’s a letter to the second man on the moon, Buzz Aldrin. Because I know how he feels. I’m always late for the party myself. But he got there, didn’t he? He managed just as much as the other chap. Here’s a poem for you, Buzz.

<div style=”font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;”><a href=”https://soundcloud.com/robertdgarnham&#8221; title=”Robert Garnham” target=”_blank” style=”color: #cccccc; text-decoration: none;”>Robert Garnham</a> · <a href=”https://soundcloud.com/robertdgarnham/a-letter-to-buzz-aldrin-wav&#8221; title=”Daily Poem 8 : A Letter to Buzz Aldrin” target=”_blank” style=”color: #cccccc; text-decoration: none;”>Daily Poem 8 : A Letter to Buzz Aldrin</a></div>

You can tut all you like

You can tut all you like

You can tut all you like Mr Pinkerton
This queue ain’t moving any faster
Going tut tut tut tut tut tut tut
Ain’t gonna make the queue go faster

He’s an uptight tutter he’s a bread without butter
He’s a mean low thing who lives in the gutter
But he ain’t gonna get any place soon
By going tut tut tut tut tut tut tut

Tut tut tut tut tut tut tut
Tut kyaw tut kyaw tut kyaw tut
Tut tut tut tut tut tut tut
Tut kyaw tut kyaw tut kyaw tut

You can tut all you like Mr Pinkerton
I’m gonna take my own sweet tine
Going tut tut tut tut tut tut tut
I’ll make sure you’re still stood in line

He’s an uptight tutter he’s a bread without butter
He’s talking to himself and the queue can hear him mutter
But he ain’t gonna get any place soon
By going tut tut tut tut tut

Tut tut tut tut tut tut tut
Tut kyaw tut kyaw tut kyaw tut
Tut tut tut tut tut tut tut
Tut kyaw tut kyaw tut kyaw tut

Youuuuuuuuuuuuuu
Can tut all you like Mr Pinkerton
I’m sorry if I disappoint
Going tut tut tut tut tut tut tut
Mind you, he’s got a point.

Hes an uptight tutter he’s a bread without butter
It’s clear we’re in the way and they think we’re just clutter
And we ain’t gonna get any place soon
By going tut tut tut tut tut

Tut tut tut tut tut tut tut
Tut kyaw tut kyaw tut kyaw tut
Tut tut tut tut tut tut tut
Tut kyaw tut kyaw tut kyaw tut

Oh for goodness sake now one of them’s gone to lunch.

A daily poem podcast

From today I have started a daily podcast featuring one poem every day. I’m really looking forward to sharing some of the new poems that I’ve been writing with the wider world.

You can find the podcasts on my Soundcloud page.

Here’s the first episode!

<div style=”font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;”><a href=”https://soundcloud.com/robertdgarnham&#8221; title=”Robert Garnham” target=”_blank” style=”color: #cccccc; text-decoration: none;”>Robert Garnham</a> · <a href=”https://soundcloud.com/robertdgarnham/my-mother-is-banksy&#8221; title=”Daily Poem 1 – My Mother is Banksy” target=”_blank” style=”color: #cccccc; text-decoration: none;”>Daily Poem 1 – My Mother is Banksy</a></div>

An ode to darts

Darts.
Nightly pub-sport spectacle.
Like rhinos line astern gripping tungsten spears.
Darts.
Chunky-reaching cheek-wobbling darts.
Beer belly a-quiver overhanging too wide tee shirt unsolicited stomach glimpse darts.
Spherical hysterical measures out in trebles.
Darts.

Thud. Thud. Thud.

Cocky oche-jockeys crafty cockneys dressing sloppy.
Sports-upholding team mate-scolding beer glass-holding.
Carpet shuffling fart-muffling comes away with nothing.

Thud. Thud. Thud.

Double-chaser bullseye-maker opponent-hater third-rather.
Forefinger fling-flourish free-form darts throw panache.
Board-seeker tip bounce wire hitting kerplink.
Unlucky, Trev.

Thud. Thud. Kerplink.

Great big belly-man darts-land Leviathan takes a stand.
Meaty meaty clap-hand (nurses darts like baby chicks),
Arrow-flinging darts board-singing double-trimming
Guess who’s winning?

Thud. Thud. Thud.

Trophy-doting low-score-gloating show-boating local scrote
Boozy-wobbling woozy-toppling lazy darts-fling treble twenty
Bar staff aghast, darts stars laugh, fast darts dance, last chance,
Bust.

Thud. Thud. Thud.

Last game, the same again, self-same blame game.
In the team lean, seeming so keen, trophy a gleam, he’s a darts machine!
No pain no gain, no gain, no fame, oh, the shame!
Sudden-death shoot out, league-topping bullseye-aiming,
Thud, pretty nifty, scores a fifty, mores the pity,
Geddin my son quivering tentative there the dart itself hanging like a
Swan so graceful in its beauteous flight betwixt chubby
Sweating fingers slow-mo revealing the under belly wobble
Suspended in mid air aerodynamic like the philosophic truth
Writ large straight into the exact centre of the board!

Unlucky, Trev.
Unlucky, Trev.
Unlucky, Trev.

See you all next week?

A poem for Andrew Graham-Dixon

Andrew Graham-Dixon
Enthuses
And finds poetry in the raw
Of that which would
Otherwise bore me arseless.

He finds radical politicising
In a small painting
Of a warthog.
It’s all in the tusks,
He says.
He looks a bit like
Bryan Ferry.

The aurora borealis
Also
Bore me arseless.
Andrew Graham-Dixon
Talks about bleakness
With a Norwegian.

Andrew Graham Dixon
Enunciates.
Andrew Graham Dixon
Luxuriates in the last syllable
Of Van Gogh
Andrew Graham Dixon
Is the thinking mans
Maggie Philbin
Andrew Graham Dixon
Finds Pot Noodles
‘Hauntingly eloquent’
Andrew Graham Dixon
Uses exuberant hand gestures
At dull canvases
With a sad horse on it
Andrew Graham Dixon
Doesn’t move his eyebrows much
Andrew Graham Dixon
Would probably do the ordering
For me
In an Italian restaurant.

I turned up at work
With a side parting
And a shirt open
At the collar.
You’ve been watching him again,
My boss said,
Haven’t you?

I murmur something
About the stoicism
Of the early Romantics
And get on with
Things.

Sheep on a pogo stick

I taught a sheep to use a pogo stick. I wanted to do it so that I could unveil the sheep on the pogo stick at my sisters wedding and make some wisecrack about woolly jumpers. I spent weeks finding the right sheep. It had to be one that would not only demonstrate the necessary physical aptitude but it would also have to be glad of the limelight. And once I found the right sheep we had to go through several weeks of intensive rehearsals. I’d get home late at night, my neck aching from watching the sheep bounce up and down, my back aching from all the times I had to pick it up from the floor but by the end of the process and with just two days to go before my sister’s wedding the sheep was ready. It had a little hat and a sparkly one piece cat suit. Sheep suit. And I unveiled it at my sisters wedding just before the big ceremony and my sister just turned to me and said, ‘you’re sick. You really are sick.’

Bounce bounce baa baa bounce bounce baa
Bounce bounce baa baa bounce baa baa
Baa baa baa baa bounce bounce baa
Bounce bounce baa baa bounce bounce baa

Bounce bounce baa baa bounce bounce baa
Bounce bounce baa baa bounce baa baa
Bounce bounce bounce bounce bounce bounce
Baa
You really are sick she said she said.

Do you take this, yes I do,
Do you take this, yes I do,
I now pronounce you blah blah blah
Bounce bounce baa baa bounce bounce baa.
Woolly jumper, I shouted.

Nobody laughed.
I could have had a llama on stilts but I wouldn’t have been able to use the same punchline.