Casserole

1.

You know what it's like.
It's just gone three in the afternoon
And you get a sudden pang
For casserole.
Not quite as full on as a stew,
Not quite as funky as a hot pot,
Not quite as opaque as soup
Nor even a broth with its
Meaty meaty chunks,
Casserole, winter warmer,
Dumpling soaker,
Casserole casserole casserole,
Mmm mmm mmm!

Traipsing round the supermarket aisle
Where is the casserole? This'll take a while
I tell you what will a-make a-me smile
A glimpse of casserole, I would run a mile
Like a character from mythology, a personal trial
Casserole casserole casserole,
Mmm mmm mmm!

Excuse me mister manager
Supermarket manager
Where is the casserole,
Don't hold it back!
Excuse me mister manager
Supermarket manager
Where is the casserole,
It's something that you lack!

Casserole casserole casserole,
Mmm mmm mmm!

And the supermarket manager said

2.

I am the very model of a supermarket manager
We have so many bargains here we'd see off any challenger
We sell our food in tins and packs and sometimes in a canister
And if somebody makes a mess I have to call the janitor.
I am so damn professional I'm nothing like an amateur
Our shelves are always fully stocked, our sugar it is granular
I make a daily sales forecast with several parameters
We have a fine display in here of spoons and forks and spatulas
Our singles night is Wednesday the place is full of bachelors
I am the very model
Yes I am the very model
Yes I am the very model
Of a supermarket manager!

(He is the very model of a supermarket manager!)

I have so many colleagues here and staff and several underlings
I go straight home it's getting late I strip down to my underthings
I'm not about to come on to you if that is what you're wondering
Cos I'm a decent sort of chap though often prone to blundering
The music that I hear at night is shopping trolleys trundling
It fills me with a strange delight I cannot stop from shuddering
A queue of shoppers in a row, the slowest till is the one working
Our motto is Grab What You Can, a philosophy which underpins
Our shareholders and chief exec, our profits they are funnelling
I am the very model
Yes I am the very model
Yes I am the very model
Of a supermarket manager!

(He is the very model of a supermarket manager!)

But I don't know if we've got
Casss-errrrrrr-roooolllllle!

I'll ask Janet.

Oh, Janet?

3.

What?

You got any of the good stuff, Janet?

And iiiiiii-eeeeeee-iiiiiiiiii-eeeeeee-iiiiii,
Will always loooovee
Souuuuuuuuuupppppp.

No Janet, the other thing?

Oh yes.

(To the tune of Alejandro, by Lady Gaga)

I've looked everywhere
In the stock room
But I haven't got a pack n't got a pack.
In the freezer
In the stock room
Not even in the chiller on the shelf.

You know that I love casserole,
Hot like stew or a sausage roll
At this point I do suggest
Pot Noodle

Don't look like we
Have got any
Casserole -ole,
I'm not your babe
With casserole
Haven't got none,
Not in a pack
Nor in a box
Just a small back
We haven't got
We haven't got
Any cass'role.

Any cass'role
Any cass'role
Cassy cassy cass'role
Cassy cassy cass'role

Any cass'role
Any cass'role
Cassy cassy cass'role
Cassy cassy cass'role

Stop, please!
Just let me go!

I've got a spillage in aisle six.

4.

Tell me young man,
Why do you like casserole so much?

I live a life devoted to it
And it often gets me grumpy
That a common misconception is
That it's cold and ever so lumpy.

A casserole is different
And lifts me high anew
It fills me with a warmth inside
That you don't really get with stew.

And stroganoff can bugger off
Please take away that bowl
And if you really love me true
Just give me casserole.

I spent a night of bliss with Trish
So sexual so winsome so fetching
She gave me a plate of beef bourgignon
I spent the whole night retching.

Casserole casserole casserole
Just the sound of it makes me tingle.
Casserole casserole casserole.
It's probably why I'm still single.

5.

I'm sorry I can't help you
With that food that you do seek
The only thing that I suggest
Is to come back next week.

Our casserole it takes its toll
And I really don't want to harm ya
Perhaps young man I could tempt you
With a chiller fridge lasagne?

6.

Dinner.
I want for dinner
A dish that I can have with wine
It's the one thing on my mind.
Hunger.
Increasing hunger.
An empty stomach makes a growling sound
It's enough to bring me down.

This supermarket hasn't got any casserole.
And now I will take my leave!

Came in
Around 3.30
Thought it would only take a smidge
Headed to the chiller fridge
Empty
It was so empty
A gap where obviously it should have been
Everyone could hear me scream.

This supermarket hasn't got any casserole.
And now I will take my leave!

Stocktake,
The latest stocktake
It says you had some yesterday
Now they all have gone away
Checking
The best before date
This supermarket
Hasn't got
It hasn't got
Any casserole
This supermarket
Hasn't got
It hasn't got
Any casserole
And
Now
I
Will
Leeeeeeaaaaavvvvee!

7.

But they had some in Aldi.

Tell Her I Said ‘Hello’

Poem

I was chatting to a friend.
Yes, I have friends.
And this one was called Adam.
And I said to this friend, this Adam,
I’m off to see Vanessa tomorrow,
Because she’s another friend,
And Adam said,
Tell her I said hello.

What am I, I thought,
Your hello outsourcing service?
Offering hellos by proxy
Retrieved with none of the actual feeling
Of a proper hello?
I thought, I didn’t actually say this
Because I’m not like that,
I thought, if you want to say hello
So badly,
Then bloody well say hello yourself.
But I was off to see Vanessa.
And Adam said,
Tell her I said hello.

But he didn’t actually say hello.
He just said,
Tell her I said hello.
He didn’t say,
Hello,
That was for Vanessa.
Or, hello, that’s what I’d say
If I saw Vanessa.
And you can tell her that
I’ve just said hello,
Which strictly speaking would have been lying,
But anyway I said I would.

Vanessa was in a real crabby mood.
Her latest money-making venture,
Selling fake moustaches to people
As they enter the sexual health clinic,
Had failed,
Because as a society we are more open now
About such things,
And anyway,
The police had told her to move along,
And we had a row,
And she told me that
I was about as usual as an
Air vent on a submarine,
And I told her that if intelligence
Skipped a generation
Then her kids would be geniuses
And she said
That I couldn’t possibly be as daft
As I looked,
And I said up yours,
Because I’d run out of insults,
And then I said,
By the way, Adam says hello.

I saw Adam the next day.
Did you say hello?, he asked.
I said hello, I said.
And next time you want to say hello, I said,
Don’t get me to say hello, I said.
Go to the person you want to say hello to,
And say hello, I said.
And he said,
Did she say hello?
And I said,
Actually, no, she didn’t.

Torquay 2, The Other Team 2 – A Poem About Torquay United FC

Torquay, 2 – The Other Team, 2

Three hundred or so low guttural individual voices
Combine into a cohesive whole, a chorus of
Feral anticipation as these custard coloured titans
Skip on to the pitch, the first among them kind of
Punches limply through a paper hoop
Emblazoned with their team sponsor’s logo,
J. Arthur Bowyer’s Synchro-Boost Houseplant Compost,
Three half-hearted palm slaps and then the paper gives way,
These athletic specimens of masculinity and matching socks,
Shiny blue polyester shorts a-gleam under the spotlights,
Back slaps and star jumps, half-hearted jogging,
While the opposing team, who must have had an
Awfully long bus ride, kind of slouch on to the field,
Mooching along the sides of the pitch like slugs around lettuce.

I’d brought a book to read assuming there would be seats.
Instead I was pressed up against the lanky frame of an
Ever so friendly thought unusually potty-mouthed
Scrote of a lad whose replica custard coloured shirt
Had last year’s sponsor, McClintock’s Polystyrene Coving Ltd.,
And who suggested at top column that the home team
Might like to consider breaking the fucking legs of the opposition.
Someone then tried to start a chant going,
‘Oh we do like to beat them beside the seaside!
We’re gonna beat you by two or three!’
But it kind of got drowned out
To a chant of ‘Put them all in intensive care!
Put them all in intensive care!
Put them all in intensive care!
Captain Ollie’s got great hair!’

I have come with a friend who’s there for the football
But also to show me the football and he
Made a kind of grimace when I said I’d brought a book.
The home team did some warm up exercises.
‘They’re dancing!’ I said, ‘it’s all a bit camp, isn’t it?’
Number 32 is just my type, bleach blond hair, stubble,
Long legs and snake hips.
‘Coooo-eeeee! Over here! Yoooo-hooooo!’
My pal said, ‘He’s on loan from Bournemouth’.
I said, ‘That’s okay, I’d give him back in one piece’.

The stadium announcer extols the virtues of both teams
And attests to the veracity of
J. Arthur Bowyer’s Synchro-Boost Houseplant Compost,
And the game begins, number 32’s elegant fingers splayed
As he dribbles the ball, like he’s a ballet dancer,
Or a gymnast balancing on a beam, though even
The home team audience yells that he’s a useless
Time wasting tossbag who gets the ball and does fuck all,
Go back to Bournemouth you useless waste of space.
He’s got lovely eyes.

The ground rumbles and thuds as they race from one end
To the other, kicking up clods of grass and winning
The applause of the audience who shout encouragement,
These lads in custard who aim at the goal at the other end,
Someone misses a sitter, someone else scuffs it,
And then the ball goes in the corner and two opposing players
Prance and dance around it like Torville and Dean.
My eyes kind of wander off to the other side
Where twenty or so or the away team supporters chirrup
And you can just make out the faded lettering of
Last years sponsor showing through under a new coat of paint,
McClintock’s Polystyrene Coving Ltd. Is Better Than Any Competition.
Only the word ‘tit’ is still showing.

My pal has already told me in advance
The skill of number 10, whose speciality is
Less the sublime and precocious nature of his craft,
More his knack for falling over at just the right moment,
Now he goes down like a sack of spuds and the
Audience erupts, apparently this is a good thing,
He’s allowed to aim a ball at the keeper and boom,
In it goes, I almost spill my cup of tea
As I’m jostled and the lad next to me flings
His arms around my neck, jumps up and down, the
Tea oscillates as I breathe in his Lynx Africa antiperspirant,
I must say I enjoy it a lot.
And now I want number 10 to fall over again.

Wouldn’t you know it, he does, never fails to disappoint,
Fortune smiles twice in the low setting sun,
Achilles in his death throes, Icarus mid melt,
Our hero is downfallen and rolling in the mud like a hippo,
The ref’s cheek bones inflate as his blows his whistle.
Boom, scores! The audience is enraptured once again,
Another clingy embrace of Lynx Africa,
I’m a cuppa carrying eucalyptus and he’s my own personal koala,
Number 32 looks down wistfully as if jealous, I hope,
Oh, I hope, of me and my new found tame delinquent
Who sips a surreptitious beer from a paper bag and
Chinks against my half spilled Darjeeling, cheers!
Caught up in the joy of the moment I attempt to start a chant
Based on the third movement of Beethoven’s Pastoral Symphony
But it doesn’t take hold.

Really, I’m only here for my pal who’s brought me along.
This is his culture and I’m an interloper.
But I want to show that I understand life
Beyond the cliche, broaden my mind and experience
Every nuance of our shared cultural history.
‘We’re winning ‘, he says during the interval
As we queue for pies sold from a shed
Next to the unoccupied press box.
‘Well, they are’, I point out, ‘We’re just watching’.
I’m taking him to a drag show next weekend.

And then the announcer wants us all to sing happy birthday
For Little Liam, whose favourite player is number ten.
And Little Jimmy, whose favourite player is number ten,
And Little Jack, whose favourite player is number ten,
And he reminds us that we can all vote for the
J. Arthur Bowyer’s Synchro-Boost Houseplant Compost
Man of the Match, which is usually won by number ten.
‘I’d like to vote for number 32’, I say, perhaps too loudly,
And everyone around me laughs and says how funny,
They love my sense of irony.

Two more goals soon after the interval.
Perhaps the audience has tired itself out,
I’m the only one who seems excited, and my new friend
In the McClintock shirt hardly seems inclined at all
To repeat his usual celebratory hijinx, no doubt
Enervated by his enthusiasm and the two litre bottle of cider
Stuffed down the front of his trackie bottoms,
And when the ref calls a halt to the show I pat
My pal on the back and ask whether four nil in some kind
Of club record.
It was two all, he says, they switched ends.
They did what?
Why didn’t the announcer explain this
Before I got excited over nothing?

Oh, this communal kickabout, this colossal crowd clapping
This unified oneness this matey definitely not homoerotic bonding,
This celebration of the hunter’s skill this
All-encompassing rough and tumble this slippery sport a spurt on the turf
With spurious curiosities this worship of the physical
This proof of prayer this spectacle this weird excuse
To suddenly bellow ‘Nice tackle!’ and no one bats an eyelid
This playing out of certain urges but would they ever let me
Join in? No, probably not, and number ten has got mud all over him.

What did you think?, my pal asks
As we file like clocked-off factory workers
Into the adjacent streets, not that he’s interested really,
Immediately he then adds, shall we get some chips?

I think of number 32
Isolated
In the dressing room.

‘Roswell was an Insurance Job’ : A Message from a Space Alien for the Human Race



Greetings puny earth people.
I come in peace.
Take me to you leader!
Actually, maybe not,
I’ve seen him in action.
Take me to the most
Significant person,
According to your Earth transmissions
Take me to Rylan!

I am Zignor,
Of the planet Pupaluvious 5,
Which orbits a star
Which until recently was called
PUV 621R
But
Thanks to someone on your planet
Buying its name as a fiftieth birthday present
It’s now called
Barry Jenkins.
All hail Barry Jenkins!
May death come quickly to his enemies.

I arrived just after lunch
And I shall now attempt
What appears to be your common greeting
As it was the first thing said to me
When I arrived.
‘You can’t park that there, mate’.

I have come to spread a
Message of peace
And if anyone says I haven’t then I’ll
Punch their lights out.
I saw your planet from
Across the vast emptiness of space
While lying in a field on Pupaluvious 5
And my first thought was,
Oh, I’d love to go there
And my second thought was
Someone’s nicked my tent.

Pupaluvious 5 has eight moons.
You’ve only got the one.
Half of it was in shade tonight.
I suppose
It’s just a phase it’s going through.

Your puny planet is
Ripe for alien invasion.
We just don’t want to.
It’s a sleepy backwater
With terrible parking.
It’s kind of the solar system’s equivalent to
Newton Abbot.
And every time we visit
We feel we have to have a damn good shower.
As I say,
It’s the solar system’s equivalent to
Newton Abbot.
It smells a bit.
Newton Abbot.

I suppose on your planet
I’m known as an ET.
Oh look, I heard someone say just now,
An ET.
Someone else said,
What’s ET short for?
And he replied,
Because he’s got little legs.

I offered to take him
To see Jupiter.
He replied that if he wanted
To see a gas filled giant,
We’d visit his Uncle Darren.

But here I am,
I come in peace.
Here I am
Don’t call the police.
I’ve travelled far
In an interdimensional zone
On a spaceship made for one
I was very alone
I tried telepathy on Donald Trump.
All I got was
The engaged tone.

I leave you now, my interstellar friends.
Once again, sorry about those
EarthLink satellites I hit on the way down.
Roswell was an insurance job.
Let me finish with this saying
From my home world,
‘Flooga zappy looppa-looga’,
Which roughly translate as
‘Geoff, your
Tentacles are showing’.
Doreen,
Beam me up, Doreen!

Yo-Yo : Ruminations of an Accidental Poet – Collected Essays

Yo-Yo: Ruminations of an Accidental Poet, published by Puddlehopper, is now available to purchase! Telling stories from fifteen years as a performance poet. Festivals, fringes, fleeting appearances on TV, filming, faffing around with props, flopping at slams, it has it all! Essays from Write Out Loud, Chortle, Litro Magazine and and Torquay Museum’s lecture series, and some written specifically for this collection. Plus one new poem! Details on how to order this book will be revealed shortly.

Here’s the blurb:

In 2008 Robert Garnham thought he’d give performance poetry a try, having never heard of it before. What followed was to be fifteen years of crazy poetry adventures in all sorts of different venues. These collected essays describe, with humour and warmth, gigs in every part of the UK (and further afield), shenanigans at music festivals, angst at the Edinburgh Fringe and every conceivable type of poetic misadventure.

‘As Robert Garnham has been a huge influence on me as a comedy spoken word artist, I read this collection of essays with great anticipation. It didn’t disappoint! A wonderfully entertaining read’. (CLIVE OSEMAN).

You can order the book from this link:

https://robertgarnham.bigcartel.com/product/yo-yo-ruminations-of-an-accidental-poet

The Bouncer Diaries

This time last year I was deep into the memorising and administration of the new show, which would be called Bouncer. As well as keeping a diary, I also managed to keep a video diary, which you can see on my YouTube page right here:

And of course , you can see the show as filmed by John Tomkins right here:

Here’s the diary in all its glory:

Bouncer diary

23.8.22

Decide on theme of show to be based around appearance on BGT

25.8.22

Write some linking material about poetry, and start work on opening poem ‘Welcome to my Show’

26.8.22

Work on ‘Welcome to my Show’ and an autobiographical poem called ‘Orange Juice’, which may or may not be used to add background character.

28.8.22

Sat in the sun in the back garden in Brixham. Worked on a new poem, provisionally titled ‘This City Never Seemed so Cruel’, the obligatory downbeat poem for near the end of the show. Also worked on some linking material about my Great Uncle, and a bit about Thundercats. 

29.8.22

Back in Paignton. Heard the Squeeze song Hour Glass on the radio, and then some show tunes, and the idea for a call and response poem came, with a similar structure as the chorus of the Squeeze song. Called ‘Everyone Wants Fame!’ Jotted it down on a ticket, then home, worked on the poem. It’s the bare bones of something fun, but it really needs to be 30% funnier.

30.8.22

Worked on ‘Everyone Wants Fame!’, added two jokes.

31.8.22

Worked on ‘This City Never Seemed so Cruel’, ‘Orange Juice’ and ‘Welcome to my Show’.

1.9.22

Wrote new poem ‘You Should Write a Poem About That’, plotted the storyline and poem list for the show, then worked on a new version of ‘Fabaranza’ written from the point of view of the BGT producers.

4.9.22

In Brixham, worked on linking material. Wrote the goose joke, and then one other joke, and then thought, ahh, that’s two jokes, a good days work, let’s relax for the rest of the day.

5.9.22

Back in Paignton, more work on linking material. 

6.9.22

Paignton, worked on linking material, then started to put the show together so far, right up to the Covid section.

7.9.22

Worked on ‘You Should Write a Poem About That’, then typed up all of the show so far before working on more linking material. Worried that the version of my portrayed in the show is negative, whiny, too much like a victim, and generally unlikeable.

8.9.22

Worked on rewriting linking material, added a few more jokes and funny lines. Worked on ‘You Should Write a Poem About That’, took out the line about all other poets being bastards! 

9.9.22

Unexpected day off due to yesterday’s death of HM The Queen. Started work on the BGT phone call linking material.

11.9.22

In Brixham. Worked on new poem, ‘The Contestants Await’.

12.9.22

Worked on linking material and ‘The Contestants Await’.

14.9.22

Worked on the start of the BGT section. Worked also on the ‘Everyone Wants Fame’ poem.

16.9.22

Worked on the BGT hotel section. Went to a coffee shop and thought of two jokes about the contestants which made their way into the show script. 

18.9.22

(In Brixham). Worked on the BGT section. Almost finished the first draft of the script, just need to write a kind of summing up section. Current word count is over 7000 so it may need editing down.

19.9.22

First draft completed!

24.11.22

Had a read through of the linking material having worked on the Cold Callers project in the intervening months. Pleasantly surprised at the cohesiveness and tone of the show.

27.11.22

Had a complete table read run through of the show at Brixham’s Sunrise Rehearsal Studio. 52 minutes, happy with that. Had a couple of rewrites to ponder: Fabaranza as a poem instead of a song, and tightening up the lyrics of the opening song Welcome to my Show. Also, does the show need the Covid section? Seems put in just to get on the one liner list! Later on, back in the Rehearsal room, rewrote the opening song ‘Welcome to my Show’.

28.11.22

Paignton. Ran through ‘Welcome to my Show’ a few times, then rewrote the song ‘Fabaranza’ as a fast-paced poem.

30.11.22

Began line learning ‘Welcome to my Show’.

1.12.22

Line learning ‘Welcome to my Show’.

2.12.22

Line learning ‘Welcome to my Show’.

3.12.22

Line learning first batch of linking material.

5.12.22

In Brixham. Ran through ‘Welcome to my Show’ several times and videoed it so see how it looked. Worked on linking material.

6.12.22

Paignton. Line learning linking material.

7.12.22

Line learning linking material and began line learning ‘Zach’. First five minutes of the show memorised.

8.12.22

Line learning ‘Zach’.

9.12.22

Line learning ‘Zach’.

26.12.22

Been ill for two weeks so unable to line learn or rehearse without erupting into coughing fits. Staying in Brixham for Christmas. Had a great line learning session in the Sunrise Rehearsal Studio, memorised the whole Zach poem and videoed it too.

27.12.22

Brixham. Worked on the Zach poem and the subsequent linking material. Started a video diary.

29.12.22

Paignton. Linking material and You Should Write a Poem, which I also rewrote.

30.12.22

Learning You Should Write a Poem

31.12.22

Learning You Should Write a Poem.

1.1.23

Brixham. Learning You Should Write a Poem, plus ran through whole show so far, about 12 minutes.

4.1.23

Paignton. Line learning You Should Write a Poem.

5.1.23

Line learning You Should Write a Poem.

6.1.23

Line learning You Should Write a Poem. Managed the whole poem with no mistakes, 3m30. Then performed the first 12 minutes of the show with no mistakes.

7.1.23

Line learning linking material.

8.1.23

Brixham. Line learning linking material (producer phone call section), then started work on a possible backing track for Welcome to my Show. Very camp.

9..1.23

Line learning linking material.  Chatted to film maker John Tomkins about filming the show with an audience.

10.1.23

Line learning linking material.

11.1.23

Line learning linking material. Chatted to photographer Jim Elton about taking photos for the publicity pictures. That evening, performed two minutes of linking material at the online Woking Write out Loud gig. People laughed at the funny bits!

12.1.23

Rewrote ‘Who Wants Fame?’

13.1.23

Line learning Who Wants Fame?

14.1.23

Line learning Who Wants Fame? Chatted to photographer Emily Appleton about taking publicity photos.

15.1.23

Brixham. Line learning Who Wants Fame? Then to Paignton, to Emily Appleton’s studio, had head shots taken in various poses for possible poster designs.

16.1.23

Paignton. Line learning Who Wants Fame?

17.1.23

Line learning Who Wants Fame?, and adding some choreography.

18.1.23

Went through all the material I’d learned so far. Then line learning linking material. To Exeter, performed five minutes of material and the Zach poem at Taking the Mic. On the train home I started rewriting Fabaranza.

19.1.23

Rewriting Fabaranza.

21.1.23

Rehearsing the show so far and experimenting with different tones of voice.

22.1.23

Brixham. Line learning linking material.

23.1.23

Line learning linking material.

26.1.23

Bristol. Line learning linking material. Back to Paignton. Started learning ‘London’.

27.1.23

Line learning London.

28.1.23

Early morning session, line learning London.

29.1.23

Brixham. Didn’t get into regular Barnstaple Theatrefest so applied for an ‘alternative space’, pledging to do four shows.

30.1.23

Line learning London.

31.1.23

Line learning London. Barnstaple Theatrefest alternative space application successful! 

1.2.23

Ran through all the learned show so far. Experimented with using song or different tones of voice on Who Wants Fame. Line learning linking material. Then in the evening, completely rewrote Who Wants Fame, now based on the music to Three Little Fishes, with an incredibly stupid chorus.

2.2.23

Continued rewrites of Who Wants Fame. Line learning linking material.

3.2.23

Line learning new version of Who Wants Fame.

4.2.23

Line leaning Who Wants Fame.

5.2.23

Brixham. Line learning Who Wants Fame and linking material. Also worked on the poster after Emily’s photo arrived.

6.2.23

Paignton. Line learning The Contestants Await.

7.2.23

Line learning The Contestants Await and Who Wants Fame. Then worked on the show poster.

10.2.23

Line learning The Contestants Await.

11.2.23

Line learning The Contestants Await.

12.2.23

Brixham. Line learning linking material and rewrites of Fabaranza.

13.2.23

Paignton. Line learning linking material and rewrites of Fabaranza.

14.2.23

Line learning Fabaranza.

15.2.23

Practising random bits of the memorised material so far, then line learning Fabaranza. Evening, went to Exeter and performed five minutes and Who Wants Fame?, at Taking the Mic. Fluffed one line but generally it went well and people laughed at the jokes.

19.2.23

Brixham. Line learning and practicing Fabaranza. Afternoon, went to Totnes and performed at Word Stir, tried out some linking material in front of an audience.

20.2.23

Paignton. Fabaranza more light rewrites.

21.2.23

Line learning Fabaranza.

22.2.23

Ran through all of the show so far and was very pleased at how much I remembered. Then line learning the section after Fabaranza. Good progress.

23.2.23

Line learning linking material. Also, ordered a game show style buzzer as the only prop for the show.

24.2.23

Line learning linking material at the shop before work. The buzzer arrived. Evening, performed a little of the new linking material at an event at the Little Theatre, Torquay.

26.2.23

Brixham. Line learning linking material incorporating the buzzer.

27.2.23

Paignton, Line learning.

28.2.23

Line learning linking material.

1.3.23

Line learning linking material.

2.3.23

Line learning This City Never Seemed so Cruel.

3.3.23

Line learning This City Never Seemed so Cruel.

5.3.23

Brixham. Line learning This City Never Seemed so Cruel and linking material. Made decision to read the final poem from a piece of paper during performance to accentuate the fact that it was a piece written, so therefore the line learning phase is completed. On to actual rehearsing, now.

6.3.23

Line learning This City Never Seemed so Cruel.

8.3.23

Ran through the whole show so far. 58 mins so will have to prune maybe the last poem. Also decided that the back of the piece of paper uses for the last poem will have David Walliams written on it in big letters. Email from Guildford Fringe offering a date which I accepted.

9.3.23

Rewrote ‘To the Celebrity’.

10.3.23

Rehearsing ‘You Should Write a Poem . .’.

12.3.23

Brixham. Writing the show blurb and publicity material. Ran through the whole show. Then rewrote the middle section of The Contestants Await.

13.3.23

Line learning The Contestants Await.

15.3.23

Line learning The Contestants Await.

17.3.23

Applied to both Underbelly and Just the Tonic.

18.3.23

Received a list of possible dates from Just the Tonic. Decided to rewrite the last poem, or write a whole new poem to end the show in a less angry frame of mind!

19.3.23

Brixham. Wrote new poem ‘Woodlouse Boy’ to end the show. To the den and did a full run through of the show, also had a practise of Woodlouse Boy. Decided to look at the first song, Welcome to my Show, and wondered whether the show would benefit from something which I’m good at: something fast paced, like the opening of my show, Spout. Started work on a new opening poem. Managed to finish it by early evening, called it ‘This Is My New Show’.

20.3.23

Line learning This Is My New Show.

21.3.23

Received an offer from Just the Tonic! Accepted it, a two week run which I’ve not done before. Did the necessary paperwork. Line learning This Is My New Show.

22.3.23

A whole day line learning This Is My New Show, paperwork for Just the Tonic, work on the accompanying pamphlet. In the evening, performed linking material and the poem ‘You Should Write a Poem About That’ at the online Incite LGBT gig.

23.3.23

More paperwork for Just the Tonic, and line learning This Is My New Show.

26.3.23

Brixham. Full show run through, 56 minutes.

30.3.23

Line learning Woodlouse Boy.

1.4.23

Line learning Woodlouse Boy.

2.4.23

Experimented rehearsing using a chair.

5.4.23

Rehearsing again using a chair.

8.4.23

Decided to do away with the first poem altogether.

9.4.23

Full show run through without first poem.

13.4.23

Rehearsing.

14.4.23

Add lines to end of Woodlouse Boy, inspired by listening to The Waterboys, The Whole of the Moon.

26.4.23

Write new poem, ‘London is Mine for the Taking’, and ponder whether to include it in the show in place of ‘London’.

27.4.23

Decide to include poem. Start line learning.

28.4.23

Line learning London is Mine.

10.5.23

Rehearsal of show including new poem.

14.5.23

Brixham. Rehearse whole show with new poem and also the buzzer props. Goes well.

15.5,23

Flyers arrive for Barnstaple and Guildford.

Bouncer

Robert has the chance to be on prime time TV! What could possibly go wrong? A comedy poetry show about not becoming famous.

Join performance poet Robert Garnham for his new solo show, Bouncer. When Robert is asked to perform on the UK’s biggest TV talent show, he dreams of fame and fortune and never having to leaflet in Edinburgh again! But of course, these things never go the way you want them to go . . . An hour of storytelling, poetry and comedy about fame, and hope, and dreaming.

‘Playful, warm . . Funny and always surprising’. (Write Out Loud)

‘Wise’. (Word NYC).

‘Clever and entertaining’. (Barnstaple Theatrefest).

‘There’s warmth in his whimsy, it’s sturdy not flimsy’. (Matt Harvey)

‘Witticism, wordplay and wistful romanticism’. (Dandy Darkly)

On a cold, January evening, I caught a train from Devon to London. I was looking for some sense of magic in the air, a barely-perceptible tingle as if fortune were tickling my conscience and smoothing the way to a stardust future. But the train was cold, and dinner was a chicken tikka pasty I’d bought from the convenience store next to the station.

The countryside was hidden in darkness. Beyond the reflection of my own face I could make out tiny villages, clusters of lights in the middle of nowhere, lonely cow barns lit up against the frost, and I thought, do any of these people also dream of everlasting fame?

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Bouncer

If you would like to see a short documentary / video diary about the process to learn Bouncer, this can be found here:

Sad news from the scone society

Dear fellow scone enthusiasts.

It pains me to write this letter, but circumstance has forced my hand. For many years, the Brixham Town Scone Society website has been a valuable tool for members to connect, ask advice, share cooking tips, and buy and sell both equipment and ingredients. There have been no complaints and many of us have both enjoyed, and taken advantage of, this wealth of scone-cooking know-how just a click of the mouse away.
However, lately it has come to the attention of this committee that the Classified section of the website has been coming under some abuse from certain members whose interests lay beyond mixing methods and how to create a really cracking milk glaze.
The problem first came to light when it was pointed out to me that a lot of our newer subscribers to the website, who filled in the online form, listed the classified section as their main motivation for doing so, yet almost all of them answered the question ‘How many hours a week do you spend cooking scones?’ with the response, ‘None’, and in a lot of cases, ‘I do not like scones’. This was somewhat perplexing and an investigation was launched in case there were some confusion in the title of our website, (Scones A-Plenty.com), or indeed if there were some new boy band or comic perhaps titled ‘Scone Man’, that was leading to this sudden influx in new members.
However, after a terrible mix-up (no pun intended) the other day in which one of our senior committee members, Maureen Hepplethwaite, found herself not at a scone cookery demonstration as she had been expecting, but at a swinger’s sex party, it was decided that action was needed.
The first thing we noticed was the number of young men offering a variety of different shaped spatulas for sale in the classifieds. While these are great implements in the mixing process, it is probably more common in the scone community to use wooden spoons, so I think it’s fair to say that this raised a few eyebrows among the committee. Most of these spatulas were advertised as being new, ‘or in new condition’, while some were being offered in a slightly battered state.
At this stage, alarm-bells didn’t actually start ringing. The admin behind running a pro-scone website means that some matters don’t actually get attended to until there’s some kind of emergency. The Great Flour Shortage of 2005 was one such calamity, and equally fraught was the resignation of our chairman in 2009 when he announced that frankly, he preferred muffins.
We then noticed the alarming number of society members offering scones of varying states of completion, some of which were ‘ready to pick up now’, others were, ‘come and collect’, while many were ‘lacking one final ingredient’. ‘Already in the mixing bowl’, apparently, (and according to Reginald, who does not proclaim to be an expert on such matters), means that the ‘seller’ is willing to conduct the process in their own home. ‘On the baking tray’, apparently means that they are willing to travel. And it’s anyone’s guess what ‘ready to be consumed with fresh fresh salad’, means. Suspicions were raised further when Phil Burton (member since 1988), advertised that he had a home-made ready mix featuring fresh sultana pieces and fruity chunks only to receive an email which read, ‘You’re a dirty boy, oh my, you’re a dirty boy!’, followed by someone's phone number.
Dear society members, this will just not do. To get to the root of the problem, we have employed a code-breaker whose previous area of expertise was the Egyptian hieroglyphs and also the mating call of the common sparrow. And it was no surprise to learn that the codes adopted by many of the users of our classified pages were also a base form of mating call in themselves . Once she had explained what many of the codes and terminologies were, I, as your brave Chairman, decided to pose online as one of these lovelorn scone-bakers with an advertisement composed specifically to entrap the guilty.
Spatula for sale (or rent). Slightly rusty yet ergonomically designed to offer maximum stirring. Mixture in bowl yet also functions on the tray. Fellow mixer must have GSOH. No salad please. Jam and cream to spread as desired. Satisfaction guaranteed. Stirs in an anti-clockwise or circular motion.
Alas, the only reply to my classified ad was from another society member who offered me a ‘lasagne’. ‘I don’t get it’, I said to the code-breaker.
‘Nor do I’, she replied.
And just to be safe, I haven’t eaten a lasagne since.
Dear society member, it is time to put an end to this, and the decision was recently taken at a committee level to put an end to the classified section of our website. We understand that this may very well reduce the number of people who have joined our society, (over twenty thousand new members in the last six weeks, a figure which still manages to perplex us), but we believe that this is the safest method to rid our wholesome community of undesirable attention.
Like many of you, I started out as a young man with a head full of ideas and dreams intent on devoting my life to the construction and consumption of the humble scone. Starstruck by such scone-bakers as Ethel P. Anderson and Audrey ‘Iron Knuckles’ McGinty, I saw the society as a means to connect with like minded souls whose purpose and heart were in a similar vein to my own. It has been nothing short of tragic to see our fine institution highjacked by those whose thoughts remain as base as their own animalistic instincts. I see this as an opportunity to root out these wrongdoers and make our society safe again!
The moment I’ve finished writing this email, I shall be visiting the committee where no doubt we shall be indulging in the wholesome pursuit of the perfect scone. And yes, fellow committee members, thanks for asking, I shall definitely be bringing my own spatula.

Yours
The chairman.

On How I Became a Clown

On how I became a clown.

1.

I suppose I've always been a little bit clumsy. Affecting a demeanour each day of professional detachment, a manner almost sullen were it not for those moments in which human discourse were necessary, affecting an amiability, an openness, an expression of eager understanding and a willingness to compromise, only to have my belt suffer a sudden and catastrophic malfunction and my trousers fall around my ankles. A hand outstretched for a businesslike greeting, a shoe accidentally scraped against the skirting board, a sudden lurch sideways into a pot plant. Oh, I do apologise! And then later on, noticing the skirting boards around my office marked and scuffed by the numerous other times that I have stumbled.
Hey, hey, your flies are undone. Again.
And due to my body shape, I concede that my trousers have always been a little bit baggy.

2.

The trill of the alarm clock had interrupted a dream in which I was trying to get a giraffe to go up the stairs of a double decker bus. The giraffe had been stubborn and no amount of tugging or enticing could tempt it up to the first floor, and once underway, it got wedged firmly, its fat buttocks blocking the stairwell, much to the consternation of my fellow passengers. It's the usual recurring anxiety dream. The long neck of the giraffe allowed it to peer up to the top deck, grinning like a bastard, while I pushed and shoved and swore from behind. Buzz buzz buzz buzz! I got up, showered, shaved, made some toast and pondered in the coming day, only to glance at my watch and discover that it was four in the morning. And then I recalled that the trill of the alarm clock had been a part of the dream. For the giraffe and I had been returning from a trip to the shops where we had purchased an alarm clock.
I set to work at my desk, organising various work-related files on my laptop and trying not to think about my giraffe dream. I watched as the sun came up and lit the neighbouring houses a brilliant red, secretly resplendent as it rewarding me and others like me for getting up so early. I stopped for a few moments to look out at the sky, feeling if only for a short while the majesty of the planet in its eternal rotation, this celestial dance of time and fate, when the alarm clock sounded, this time for real. Buzz buzz buzz buzz! Had anyone been with me, no doubt, I would have at least given a smirk or acknowledgement of the humour in this, but as I was on my own, the only emotion I felt was one of deep annoyance. I got up from my desk and I switched the alarm clock off. The only comfort came from the fact that the new trousers I was wearing were significantly roomier than had been my previous pair.

3.

I was never
The class clown.
When I think of this
It gets me down.
The popular kids
Would mess around.
But me?
I wouldn't
Make a sound.

4.

I had a meeting with my boss today. I've written down everything that was said and I've made it into a short theatrical piece, which I call 'Bulbous'.

SANDRA stares at ROBERT from behind her desk.

SANDRA - I suppose you know why I've asked you here.
ROBERT - To be honest, no, I don't.
SANDRA - I've had an official complaint from one of your colleagues.
ROBERT - Oh?
SANDRA - It's about the meeting you chaired yesterday, on Effective Time Management.
ROBERT - Yes, yes, I'm so sorry that it overran.
SANDRA - No, it's not that.
ROBERT - What . . what is it?
SANDRA - (Sighs). Robert, is everything okay at home?
ROBERT - Yes, absolutely.
SANDRA - And you're not drinking heavily, or anything?
ROBERT - No. In fact, I hardly drink at all.
SANDRA - The complaint was actually about your appearance. Did you realise that your flies were undone the whole time?
ROBERT - No, I didn't.
SANDRA - So the message of the meeting, in which you were meant to instil in your colleagues a certain business-oriented professionalism, would probably have been received unquestioningly had you not got your foot stuck in the waste paper bin.
ROBERT - Yes, that was rather unfortunate.
SANDRA - And when you tried to pull it off, you sat on a desk, and the desk . . . Collapsed.
ROBERT - Again, I apologise.
SANDRA - And your nose. You see, Robert, it's becoming awfully red, and bulbous. That's why I asked about the drinking.
ROBERT - As I say, I can only apologise. And I shall make an effort to act from now on in a more businesslike manner.
SANDRA - Thank you, Robert. Please, for me, see that you do.

ROBERT gets up from his chair, shakes SANDRA's hand, then stumbles sideways through a glass partition wall.

5.

Walking home through the silence of the park, I could hear a soft squeak, squeak, squeak with each footstep.

6.

‘I've just had it with clowns’, Josh said. ‘I need a man I can respect’.
We'd met online and he suggested we have a date at that new cream flan and custard pie restaurant that had just opened in the middle of the town. It seemed the sort of place where nothing could go wrong. The seating was comfortable and so was the decor, warm and inviting. We sat at a table for two at the rear of the premises.
‘That is very important to me’, Josh continued. ‘Love, yes. Love is up there. And physicality, of course, but respect. Respect is the most important of them all. It seems to me these days that everyone is a comedian, so you get that sense, too? Where's the depth? It's all artifice, isn't it? It's like we've become avatars, covered in layers of glitz and showy nothingness’.
‘You can depend on me’, I told him. ‘I treat each moment with absolute and utter seriousness’.
‘I just don't know why people feel the need to fool around’, he said, ‘in every sense of the word’.
‘I think people just want to be noticed ’, I reply. ‘That's what's happening in this modern age. We all seem to want to get a kick out of making other people uneasy. The nuance of yesteryear is gone. Subtlety is missing from all of our lives. I blame the internet and social media. People can't even be bothered to wait for the punch line, any more. They want immediate gratification, whether it be sexual or comedic’.
‘I can tell’, Josh said, ‘That you are a thinker’.
‘I try to be’.
I looked at him, and he looked at me. I could see the small candle on the table between us reflected in his eyes.
‘Do you ever feel tempted’, he asked. ‘To become like all the other men? I mean, brash, and obvious, and only in it just for a laugh?’
‘No’, I replied. ‘I try to play the long game. Strip away the surface and this world that we live in is a very serious place. And how else might one approach the act of living itself, but through the contemplation of philosophical and existentialist inquiry? In such a way, I forsake the easy option and the expediency of a cheap laugh in order to probe the searing heaviness of our own manifestation’.
‘You know what?’, Josh said, ‘I think I've finally met a man who I can respect’.
At that moment the cream flan and custard pie conveyor belt around the serving desk suffered a sudden malfunction, sped up, and propelled its load, one after another, at such an angle and velocity across the room as to connect squarely with my own face, one after another in a perfect rhythm to the accompanying laughter from all the other customers. By the time the eleventh and last cream pie had been delivered with a forceful splat, and I was scooping the filling out from my eyes, Josh had long since gone.

7.

I never realised before how small my bicycle was until I glanced sideways at my reflection in a shop window, my knees out at a crazy angle, dwarfed by the buses, the cars, the lorries.

b. I never realised quite how tatty my old jacket had become, so tatty that I tried to draw attention away from its tastiness by putting a plastic yellow flower in the lapel.

c. And I shouldn't have gone swimming and then dyed my hair. The hair dye had a chemical reaction with the chlorine from the pool and turned my hair bright green. Still, what can you do?

d. And as I filled in the official documentation online to tell my work colleagues my preferred name and pronouns, my computer’s predictive spelling changed my name from Robert to Parsnip.

e. Sandra, my boss, has for some reason pulled me from delivering a seminar on Modern Business Etiquette.

8.

With the power of his intellect and his encyclopaedic knowledge of contemporary stand-up comedy, my school friend Hasan could reduce the entire class into fits of laughter. And the laughter would drive him on, and he'd say something else that was funny, and the class would laugh some more. But Hasan was canny, he'd leave his best material for the end of the sequence, leading us up blind alleyways of silliness before delivering his punchline. Boom. As a result, this rather nerdy individual became one of the most popular people in school and I must admit to feeling rather jealous of his command of a room.
My teachers would always tell my parents at parents evening that I was always serious, unsmiling, intense. They said that I wouldn't join in with the other kids, and would bury myself in my work. Perhaps they were worried that something would give, that I'd snap one day and have some sort of life-changing episode, go beserk and tell the other kids exactly what I thought of them. Humourless, is the exact word that was used on more than one occasion. But I carried on in much the same manner and took my exams.
I left school with average marks.
Hasan became a marketing executive for a company that manufactures airline meals.

9.

To be mocked, and come out fighting with humour, is never a position in which I have ever found myself. Steady as she goes has always been my motto. I have rarely left myself open to ridicule by using the simple tactic of blending in to the background. And during those moments in which I have found myself in the limelight, I have adopted the simple strategy of being as intense and as dry as I possibly could.
‘You're too intense’, Steven had said to me, on what was to be the last night we'd spent together.
‘Just because I don't go down the street, laughing hysterically . . .’.
‘It's not that. It's more your tendency to over analyse everything. We can't even watch television comedies because you point out that certain things would never actually happen’.
‘All I was pointing out was that in real life, Tom would simply catch and eat Jerry . . ‘.
‘You see! You're too much of a realist. In all the time that we have been together, I never once heard you laugh. It's all buttoned up inside of you, isn't it? That's where you keep it. It has to be somewhere’.
‘Life itself is the ultimate ridicule’, I pointed out.
‘What does that even mean?’
The two of us are silent for a while.
‘I'd just like to find’, I tell him, ‘A well adjusted and content tarot card reader’.
‘What the hell are you talking about?’
‘A happy medium’.
Steven thinks about it for a few seconds.
‘OK. So admittedly, that was quite amusing. But it's too late, Robert. I'm sorry, but it's too late’.
Steven bent down and picked up his suitcase, walked through the door, and slammed it shut behind him.
The oil painting of a clown on the wall above the sofa wobbled for a bit, then fell off and landed right on top of me, my head tearing through the canvas, the frame of the picture now hanging around my neck.

10.


Emerging from the supermarket on the corner, the busy street glistening with a damp drizzle which fell from the overcast sky, smudged neon into the road surface. I stood there in my jacket, my loose fitting trousers, my green hair, my Parsnip name badge, my squeaky shoes, my lapel flower. I decided that I would give up on trying to understand the world, and how good it felt! I didn't need Steven or Josh or even Sandra, I didn't need any of them. Life is filled with organisms and mechanisms too complex ever to make sense of,
A small, battered car screeched to a halt right next to me and a gentleman in baggy, multicoloured clothing jumped out. Then another, then one more, then two more, then six of them, seven, twelve in all, until I was surrounded, and without saying anything I understood that there was a home for me.

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Postcard from the Fringe (2)

You can see Arthur’s Seat from the window of my student accommodation. Boom, it’s right there, looking in all the time. At night you can see the torches and lamps of people climbing up it, which is kind of eerie. Lost souls, perhaps. And during the weeks of the fringe, Edinburgh has a lot of lost souls.

This is the longest that I’ve ever stayed in Edinburgh with a show, which means that this show is the one I’ve performed more times than any other. I know every inch of it, now. To think that I started work on this almost a year ago, almost as soon as I came home from last year’s fringe. No wonder I know the thing back to front.

And so does my technician, bless him. There are a couple of songs during the show, and I looked over to his booth during one of them and I could see his head bobbing away. He knew the words. He knew what was coming next. That poor chap could probably write a thesis about my show.

But I still hate the flyering. I still hate it with a passion. Today is my penultimate day, so that means I’ve only got two more flyering sessions left. Perhaps I wont even flyer at all on my last day, because immediately after the show, I’ll be off to the airport to get the plane home to Exeter. I might have luggage with me during the usual flyering session. To be honest, I think I’m just talking myself out of doing some flyering.

The shows have been going well. I’ve been very pleased with my performances. In two weeks, I’ve only ever stumbled over the words of a poem once, which isn’t bad, for me. The weird thing is that the audiences differ so much. You can have a small audience, but they can be very loud and appreciative. Or you can have a larger audience and everyone just sits there quietly and you think you’re going down like a lead balloon.

Of course, it’s the camaraderie and the connections you make, which makes a fringe all the more enjoyable. Not only my technician, but also my flyerer, Tash, who took two days off to get married. She has a very Scottish accent but we got talking the other day and it turns out that she grew up in the same part of the world as myself. And she’s very good at flyering. She’s even convinced people to come and see my show!

And then there are the other performers. People like Jonathan Kinsman, Tom Juniper, Elizabeth McGeown. There’s a great community here among the spoken word artists. It makes you think that you’re not alone.

So tomorrow I’ll be performing and then flying home. I have a taxi booked to pick me up from the airport and drive me the thirty miles to Paignton, which means that I’ll hopefully be home by around nine in the evening. And I’ll probably still be wearing the same clothes that I perform in. Obviously, not the sparkly sequin jacket or the top hat. And everything will start to feel like a dream.

In fact, it already does. I’m proud of this show and the fact that I’ve managed to stick at it for a year. I love the way that it flows and tells a story. It’s going to be weird not performing it every day.

And I’ll miss the routine, too. I won’t miss the flyering, (I usually start around 10.30, carry on till 12.30, then linger around outside my venue). Once the show is done I head up to the Plains and the Circus Hub, where there’s a bar that most people haven’t discovered yet, where I can find a table and relax and drink a cola and eat a sausage roll. There’s a van on the Plains which sells the most amazing sausage rolls. I think I’ll miss those sausage rolls.

https://tickets.edfringe.com/whats-on/robert-garnham-bouncer