I want to live in a caravan

Poem

I’d love to be in a caravan
A caravan for me.
Walking round in my caravan
Somewhere near the sea.
Bending down to watch my head
Making the sofa into a bed
Wake each morning wish I was dead
A caravan for me.

I’d love to be in a caravan
Perhaps on the Isle of Skye.
Freezing cold in a caravan
I’d like to give it a try.
It’s one step up from having to camp
Everything just smells of damp
Wake up in the night with a bad case of cramp
A caravan for me.

I’d love to be in a caravan
A tip top tin top home
Watch the sun rise in a caravan
No signal to use my phone.
It’s kind of like a weird drug
In bed last night I found a slug
Can’t watch the TV there’s only one plug
A caravan for me.

I’d love to be in a caravan
In a splendid rugged location
I’d put the heater on except
I’d die of asphyxiation.
Please come inside excuse the mess
I’m nice and snug though I do confess
To bouts of crushing loneliness
A caravan
A caravan
A caravan for me.

Robert Garnham’s 17 Golden Rules for Getting the Most Out of Life!

Robert Garnham’s Words of Advice

1. No one is ever worth writing a poem for, though every now and then you’ll meet someone who’s worth a limerick, particularly if they come from Chard.

2. If someone tells you that they love you, it’s not always a test, it’s an affectation of the status quo, a joy delivered in the beauty of a relationship which actually works, so it’s best not to answer with, oh, that’s good.

3. Shrimp will always give you raging guts ache.

4. Hold on to your nostalgia, otherwise you’ll have nothing to be nostalgic about, except possibly for the time you used to be nostalgic about things, so maybe you can be nostalgic about that.

5. Look at your life. Isolate your fears, your demons, and anything else that gives you the willies. Engage with them and dance, and banish them with a smile and a wave and a cheer. Unless, of course, the thing that scares you the most is crushing loneliness.

6. It’s never too late to learn. It’s never too early to forget.

7. Only concentrate on that which requires no thought.

8. You might not ever mention the elephant in the room, but you can certainly wonder how it got through the door, and up the stairs.

9. Look at the mirror every morning and say, I am loved, I am loved, I am loved. At least this way you’re prepared for any other bullshit that comes along.

10. Everyone you see or meet or talk to has been born. Even Avril Lavigne. And if you think being born was difficult, try getting a mortgage.

11. Go on, help yourself to the last cake in life. Living is all about grabbing the last cake. Go on, have it. Enjoy it. The dog licked it.

12. Get up early one morning, when the dew is still on the grass, and go for a walk barefoot in the park. Let me know when you’re doing this so that I can come round and borrow your vacuum cleaner.

13.Do something that excites you every day. Subvert the rules. Turn things on their head. Naturally this does not apply if you’re an airline pilot.

14. How do we know that opening an umbrella indoors is bad luck? Who was the first person to discover this? How many similar things do we do which are good or bad luck without us knowing? Brandishing a vase on a Thursday? Sitting on a pouffe just after lunch? The mind boggles, Mrs Henderson, the mind boggles.

15. Give as much joy to the small things in life as you do to the large. Which is why me and my ex split up.

16. If at first you don’t succeed, then maybe catching bullets with your teeth isn’t the job for you.

17. If you don’t think you can get it out, why the hell did you put it in there in the first place?

Poetry has no relevance.

Poetry has no relevance. That’s what I hear a lot. Oi, knobhead! Your poetry has no relevence! That’s a hell of a heckle. From my publisher.

But it does. Poetry is useful. Honestly.

I was in an airport. Just minding my own business. Just browsing. Hanging around the arrivals gate with a sign reading JUSTIN BIEBER, you know, just on the off chance. When all of a sudden is call comes up. ‘Is there a poet in the building? This is an emergency! We need a poet!’

Turns out this plane was in trouble. The pilot had collapsed at the controls having had an allergic reaction to a Pot Noodle. And then the co pilot, on hearing that the plane was full of zither players on the way back from a zither convention, succumbed to an undiagnosed zither phobia and became a gibbering, incoherent wreck.

So I’m up in air traffic control and they’ve got a zither player in the cockpit and I’m relaying to him the types of controls that he should be operating.

The aerilon speed flaps are the colour of fine Devonshire cream in the early evening sun.

The throttle control knobs are kind of shaped like a veteran Shakespearean actor stooping to pick up a 20p coin

The rudder pedal is broad and flat like a clumsy child’s first attempt to draw a map of Utah.

The undercarriage lever looks like ennui.

And we did it, we landed that plane, between us, soothing it down to a very smooth landing lulled by sonnets and iambic pentameter, just a classy addition of enjambement on its glide slope, we landed it, oh yes, we did, and everyone was saved!

And at that moment I saw the potential of poetry in all its glory to affect the world as a power to be used for the greater good, elevating ordinary souls above the gods and deities, for are we not all messiahs of the modern age, we poets, we brave poets, pens aloft like spears of triumph!

Poetry. Is. Useful.
Hooray!

And then I got home to my normal life of crushing loneliness.

Things I think about when I’m working on a project.

Things I think about when I’m working on a project.

Lately I’ve been putting a show together. In the old days it was simple, it was a process known as ‘putting a show together’. Now it’s called ‘project management’. I’ve been to plenty of meetings where I tell people I’m putting a show together and they say, ‘oh, you’re project managing?’ And some even say, ‘Oh, you’re a theatre maker?’, which is something I’d not heard before and I had to go and look it up. But apparently I’m in project management now and the one rule for project management is that I shouldn’t lose sight of the bigger picture.

The second rule, apparently, is that I can’t just see the bigger picture.

You’ve got to narrow down and focus. But if you narrow down and focus then you lose sight of the bigger picture. So you’ve got to have one eye on the bigger picture while at the same time you narrow down and focus. Often though you may not even see the bigger picture, so you forget what the bigger picture looks like because you’ve been narrowing down and focussing, or perhaps the bigger picture has become another picture entirely while you were narrowing down and focussing, and now that it’s big picture which doesn’t even include the bits that you’ve been narrowing down and focusing on, and the bits that you’ve been narrowing down and focusing on are now out of the picture.

And then you get bogged down in too much detail. Is the bigger picture even a picture? Is the bigger picture portrait or landscape? Why am I faffing about with the narrowing down when the bigger picture needs attention too? And how big is the bigger picture and how much wider is it than the narrowing down? And if I narrow down how far can I narrow down before narrow becomes too narrow? And anyway, who’s checking on all this?

It’s at times like this that I just decide to give up and go and make a cake.

How we danced to the time of music!

How we danced to the time of music!

An autumn park an hour before dark
A council workman leaf blower and bare deciduous branches
Stark against a late low sunshine sky,
The world itself aching to monochrome, a
Glimpse of anorak amid the lengthening shadows.
It was you.

Caught up, tapped your shoulder, you turned and smile
And the years melt like Himalayan snows,
And we hug on the path by the tennis court nets,
Zigzagged and crisscrossed by chain link silhouettes.

You look good, I say, so do you, he lies,
It’s been so long, I can see in his eyes
That it takes a while for the years to unwind,
To bring the details of our shared life to mind,
He’s handsome still, but in a way much more rugged
Than the man I so often hugged as if he were the meaning
Of life
But I was young and stupid
And so was he.

How we danced to the time of music!

He says,
Let us not talk of the past,
Let us build up the present moment,
Rejoice in our shared existence,
Acknowledge the nights that would never end,
Celebrate the fact that we are still friends
And love this present time,
This moment right now,
And this moment too,
That’s what we should do.
Why?, I asked.
Ah jeez, he said.

The contentment we feel as we stand in this park,
Is more than our past, and it will make its mark,
So that we might celebrate the very essence of
Our being here
As two distinct people.
Let’s take this absolute second, this one,
And this one too,
And maybe not that one,
But this one definitely,
And rise with them above the years
We spent together.
Why?, I asked.
Ah jeez, he said.

Let us dance divine in the moment!
And twirl amid the autumn leaves!
And rejoice in the fact that
Two incredibly sexy and gorgeous young men
Can meet in a park so randomly
And not immediately ponder baser activities
As if a giant machine has zapped from us
All ability to lose ourselves to throbbing temptation,
And also,
I have a bus to catch.
Let us celebrate this!
Why?, I asked.
Ah jeez, he said.

Life is a journey we only pass once.
The skies above, weather patterns,
The subtle moving of continental shelves,
Evolution in its slow mutation,
The planets a dance in this ceaseless rotation,
The absolute thrill of being alive,
The miracle of time, the fact that we thrive
Against all odds in our permanent drive
Through time, oh, it is a blessing!
So let us, oh, let us come together
And celebrate this, the present moment, now!

Why?, I asked.
Was it really so bad, was I really so mad?
The moment it ended, did you feel kind of glad?
Did I not provide the love that you needed,
Comfort and companionship on which you feeded
Like a ravenous beast, a ghost for the haunting,
Was being with me really so daunting?
That you wipe me so brazen from your own history,
Wipe the slate clean, pretend it wasn’t to be?
But you were my lover, my one and my only,
And the nights ever since have been so very lonely
In a world that now ached, I managed so slowly
To lift my head nigh and feel slightly less lowly
That . . Hang on . .
Is this about the two hundred quid that you owe me?

I don’t know what you’re taking about, he replied,
And off he suddenly ran.

Becky’s Gift

Becky’s Gift

A few years ago now I was running Stanza Extravaganza, a night of poetry and spoken word based in Torquay. One month the regular night coincided with the Edinburgh Fringe and I was unable to host, so I asked my friend Tim King is he could do it for me, and he did. A couple of days later I received an email from a poet by the name of Becky Nuttall, asking if she could have a slot. She had been writing poetry for a while but had not yet read any in public.

The day after Stanza Extravaganza I asked Tim how it had gone, and he said that it had been an amazing night, because there was a new poet called Becky Nuttall, and she was brilliant. Oh wow, I thought, I can’t wait to hear her for myself!

Within a year or so Becky had become a regular reader and performer on the local scene, and a staunch supporter of the arts locally, as she had always been. Her poetry, measured and precise and beautifully atmospheric, is delivered in an equally measured tone which captivates the audience. Her work is timeless and draws on religious imagery, rock music, autobiography, the work of David Bowie, and the workings of the universe.

Becky’s first collection, Nick’s Gift, is a book as beautifully constructed as her poetry. The poems range from the autobiographical, such as The Puffin Man, such recounts a childhood encounter with an author who was blatantly grooming young children, to Protestant Girls in Catholic Schools with the exquisite line, ‘love the devil in me!’ The title poem is a beautiful and brief piece which uses sparse language to deliver the emotions of a life lived with the memory of that one special person with a last line, which I shall not repeat here, which explains just how long someone can influence a life.

For me, the most haunting and beautiful poem is one of the last. Spaceflight was written for a very special night in which the theme was the moon and its impact on culture and art. It again revisits an encounter with someone in 1973, a deep friendship which resonates, but this time outwards into the universe itself, riding on the language and imagery of David Bowie and that special magic which comes to all of us at odd moments of our life. ‘We are poets of the full moon’, Becky writes, ‘setting our words to the music of the spheres’.

Nick’s Gift is a remarkable book, deep in imagery and life and yet easily readable and relatable. Indeed, I have read it three times now and it lives on my desk where I can easily dive in and steal a couple of minutes in its presence.

Two months ago, I caught a late night bus from Plymouth and arrived at Paignton bus station just as the clocks struck midnight. And there on one of the benches I saw two people, teenagers, dressed trendily and just chatting and smiling, and my first thought was of one of the encounters Becky writes about. Because no matter what happens, life is timeless and emotion too.

If you are a fan of poetry which has emotion, nuance and humanity, then I thoroughly recommend this book!

The Curse of the Green Pouffe

The Curse of the Green Pouffe

Strung from lamp post to lamp post, the multicoloured fairy lights wiggled, jiggled and jumped in the wind. An angry sea scratched at the pebble beach. Flecks of sand stung cold raw cheeks. It was dusk.
The world seemed obsolete, nullified by the obviousness of the season. Decay, frost-shredded painted gaiety and cartoon characters diminished by the elements, painted on shuttered ice cream shacks.
‘It’s heaving down here in the summer’, I tell him.
‘How far is it to your flat?’
‘Just a road away. I thought we’d make a detour, so you could see, the, erm . . .’.
We walk huddled hands in coat pockets.
‘You look like your profile picture’.
‘So do you’.
I like the way that the wind ruffles his hair. His cheekbones are much more pronounced than I thought they would be.
‘Wild’, I whisper, meaning the weather.
‘Sorry?’
And he’s slightly taller than me.
There are lights on the horizon out at sea, ships sheltering in the bay, and they twinkle and pulse just like stars, and if it weren’t so cold then maybe I could create my own constellations.
‘I’m cold’, he points out.
And the multicoloured fairy lights throw down a glow which gives us several overlapping shadows, our two forms merged and combined like a pack of cards being shuffled. The iron legs of the old pier stride in to the angry sea like a Victorian lady holding up her petticoats,
‘Really cold’, he says.
‘When we get to my flat’, I tell him, ‘you’ll be warm enough’.

‘What’s that?’, he said, pointing at the pouffe.
‘It’s a pouffe’, I replied.
He walks around the living room, warily, looking at it from several angles.
‘What does it do?’
‘You put your legs on it when you’re sitting on the sofa’.
‘It’s green’.
‘Yes’.
‘Yewwww . . .’.
‘Shall we just sit down and, er, warm up and . .’.
‘With that thing, there?’
I sit down. He lingers for a bit, and then he sits down, too. We look at each other and we smile.
‘I really liked your profile’, I tell him. ‘We’ve got a lot in common, haven’t we? It was great to chat online, but I’m so glad we’ve met’.
‘Seriously’, he says, ‘it’s called a pouffe?’
‘Yes . .’.
He looks at it for several seconds.
‘I can put it out on the landing if you like, if you’ve got a . . . Phobia’.
‘It’s still been in here, though’.
‘Put it out if your mind’.
He smiles.
‘I’m sorry. I didn’t mean to’.
And then neither of us says anything for a while. I can hear the clock ticking on the mantelpiece.
‘A green pouffe . . .’.
‘Yes’.
He sighs, leans back in his chair.
‘I was in the jungle’, he whispers. ‘They said I was green. Green meant new, apparently. But I was more likely green because I just felt so unwell. The food, you see . . . And everything in the jungle was green, too. Have you ever really looked at the colour green? There are so many varieties. Green leaves, moss, bark, more leaves, green everywhere. And I felt so bad, I really did feel ill.’
‘That’s a shame. Let’s snuggle . . .’.
‘They reckon I had some sort of disease, brought about by flies. Mosquitoes, probably. They do things to the mind, and affect the way that we see the world. You can never tell how it’s going to go. But with me, it was the effect of everything. The greenery. The predominance of the colour green, just kind of crowded in on me. Made me lose my senses, in a way’.
‘Jeez. So, let’s fool around a bit, you and me. .’
‘And the greenery, it did things to me. I became obsessed. We were there to film a documentary, you see. About slugs, and I was the only newbie there, the only green member of the team. And as I say, I was throwing up the whole time . . ‘.
‘You never mentioned the throwing up.’
I try to put my arm around his shoulders, but he stands up and looks out the window.
‘Sure! A never ending spume of it. I was having visions, it was like some kind of hideous trance that the jungle had put my under. So they flew me home. And the film company, they paid to send me out and recuperate in the countryside. But the countryside, oh, have you ever been to the countryside?’
‘Every now and then. Say, aren’t you hot wearing that big jumper? And those . . Jeans?’
‘There was greenery everywhere. Greenery and scenery. And the scenery was mostly green. There were fields and trees and the fields and trees were green. Especially the evergreens. The greenest evergreens I had ever seen. And there was moss and dappled sun and rhododendrons. And there were villages and villages greens. And the village greens were green. And everyone out there eats their greens. And also some of the tractors were green.’
‘Fascinating. Say, has anyone ever said what nice lips you have? Very kissable . .’.
‘So then I came back to the city . .’.
(‘Here we go . .’).
‘ . . And there was lots of green here, too. The Starbucks logo is mostly green. And so is the fungus in the bus station. And my friend Pete’s car is green. And so is the tie I was wearing yesterday. And the traffic lights are occasionally green. Red, mostly, and amber, and red and amber, but occasionally green. And salt and vinegar crisp packets. Again, green. And the District Line is green. And it passes through Turnham Green. And even though the neon signs are multicoloured, you could probably turn ’em green. Green. Everything is green.’
‘Yes, it is somewhat ubiquitous’.
‘And it does things to me. All this green. It really does affect me very badly. I can’t stand it. I get flashbacks. Green flashbacks. You’ve got to understand’.
I laid my hand on his leg and made a mental note not to include broccoli with dinner.
‘I’ll move the pouffe’, I whisper. ‘Take it away from here, if that makes you feel any better. And then I’ll start on the dinner’.
He smiles.
‘Thank you ‘, he replies. ‘I’m sorry. But it really is giving me the willies’.
I get up and I move the pouffe outside where he can’t see if, and then I come and rejoin him on the sofa.
‘Oh my god’, he says. ‘Is that footstool over there beige? Oh no! I was in the desert, you see, surrounded by miles and miles of beige sand, when I started to feel very ill . . .’.
I let out a deep sigh, lean back on the sofa, and I start peeling an orange.

The Tea Philosopher

(Poem written for my show, Spout, but ultimately not used)

The tea philosopher

The tea philosopher arrived
And sat himself down in the middle
Of the tea shop.
Dressed entirely in black,
With a beret too,
Just like the philosophers you see on tv,
He was only charging five hundred quid
For a full days philosophising,

We kept the tea coming,
Of course,
Because that’s why he was there.
Here you go, we would say.
Socrateas.
He didn’t laugh.
And he sipped it contemplatively,
And every now and then,
Jotted something down in his notebook.

At opportune moments he would
Hold his forefingers in the air,
As if to say, quiet,
The truth is almost upon me.
And we dared hardly breathe.
And we crowded in.
And we watched as he worked
And pondered
And probed the human condition
And we could scarcely believe it
At the end of the day
When he put down his pen,
Stood up, and cleared his throat
And said,

Without the spout,
The tea
Will just stay in the pot.

He then
Gathered his belongings,
Took his pay check,
And left.

That was worth it,
Then.

The Queer Express

The Queer Express

A tinsel littered terminus on the greyest grey of days.
A gleaming marble concourse and a smoke machine haze.
Excitement builds in tight T-shirts, dressing to impress.
A train’s due in at platform six, it is the Queer Express.

The chuffing puffing mother huffing pumping disco train,
This gently swaying high heel sashaying, otherwise quite tame
Lip sync boa something of a goer power ballad queens
Leather clad sexy dad, this transport of my dreams.

Everyone is welcome as it thunders down the track
A destiny that’s shining bright, the rhythm of the clickerty clack.
Clones and drones feel so at home and big butch bears too.
Take a seat on the Queer Express, carriages L G B T and Q.

Our history is one of Pride and those who dared to stand
And fight the law and rise above let’s shake them by the hand.
And now there is sweet freedom sung amid the pumping beat
The rainbow flag flies proud for you, hop aboard and take your seat.

This sequinned rocket this tinsel train there is no quiet zone.
The ultimate community where no one feels alone.
I climbed aboard twenty years ago, never again felt like a loner.
A sexy hunk in the opposite bunk is giving me a
Reason to be here.

This all embracing heart racing Diesel engined chuffer.
This laser choo choo homo loco never will hit the buffer.
It’s thundering and building speed and passing through the night,
For souls in need who feel indeed that now the time is right.

There’ll be moaners haters zealous types and those who don’t agree.
The train is there for everyone and that’s what makes us free.
The point of life is that we live up to our history,
And if you can’t be what THEY want, you might as well just BE.

The Queer Express is said by some to be an urban myth.
Stand by the tracks on a foggy night and see its glow in the mist.
The train exists in every soul who’s felt the world’s askance.
Hop aboard the Queer Express and join this blissful dance!

welcome aboard!