Performance poet and Professor of Whimsy
Well, I did my annual New Year’s Day special yesterday, from the environs of the room at the back of my mothers garage, as I am staying in Brixham for the new year period. Here it is in all its whimsical glory, I hope you enjoy it!
If you like what I’m doing, feel free to support me right here:
So today I performed my annual New Year’s Day poetry extravaganza. And as I’m staying in Brixham at the Muv’s, this took place in the room at the back of her garage where I normally rehearse, a place I have nicknamed the ‘Sunrise Rehearsal Studio’. I can make as much noise as I like in there and nobody can hear me, because the room is not attached to or near any other building.
The day before, I’d kind of made a New Year’s Resolution, which had two parts to it. The first is to concentrate more on comedy poetry, the second is to have fun performing. The first part of this resolution has come about because I feel that, over the last couple of years and especially since lockdown and the pandemic, I have spent most of my time doing things other than comedy poetry. And yes, while it’s great to experiment and try other things, I was just kidding myself that any of these were worth unleashing on an audience. Serious poems, serious pieces of writing, various artworks and ideas which had at least taken me out of my comfort zone, were the speciality of proper artists and proper poets who have made a career out of such a manner of expression. The one thing I’m good at, hopefully, and known for, is making people laugh through poetry and performance. And I hadn’t done nearly enough of this since the end of 2019.
The second part of the resolution is to have fun performing. I know this sounds a bit weird, what with my performance being very silly, comedic and clowning, but I’d spent far too much time concentrating on performance and theory and effect and not nearly enough on enjoying the process.
So today’s gig in the Sunrise Rehearsal Studio allowed me to have fun in the silliness of what I was doing and, hopefully, in such a way, connect with the audience. And once I’d made this pact with myself to enjoy what I was doing, well, wouldn’t you know, I started to really enjoy what I was doing!
2022 is here, now. And I have no idea where it will go or what will happen. I have a couple of projects on the go which might lead to something wonderful, or then again, they might not. But I’m determined that I shall have lots of fun along the way. I hope to see you out there in poetry land, too.
Happy new year to everyone, and here’s to a better future!
Yay! show diaries
4.5.20
Write down themes of poems due to go into the Yay collection and decide that most of them are about the sea or wildlife. Conscious that the theme has to be happiness. Decide to make it a love story on a trawler possibly breaking the fourth wall every now and then. Decide to include Seaside Serenade in the collection as it would fit well at the start of the show. Write out very rough approximation of the storyline. A quest to understand what happiness is. Decide against the love aspect.
5.5.20
Working on a possible poem to go at the end of the show, provisionally titled Often I Don’t Realise I’m Happy or Oh! Actually It Turns Out I’m Happy!
Read some Vanessa Kisuule and Shagufta Iqbal for inspiration but then decided it needed ‘Liv Torcing up a bit’. First draft of poem completed.
6.5.20
Finished and fiddled with Oh! It Turns Out I’m Happy! Had a tentative go at writing the first paragraph of the show. Also made a new version of the Yay book manuscript. Now wondering whether to include Seaside Soul as it fits nicely after Seaside Serenade.
7.5.20
Worked on the linking material before Seaside Soul, and between Seaside Soul and Sideburns. Pondered on adding The Lad on the Bus Watching Porn on his phone to the show. Seaside Soul is now a part of the show.
11.5.20
Worked on the linking material and the material for the trawler section. Added the Homecoming poem to the show. Also worked on the dead aunt section.
12.5.20
Continued working on linking material. Swapped running order of the poems in the middle.
13.5.20
Typed up the first few pages, changing and editing sentences, then worked on the Giant Octopus section hoping to make it a stand alone segment.
14.5.20
Typed up the rest of the existing material and rewrote the giant octopus scene.
16.5.20
Worked on coffee shop scene and linking material, worried that the show may be too long, also worried that it should end at the end of the Trawler section.
17.5.20
Completely scrapped yesterday’s writing and rewrote the end of the show keeping the action on the trawler. Ended the show with a sudden idea to incorporate the gay pride boat ride.
18.5.20
Typed up the new material and made a few cosmetic changes and loosened up some of the language. First draft of the show now complete. Put aside for a few days.
1.6.20
In preparation listened to Tina Sederholm’a podcast about writing shows. Pondered on removing Seaside Serenade as it shares too many similarities with other poems, and replacing it as the first poem with I See Me in the Future, which is only half written. Then rewrote and wrote new linking material for the first few minutes, setting the start of the show in Surrey instead of Devon. Then turned attention to Shakka Lakka Boom and thought of alternative words to make it more my own poem, including Plipperty Plopperty Ploom.
2.6.20
More work on the new beginning of the show and writing the new linking material. Added a couple of jokes, then typed up and worked on I See Me in the Future.
3.6.20
Put all of the show together and had a full read through, comes to 57 minutes but it’s over 8000 words. Made lots of notes. Rewrote the first verse of Shakka Lakka Boom. Decided to remove the Lighthouse poem and the lighthousekeeper section to free up time, and this would let me put Seaside Serenade back at the start. Started rewriting I See Me in the Future just on the off chance. Feel that Seaside Serenade would be a better opening poem.
4.6.20
Rewrote the script. Took out I see Me in the Future and added Seaside Serenade. Removed Lighthousekeeper and that whole section. Also removed I want to be a Submariner as it had the same themes as three other poems, wrote a new one based on a poem originally rejected for Spout, Dunker Dumper, which gives background to Stinky Pete’s malaise. Interestingly this poem was written in the Wetherspoons in Barnstaple during the Fringe there. Added Brandon to the end of the show. Rewrote the opening linking material to add more jokes and attitude. Word count now just over 7400.
5.6.20
Updated Yay collection to include new poems for the show, and new Shakka Lakka Boom.
10.6.20
Rewrote the Surrey linking material and also went through the show, reducing the word count and editing. Word count now 7300.
13.6.20
Rewrote the opening speech after Seaside Serenade, including some jokes that came to me and getting rid of the awkward book plug.
14.6.20
Sunrise rehearsal room, Brixham. Rewrote the end of the Skipper’s octopus story, adding a joke. After lunch did a full read through. Comes to just under 53 minutes now. Decided to lighten the poetry towards the end and looked at replacing the poem Yay, perhaps with I want to be a Submariner, or even a sequence of short silly poems from a pretend poetry workshop on board the vessel.
15.6.20
Started rewrite of the ‘poetry workshop’ section with a view to replacing the ‘Yay’ poem. Wrote rough notes and selected some previously written short, sharp poems for this section with punchlines.
16.6.20
Rewrote the poetry workshop section and put it in the script. Removed the Yay poem and the linking material leading to it. Net result, about a hundred words less. Current word count now just over 7100. Currently toying with the idea of the Dunker Dumper song being played on a mobile phone as a pretend voicemail message.
24.6.20
Rewriting odd bits of the script to add in more jokes (but not puns). Made Becky be on the rescue boat at the end. Rewrote the opening paragraph. Spent the afternoon watching YouTube videos about writing solo shows.
25.6.20
More work on adding humour to the script. Looked also at various aspects of the show, even the title. And should I perform the whole thing while ironing? And then struggling to put the ironing board away? Approaching it with a ‘nothing is sacred ‘ mentality!
26.6.20
Did some more micro-rewrites, trying to make individual sentences punchier and funnier. Then did a full table read of the show as it is now, it comes to 52 minutes. Made some notes. The idea persists of using an ironing board, it could be used as numerous props: boat, gangplank, a person, a surfboard, an ironing board, a table. Something to ponder on. Do I really need to lug an ironing board around? Spoke to Ian Beech about using one of his photos for the poster for the show and the cover for the book, and the idea had his blessing though he was worried that Burning Eye would alter his image. After dinner, started working on some different ‘workshop’ poems , the latest idea being to get audience members to read them out.
27.6.20
Finished rewriting the ‘poetry workshop’ short poems.
1.7.20
Chatting with Tina Sederholm about hiring her to do dramaturg work on the show script.
17.7.20
Printed off the script for Yay and put it in the same ring binder as used for Juicy, Yak, Spout, etc.
21.7.20
Re-begin line learning Seaside Serenade. Amazed at how much I remember.
8.9.20
Official announcement of the Yay show and book on the Burning Eye Twitter and social media account and on other various social media platforms.
15.9.20
Official announcement of the title of the book and show on the Burning Eye Twitter account and in various social media platforms.
1.11.20
Brixham: Full ‘table read’ of show and notes written. Current length 54 minutes. Is Queer Express necessary?
2.11.20
Spent the afternoon on rewrites based on yesterday’s table read. Replaced Queer Express with I Want to be a Submariner.
3.11.20
Spent the afternoon and evening on rewrites. Word count now under 7000. Pondering music for the poems, and a different voice for the mobile phone song in the middle. Just to give me a rest!
4.11.20
No election result. Started rehearsing, amazed to find I still knew most of Seaside Serenade. Went through the introduction and linking material.
5.11.20
Still no election results. Rehearsed Seaside Serenade and learned lines for the following linking material. Slight rewrites to first introduction.
6.11.20
Still no election results. Rehearsed Seaside Serenade and the following linking material. First seven minutes of the show now committed to memory. Decided against music.
9.11.20
Rehearsed the first seven minutes and began to rehearse Sideburns. Mark was bored so he came down and watched the first seven minutes.
10.11.20
Sideburns line learning.
11.11.20
Sideburns line learning.
12.11.20
Applied to PBH Free Fringe for the show for 2021. Line learning for Sideburns and re-run of first seven minutes.
13.11.20
Sideburns line learning.
14.11.20
Sideburns line learning during torrential rain storm.
15.11.20
More Sideburns line learning. More torrential rain, thunderstorm, hail. Started also on the linking material after Sideburns.
16.11.20
Rehearsing linking material.
17.11.20
Rehearsing linking material and Seaside Soul.
18.11.20
Seaside Soul line learning.
19.11.20
Did the first fifteen minutes or so of Yay and more Seaside Soul line learning.
20.11.20
A run through of Sideburns and Seaside Soul a few times to make sure they’d stuck.
24.11.20
Started work memorising linking material after Seaside Soul.
25.11.20
More work on memorising linking material. Ran through all the show so far from the beginning. Also pondering on light rewrites. A Brixham trawler sank over the weekend with two lives lost. I was asked to provide some words for the local news website. Decided that the script would need some revisions to make it less trawlercentric, in honour to the fishermen, one of whom is a friend of a friend, and the sacrifices those in the fishing industry make. Pondered on changing the location to a factory fishing ship.
26.11.20
Up early for rewrites. Research into factory fishing ships and had several ideas for jokes and funny lines. Rewrote two lots of linking material and made cosmetic changes to wording, very pleased with the results. Current word count 7043.
27.11.20
Line learning Instructions for my Funeral.
28.11.20
Line learning Instructions for my Funeral.
29.11.20
Line learning Instructions for my Funeral
30.11.20
Line learning Instructions for my Funeral
2.12.20
Line learning Instructions for my Funeral.
3.12.20
More line learning Instructions for my Funeral, followed by a complete run-through of everything learned so far. Memorised twenty minutes of material since the start of November. Therefore thinking logically that it will take two more months to memorise the rest of the show, though I wont have as much free time.
6.12.20
Line learning Instructions for my Funeral and then started learning the rehearsing the following linking material. Printed the updated script and put it in the folder. Rewrote the linking material as I went along. As I was rehearsing, (having moved the table and chairs from the bay window to create a stage), I saw a little aircraft spluttering, popping and banging as it flew over. Hopefully not an omen!
8.12.20
Line learning linking material.
9.12.20
Line learning linking material.
13.12.20
Complete run-through of the show so far. Then started the process of committing ‘Homecoming’ to memory.
14.12.20
Line learning Homecoming.
15.12.20
Debuted Seaside Soul at Big Poetry Goes Viral on Zoom. Accidentally missed out a verse.
16.12.20
Line learning Homecoming and rehearsing Seaside Soul, as I’ll be performing it tomorrow night at the Palace Theatre as part of an evening of culture in celebration of the theatre. They asked for a poem about Paignton. Funny you should ask, I replied, I’ve been working on one!
17.12.20
Debuted some linking material and Seaside Soul at Palace Avenue Theatre as part of their evening of culture.
18.12.20
Line learning Homecoming (while at work alone on the shop floor in the first, slow hour of the day).
19.12.20
Went for a walk in the bright sunshine down across Paignton Green to the harbour, line learning Homecoming. Stood on the concrete breakwater and recited the poem a few times. Later on, went through the show so far (excluding Seaside Serenade) just to make sure I could remember the poems.
21.12.20
Line learning Homecoming and the linking material which comes afterwards.
22.12.20
Line learning Homecoming.
23.12.20
Line learning linking material. Also went through all of the linking material of the show so far, (saying ‘fast forward’ once I’d got one verse into the actual poems).
26.12.20
In Brixham. Line learning linking material. Begun the process of learning Poet In Residence on a Fish Factory Ship. Rewrote the second verse using the old typewriter to type up the revisions. Only one of the crew will henceforth be known as ‘stinky’.
27.12.20
To the Sunrise Rehearsal Studio in Brixham to work on the Poet In Residence poem. Great progress rehearsing and line learning.
29.12.20
Line learning Poet In Residence. Also did a run-through of the first twenty five minutes of the show, completely error free for the first time. Felt like a big step!
1.1.21
Line learning Poet In Residence.
2.1.21
Line learning Poet In Residence.
3.1.21
Went to the sea front, prom and beach in bitterly cold winds and recorded myself underneath the pier performing Seaside Soul, to publicise the show and book. Spent the afternoon editing and re-dubbing the footage, shared to social media channels.
5.1.21
Another lockdown begins. Line learning Poet In Residence.
6.1.21
Line learning Poet In Residence and experimenting with an intro played on the melodica.
7.1.21
Line learning Poet In Residence. Then undertook a run-through of the show so far, 27 minutes. Followed this with line learning linking material.
8.1.21
Applied to Norwich Fringe and to the Guildford Fringe for 2021. Afternoon, line learning linking material and Shakka Lakka Boom.
9.1.21
Line learning Shakka Lakka Boom and linking material.
10.1.21
Line learning Shakka Lakka Boom and linking material.
11.1.21
Email from Guildford Fringe saying they’ll be in touch about dates for Yay. Spoke with Melanie Branton about providing a song via answer phone message for the ‘You Dunked a Muffin in your Cuppa’ section. Sang a version of it and sent it to her along with the lyrics. Line learning linking material. Also, performed Seaside Soul on the weekly Forsaking the Mic Zoom meeting and chatted about the show. Ran through the show so far for Mark.
12.1.21
Ran through the show so far again. 34 minutes. Pondering on what to remove if the running time is too long.
13.1.21
Did a ‘table read’ of the rest of the show to work out timings. Decided to remove two poems, ‘Moby Dick’, (which I stayed up late last night re-writing), and I Want To Be A Submariner. The Submariner poem needs rewrites in any case but I’ve never been totally happy with it and it seems superfluous to the plot. Moby Dick feels better now it’s rewritten, but it’s also superfluous to the plot. As a replacement I took the Sunrise poem from Squidbox and rewrote it, adding a final verse. This is a more contemplative piece and fits the mood nicely. This new poem will also be inserted into the Yay book in place of I Want to Be A Submariner. Hopefully, the running time will be around 55 minutes now.
15.1.21
Line learning linking material. (Sea monster section).
16.1.21
Line learning linking material. (Sea monster section).
18.1.21
Line learning linking material. (Went for a walk in the rain and dark to go over the lines in my head, the sea monster section).
19.1.21
Line learning linking material. (Sea monster section).
21.1.21
Line learning linking material. (Sea monster section).
22.1.21
Line learning linking material. (Sea monster section).
23.1.21
Decided to carry on the Yay show into 2022 as well as 2021 and to make it as ‘robust’ as possible to last the distance. Had a great rehearsal, going through the whole of the learned show so far and concentrating on movement, and incorporating a chair, which may be the only piece of furniture or prop (except the phone). Then used voice changing software to record the poem / song ‘You Dunked a Muffin in your Cuppa’, adding some dialogue at the start and the end. Edited it all together to be used in the shows. Very happy with the progress today.
24.1.21
Line learning linking material.
25.1.21
Line learning linking material. Considering some music at the start of the show. Last night recorded some vocal ideas. Today pondered using a verse from the poem Happy.
26.1.21
In a light rain shower I went to the woods down the road and filmed myself performing Instructions for my Funeral. Then home and edited the footage. Ran through the linking material and the ‘Muffin’ / ‘Sea Monster’ sections, then rehearsed ‘Nathan went for a walk in the Rain’. Finally, rewrote linking material between ‘Nathan . .’, and ‘Sunrise’.
28.1.21
Line learning ‘Sunrise’.
29.1.21
Line learning Sunrise.
30.1.21
Line learning Sunrise. Made a video for the ‘Happy’ poem.
31.1.21
Ran through all of the memorised show so far, 45 minutes. Had a minor panic when I thought the timer said 55 minutes! Did some work with the chair just to play around during the show. Then spent some time line learning Sunrise.
1.2.21
Line learning Sunrise.
2.2.21
Line learning Sunrise.
3.2.21
Line learning linking material.
5.2.21
Line learning linking material. Also worked on the ‘poetry workshop’ scene and explored options of hearing or showcasing the poems. Thought about an audio section much like the ‘You Dunked Your Muffin . .’ Section where I say that I recorded the fishermen on my mobile phone. Decided to write the poems on paper and keep them folded in my pocket, (cleverly with the before and after lines written on the paper too!), thereby whizzing through a whole page of the script.
8.2.21
Rehearsed and went over last third of the show. Did a ‘table read’ of the final piece of long linking material, then re-wrote to shift the focus away from the Robert character ‘coming out’, and more to a confession of his love in keeping with the tone of the show. Tidied up and tightened the rest of the linking material which comes after the Sunrise poem.
9.2.21
Line learning linking material.
10.2.21
Chatted to film director John Tomkins about performing the show in Paignton to a select socially-distanced audience and him filming it and editing it professionally for streaming services and online fringe festivals. Also, line learning linking material.
11.2.21
Went out this morning in freezing wind with Mark to try and take some publicity photos for the show. Edited them. Spent the afternoon rehearsing and line learning. Just a couple of paragraphs to go!
12.2.21
Line learning linking material.
13.2.21
Line learning linking material.
14.2.21
Ran through almost the entire show from memory, with the exception of the last couple of minutes. Running time 55 minutes. Decided on a couple of ‘light’ rewrites.
15.2.21
Rewrote the last paragraph of linking material and more line learning.
16.2.21
Contacted Emily Appleton about taking some publicity photos for the show poster and to publicise the show and the book. Arranged for Sunday morning, weather permitting. Rewrote the last paragraph of linking material yet again! Line learning linking material.
17.2.21
Line learning Happy.
19.2.21
Line learning Happy.
20.2.21
Line learning Happy.
21.2.21
Looked at the end of the show, rewrote the last paragraph of linking material again. PThen looked at the last poem, wrote a new poem, ‘I Don’t Know Why I’m Happy’, and decided to make a medley with ‘Happy’ for the last words of the show, more fitting with the tone. The idea being I might put this poem on a postcard as an extra / bookmark for anyone who buys the book. Ran through sections of the show. Then off to Victoria Park skateboard ramps for a photo shoot with Emily Appleton for the show promotional material. Home, and re-worked the ‘You Dumped a Muffin in your Cuppa’ song, making it almost a minute shorter. Long day!
22.2.21
Line learning I Don’t Know Why I’m Happy.
23.2.21
Full show run through from memory, for the first time! 54 minutes. Decided to end the show after the final linking material but then carry on with I Don’t Know Why I’m So Happy / Happy afterwards. This gives the option of substituting another poem.
25.2.21
More subtle rewrites to the end of the final linking material to make it sound more like an ending.
27.2.21
Line learning I Don’t Know Why I’m So Happy.
28.2.21
Practising random parts of the show.
1.3.21
Full show run through, 53 minutes.
2.3.21
First real rehearsal session rather than line learning, played around with using a chair as a prop, marked up the scripts at moments where the chair will feature.
3.3.21
Exchanged emails with Paignton Palace Theatre about the possibility of using their black box space to film the Yay show without an audience for online fringe purposes. They emailed back to say yes, and free of charge!! (Well, they want some work off me in exchange).
4.3.21
Chatted to filmmaker John Tomkins about arrangements to film the show without an audience at the Palace Theatre and agreed terms, then chatted about the logistics. Next got in touch with the Palace Theatre and they said they could offer the actual theatre auditorium for filming purposes and let us use their sound / lighting engineer.
5.3.21
Worked on the publicity images sent by Emily Appleton to choose two or three as possible poster images for the show and images to send out with press releases. Then chatted to John Tomkins about the film version before listening to various bits of music as opening and closing music for the film version of the show. Had another rehearsal with the chair as a prop and also tried some choreography for the last poem, I Don’t Know Why I’m So Happy / Happy. Finally pondered on the idea of signing the ‘Becky’ poem myself and ran through it a couple of times.
6.3.21
Full run-through of the show singing the You Dunked a Muffin in your Cuppa song rather than playing the audio, and doing the whole show with movement, choreography and using the chair as a prop. Also chatted to Bryce Dumont about the possibility of using Croydon Tourist Office music for the start and end of the filmed version.
7.3.21
Spent some time making a first couple of designs for the possible publicity poster. Then worked on a song with a Croydon Tourist Office backing track for the film, which I called ‘So happy’.
8.3.21
Line learning You Dunked a Muffin in Your Cuppa.
9.3.21
Worked on the publicity poster design and then line learning You Dunked a Muffin in Your Cuppa.
10.3.21
Rehearsal using the chair.
13.3.21
Sunrise rehearsal room, Brixham. Went through the whole show, no movement.
14.3.21
Sunrise rehearsal room, Brixham. Went over the various bits that I struggled with yesterday.
15.3.21
Back in Paignton. Went over the last half of the show, typed up revisions, did some admin with Guildford Fringe.
16.3.21
Wrote a new poem to finish the show which draws together happiness and identity, ‘Be Yourself’, which also has an element of humour. In the evening, headlined at ‘Leadworks’, an online gig, and debuted some of the linking material from the show as well as performing three poems in the set, Shakka Lakka Boom, Homecoming and Seaside Soul.
17.3.21
Line learning Be Yourself.
18.3.21
Line learning Be Yourself.
19.3.21
Did a complete run through of the show, including the new Be Yourself poem at the end. Came to 55 minutes.
21.3.21
Spent the morning working on an interview with Heather Moulson and talked about the show and its premise. Then worked on a blog with the publicity pictures and the press ‘interview’ I did with myself, and unleashed it on the world on my website and social media, changing profile pictures to the show poster. Afternoon, worked on an audio recording of the show mainly to help myself stay fresh but also as a possible future project.
23.3.21
Tickets for the Yay show on sale on the Guildford Fringe website.
25.3.21
Did ‘Shakka Lakka Boom’ and ‘Seaside Soul’ plus linking material at WonderZoo, an online gig based in Plymouth.
27.3.21
Rehearsed last half hour of the show in the Sunrise Rehearsal Studio, Brixham.
30.3.21
Rehearsed last ten minutes of the show, back in Paignton.
7.4.21
Rehearsed whole show. Chatted to filmmaker John Tomkins about the logistics of filming the show in Paignton’s Palace Theatre next week. Evening, did ten minutes of poems and linking materials of the show at Word Mustard, an online gig based in Weston-super-Mare.
14.4.21
Filmed the show at Paignton’s Palace Theatre with John Tomkins, sound engineer Clive and Sarah from the theatre. Filmed for five hours, filming the show twice from several angles, and also footage for a trailer which involved different poses on stage. Then home for the last proof-read of the collection.
19.4.21
John Tomkins made the trailer for the recording of the solo show, and this was put online on my website and various social media channels.
21.4.21
Had a meeting online with Fay Roberts from PBH Free Fringe about entering the show into the online Edinburgh fringe, then a meeting with John Tomkins to show me some of the edits of the show so far.
23.4.21
John Tomkins sent me a first edit of the show, watched it and suggested a couple of minor revisions.
26.4.21
John Tomkins sent me the second edit of the show, watched it and approved it as the definitive edition.
27.4.21
A box of Yay books arrived!
28.4.21
Spoke with Ludlow Fringe about performing the show in the same week as the Guildford Fringe / Taunton Live.
2.5.21
Full run through of the show at the Sunrise Rehearsal Room, Brixham. It’s the first time I’ve done the show since filming at the theatre, relieved that it’s still in my head!
3.7.21
Full rehearsal at Sunrise, Brixham.
5.7.21
Full rehearsal at Paignton, Polsham Park.
10.7.21
Full rehearsal at Sunrise, Brixham.
13.7.21
First performance of show in front of audience, The Keep, Guildford Fringe. Pleased at reception though wondered about the last poem, Be Yourself. Back to hotel in Woking and worked on ideas for a possible replacement for Be Yourself, wondering whether to have a proper ‘banger’/ Garnhamesque poem as the last one.
14.7.21
Worked on a couple of possible replacements in Woking first at hotel, then at the Wetherspoons. Sat on the banks of the Basingstoke Canal and worked on a poem, ‘Happiness Is . . .’.
15.7.21
Paignton. Worked on Be Yourself replacement, Happiness Is . .
16.7.21
Worked on Happiness Is . .
17.7.21
To Brewhouse Theatre, Taunton, for a studio livestream, performed fifteen minutes from the show. Later performed in the Taunton Live Festival and included Be Yourself in the set. The reception to the poem was positive enough to think about leaving it in the show.
28.7.21
Yay show recording now made public on the PBH Edinburgh Free Fringe website for streaming. It’s on the first page of their website with a virtual venue of Banshee Labyrinth. Also uploaded to the Gumroad website but not yet made public.
29.7.21
Contract signed to perform Yay show at the Exeter Fringe in October.
10.8.21
Worked on publicity for Exeter Fringe. Then to Exeter Phoenix for a Scratch Night, did fifteen minutes of the show from Shakka Lakka Boom to Nathan, and it was received well.
1.9.21
Pictures and critique sheets back from the Exeter scratch night. Great advice and feedback from the audience. Though one person thought there was too much serious content and one thought there was too much comedy!
2.9.21
Show announced as part of the Exeter Fringe 2021.
8.9.21
Working on press for the Exeter Fringe show. Press release / photos to various local news outlets.
9.9.21
Worked on designing posters for Exeter Fringe.
15.9.21
Yay posters and flyers have arrived. I will be doing five minutes of the show in Exeter tonight where I’ll give out the flyers and distribute the posters.
18.9.21
Had a radio interview on BBC Radio Devon with Sarah Gosling to publicise the Yay show at the Exeter Fringe. Performed Seaside Soul and High Tea.
Yay! show diaries
4.5.20
Write down themes of poems due to go into the Yay collection and decide that most of them are about the sea or wildlife. Conscious that the theme has to be happiness. Decide to make it a love story on a trawler possibly breaking the fourth wall every now and then. Decide to include Seaside Serenade in the collection as it would fit well at the start of the show. Write out very rough approximation of the storyline. A quest to understand what happiness is. Decide against the love aspect.
5.5.20
Working on a possible poem to go at the end of the show, provisionally titled Often I Don’t Realise I’m Happy or Oh! Actually It Turns Out I’m Happy!
Read some Vanessa Kisuule and Shagufta Iqbal for inspiration but then decided it needed ‘Liv Torcing up a bit’. First draft of poem completed.
6.5.20
Finished and fiddled with Oh! It Turns Out I’m Happy! Had a tentative go at writing the first paragraph of the show. Also made a new version of the Yay book manuscript. Now wondering whether to include Seaside Soul as it fits nicely after Seaside Serenade.
7.5.20
Worked on the linking material before Seaside Soul, and between Seaside Soul and Sideburns. Pondered on adding The Lad on the Bus Watching Porn on his phone to the show. Seaside Soul is now a part of the show.
11.5.20
Worked on the linking material and the material for the trawler section. Added the Homecoming poem to the show. Also worked on the dead aunt section.
12.5.20
Continued working on linking material. Swapped running order of the poems in the middle.
13.5.20
Typed up the first few pages, changing and editing sentences, then worked on the Giant Octopus section hoping to make it a stand alone segment.
14.5.20
Typed up the rest of the existing material and rewrote the giant octopus scene.
16.5.20
Worked on coffee shop scene and linking material, worried that the show may be too long, also worried that it should end at the end of the Trawler section.
17.5.20
Completely scrapped yesterday’s writing and rewrote the end of the show keeping the action on the trawler. Ended the show with a sudden idea to incorporate the gay pride boat ride.
18.5.20
Typed up the new material and made a few cosmetic changes and loosened up some of the language. First draft of the show now complete. Put aside for a few days.
1.6.20
In preparation listened to Tina Sederholm’a podcast about writing shows. Pondered on removing Seaside Serenade as it shares too many similarities with other poems, and replacing it as the first poem with I See Me in the Future, which is only half written. Then rewrote and wrote new linking material for the first few minutes, setting the start of the show in Surrey instead of Devon. Then turned attention to Shakka Lakka Boom and thought of alternative words to make it more my own poem, including Plipperty Plopperty Ploom.
2.6.20
More work on the new beginning of the show and writing the new linking material. Added a couple of jokes, then typed up and worked on I See Me in the Future.
3.6.20
Put all of the show together and had a full read through, comes to 57 minutes but it’s over 8000 words. Made lots of notes. Rewrote the first verse of Shakka Lakka Boom. Decided to remove the Lighthouse poem and the lighthousekeeper section to free up time, and this would let me put Seaside Serenade back at the start. Started rewriting I See Me in the Future just on the off chance. Feel that Seaside Serenade would be a better opening poem.
4.6.20
Rewrote the script. Took out I see Me in the Future and added Seaside Serenade. Removed Lighthousekeeper and that whole section. Also removed I want to be a Submariner as it had the same themes as three other poems, wrote a new one based on a poem originally rejected for Spout, Dunker Dumper, which gives background to Stinky Pete’s malaise. Interestingly this poem was written in the Wetherspoons in Barnstaple during the Fringe there. Added Brandon to the end of the show. Rewrote the opening linking material to add more jokes and attitude. Word count now just over 7400.
5.6.20
Updated Yay collection to include new poems for the show, and new Shakka Lakka Boom.
10.6.20
Rewrote the Surrey linking material and also went through the show, reducing the word count and editing. Word count now 7300.
13.6.20
Rewrote the opening speech after Seaside Serenade, including some jokes that came to me and getting rid of the awkward book plug.
14.6.20
Sunrise rehearsal room, Brixham. Rewrote the end of the Skipper’s octopus story, adding a joke. After lunch did a full read through. Comes to just under 53 minutes now. Decided to lighten the poetry towards the end and looked at replacing the poem Yay, perhaps with I want to be a Submariner, or even a sequence of short silly poems from a pretend poetry workshop on board the vessel.
15.6.20
Started rewrite of the ‘poetry workshop’ section with a view to replacing the ‘Yay’ poem. Wrote rough notes and selected some previously written short, sharp poems for this section with punchlines.
16.6.20
Rewrote the poetry workshop section and put it in the script. Removed the Yay poem and the linking material leading to it. Net result, about a hundred words less. Current word count now just over 7100. Currently toying with the idea of the Dunker Dumper song being played on a mobile phone as a pretend voicemail message.
24.6.20
Rewriting odd bits of the script to add in more jokes (but not puns). Made Becky be on the rescue boat at the end. Rewrote the opening paragraph. Spent the afternoon watching YouTube videos about writing solo shows.
25.6.20
More work on adding humour to the script. Looked also at various aspects of the show, even the title. And should I perform the whole thing while ironing? And then struggling to put the ironing board away? Approaching it with a ‘nothing is sacred ‘ mentality!
26.6.20
Did some more micro-rewrites, trying to make individual sentences punchier and funnier. Then did a full table read of the show as it is now, it comes to 52 minutes. Made some notes. The idea persists of using an ironing board, it could be used as numerous props: boat, gangplank, a person, a surfboard, an ironing board, a table. Something to ponder on. Do I really need to lug an ironing board around? Spoke to Ian Beech about using one of his photos for the poster for the show and the cover for the book, and the idea had his blessing though he was worried that Burning Eye would alter his image. After dinner, started working on some different ‘workshop’ poems , the latest idea being to get audience members to read them out.
27.6.20
Finished rewriting the ‘poetry workshop’ short poems.
1.7.20
Chatting with Tina Sederholm about hiring her to do dramaturg work on the show script.
17.7.20
Printed off the script for Yay and put it in the same ring binder as used for Juicy, Yak, Spout, etc.
21.7.20
Re-begin line learning Seaside Serenade. Amazed at how much I remember.
8.9.20
Official announcement of the Yay show and book on the Burning Eye Twitter and social media account and on other various social media platforms.
15.9.20
Official announcement of the title of the book and show on the Burning Eye Twitter account and in various social media platforms.
1.11.20
Brixham: Full ‘table read’ of show and notes written. Current length 54 minutes. Is Queer Express necessary?
2.11.20
Spent the afternoon on rewrites based on yesterday’s table read. Replaced Queer Express with I Want to be a Submariner.
3.11.20
Spent the afternoon and evening on rewrites. Word count now under 7000. Pondering music for the poems, and a different voice for the mobile phone song in the middle. Just to give me a rest!
4.11.20
No election result. Started rehearsing, amazed to find I still knew most of Seaside Serenade. Went through the introduction and linking material.
5.11.20
Still no election results. Rehearsed Seaside Serenade and learned lines for the following linking material. Slight rewrites to first introduction.
6.11.20
Still no election results. Rehearsed Seaside Serenade and the following linking material. First seven minutes of the show now committed to memory. Decided against music.
9.11.20
Rehearsed the first seven minutes and began to rehearse Sideburns. Mark was bored so he came down and watched the first seven minutes.
10.11.20
Sideburns line learning.
11.11.20
Sideburns line learning.
12.11.20
Applied to PBH Free Fringe for the show for 2021. Line learning for Sideburns and re-run of first seven minutes.
13.11.20
Sideburns line learning.
14.11.20
Sideburns line learning during torrential rain storm.
15.11.20
More Sideburns line learning. More torrential rain, thunderstorm, hail. Started also on the linking material after Sideburns.
16.11.20
Rehearsing linking material.
17.11.20
Rehearsing linking material and Seaside Soul.
18.11.20
Seaside Soul line learning.
19.11.20
Did the first fifteen minutes or so of Yay and more Seaside Soul line learning.
20.11.20
A run through of Sideburns and Seaside Soul a few times to make sure they’d stuck.
24.11.20
Started work memorising linking material after Seaside Soul.
25.11.20
More work on memorising linking material. Ran through all the show so far from the beginning. Also pondering on light rewrites. A Brixham trawler sank over the weekend with two lives lost. I was asked to provide some words for the local news website. Decided that the script would need some revisions to make it less trawlercentric, in honour to the fishermen, one of whom is a friend of a friend, and the sacrifices those in the fishing industry make. Pondered on changing the location to a factory fishing ship.
26.11.20
Up early for rewrites. Research into factory fishing ships and had several ideas for jokes and funny lines. Rewrote two lots of linking material and made cosmetic changes to wording, very pleased with the results. Current word count 7043.
27.11.20
Line learning Instructions for my Funeral.
28.11.20
Line learning Instructions for my Funeral.
29.11.20
Line learning Instructions for my Funeral
30.11.20
Line learning Instructions for my Funeral
2.12.20
Line learning Instructions for my Funeral.
3.12.20
More line learning Instructions for my Funeral, followed by a complete run-through of everything learned so far. Memorised twenty minutes of material since the start of November. Therefore thinking logically that it will take two more months to memorise the rest of the show, though I wont have as much free time.
6.12.20
Line learning Instructions for my Funeral and then started learning the rehearsing the following linking material. Printed the updated script and put it in the folder. Rewrote the linking material as I went along. As I was rehearsing, (having moved the table and chairs from the bay window to create a stage), I saw a little aircraft spluttering, popping and banging as it flew over. Hopefully not an omen!
8.12.20
Line learning linking material.
9.12.20
Line learning linking material.
13.12.20
Complete run-through of the show so far. Then started the process of committing ‘Homecoming’ to memory.
14.12.20
Line learning Homecoming.
15.12.20
Debuted Seaside Soul at Big Poetry Goes Viral on Zoom. Accidentally missed out a verse.
16.12.20
Line learning Homecoming and rehearsing Seaside Soul, as I’ll be performing it tomorrow night at the Palace Theatre as part of an evening of culture in celebration of the theatre. They asked for a poem about Paignton. Funny you should ask, I replied, I’ve been working on one!
17.12.20
Debuted some linking material and Seaside Soul at Palace Avenue Theatre as part of their evening of culture.
18.12.20
Line learning Homecoming (while at work alone on the shop floor in the first, slow hour of the day).
19.12.20
Went for a walk in the bright sunshine down across Paignton Green to the harbour, line learning Homecoming. Stood on the concrete breakwater and recited the poem a few times. Later on, went through the show so far (excluding Seaside Serenade) just to make sure I could remember the poems.
21.12.20
Line learning Homecoming and the linking material which comes afterwards.
22.12.20
Line learning Homecoming.
23.12.20
Line learning linking material. Also went through all of the linking material of the show so far, (saying ‘fast forward’ once I’d got one verse into the actual poems).
26.12.20
In Brixham. Line learning linking material. Begun the process of learning Poet In Residence on a Fish Factory Ship. Rewrote the second verse using the old typewriter to type up the revisions. Only one of the crew will henceforth be known as ‘stinky’.
27.12.20
To the Sunrise Rehearsal Studio in Brixham to work on the Poet In Residence poem. Great progress rehearsing and line learning.
29.12.20
Line learning Poet In Residence. Also did a run-through of the first twenty five minutes of the show, completely error free for the first time. Felt like a big step!
1.1.21
Line learning Poet In Residence.
2.1.21
Line learning Poet In Residence.
3.1.21
Went to the sea front, prom and beach in bitterly cold winds and recorded myself underneath the pier performing Seaside Soul, to publicise the show and book. Spent the afternoon editing and re-dubbing the footage, shared to social media channels.
5.1.21
Another lockdown begins. Line learning Poet In Residence.
6.1.21
Line learning Poet In Residence and experimenting with an intro played on the melodica.
7.1.21
Line learning Poet In Residence. Then undertook a run-through of the show so far, 27 minutes. Followed this with line learning linking material.
8.1.21
Applied to Norwich Fringe and to the Guildford Fringe for 2021. Afternoon, line learning linking material and Shakka Lakka Boom.
9.1.21
Line learning Shakka Lakka Boom and linking material.
10.1.21
Line learning Shakka Lakka Boom and linking material.
11.1.21
Email from Guildford Fringe saying they’ll be in touch about dates for Yay. Spoke with Melanie Branton about providing a song via answer phone message for the ‘You Dunked a Muffin in your Cuppa’ section. Sang a version of it and sent it to her along with the lyrics. Line learning linking material. Also, performed Seaside Soul on the weekly Forsaking the Mic Zoom meeting and chatted about the show. Ran through the show so far for Mark.
12.1.21
Ran through the show so far again. 34 minutes. Pondering on what to remove if the running time is too long.
13.1.21
Did a ‘table read’ of the rest of the show to work out timings. Decided to remove two poems, ‘Moby Dick’, (which I stayed up late last night re-writing), and I Want To Be A Submariner. The Submariner poem needs rewrites in any case but I’ve never been totally happy with it and it seems superfluous to the plot. Moby Dick feels better now it’s rewritten, but it’s also superfluous to the plot. As a replacement I took the Sunrise poem from Squidbox and rewrote it, adding a final verse. This is a more contemplative piece and fits the mood nicely. This new poem will also be inserted into the Yay book in place of I Want to Be A Submariner. Hopefully, the running time will be around 55 minutes now.
15.1.21
Line learning linking material. (Sea monster section).
16.1.21
Line learning linking material. (Sea monster section).
18.1.21
Line learning linking material. (Went for a walk in the rain and dark to go over the lines in my head, the sea monster section).
19.1.21
Line learning linking material. (Sea monster section).
21.1.21
Line learning linking material. (Sea monster section).
22.1.21
Line learning linking material. (Sea monster section).
23.1.21
Decided to carry on the Yay show into 2022 as well as 2021 and to make it as ‘robust’ as possible to last the distance. Had a great rehearsal, going through the whole of the learned show so far and concentrating on movement, and incorporating a chair, which may be the only piece of furniture or prop (except the phone). Then used voice changing software to record the poem / song ‘You Dunked a Muffin in your Cuppa’, adding some dialogue at the start and the end. Edited it all together to be used in the shows. Very happy with the progress today.
24.1.21
Line learning linking material.
25.1.21
Line learning linking material. Considering some music at the start of the show. Last night recorded some vocal ideas. Today pondered using a verse from the poem Happy.
26.1.21
In a light rain shower I went to the woods down the road and filmed myself performing Instructions for my Funeral. Then home and edited the footage. Ran through the linking material and the ‘Muffin’ / ‘Sea Monster’ sections, then rehearsed ‘Nathan went for a walk in the Rain’. Finally, rewrote linking material between ‘Nathan . .’, and ‘Sunrise’.
28.1.21
Line learning ‘Sunrise’.
29.1.21
Line learning Sunrise.
30.1.21
Line learning Sunrise. Made a video for the ‘Happy’ poem.
31.1.21
Ran through all of the memorised show so far, 45 minutes. Had a minor panic when I thought the timer said 55 minutes! Did some work with the chair just to play around during the show. Then spent some time line learning Sunrise.
1.2.21
Line learning Sunrise.
2.2.21
Line learning Sunrise.
3.2.21
Line learning linking material.
5.2.21
Line learning linking material. Also worked on the ‘poetry workshop’ scene and explored options of hearing or showcasing the poems. Thought about an audio section much like the ‘You Dunked Your Muffin . .’ Section where I say that I recorded the fishermen on my mobile phone. Decided to write the poems on paper and keep them folded in my pocket, (cleverly with the before and after lines written on the paper too!), thereby whizzing through a whole page of the script.
8.2.21
Rehearsed and went over last third of the show. Did a ‘table read’ of the final piece of long linking material, then re-wrote to shift the focus away from the Robert character ‘coming out’, and more to a confession of his love in keeping with the tone of the show. Tidied up and tightened the rest of the linking material which comes after the Sunrise poem.
9.2.21
Line learning linking material.
10.2.21
Chatted to film director John Tomkins about performing the show in Paignton to a select socially-distanced audience and him filming it and editing it professionally for streaming services and online fringe festivals. Also, line learning linking material.
11.2.21
Went out this morning in freezing wind with Mark to try and take some publicity photos for the show. Edited them. Spent the afternoon rehearsing and line learning. Just a couple of paragraphs to go!
12.2.21
Line learning linking material.
13.2.21
Line learning linking material.
14.2.21
Ran through almost the entire show from memory, with the exception of the last couple of minutes. Running time 55 minutes. Decided on a couple of ‘light’ rewrites.
15.2.21
Rewrote the last paragraph of linking material and more line learning.
16.2.21
Contacted Emily Appleton about taking some publicity photos for the show poster and to publicise the show and the book. Arranged for Sunday morning, weather permitting. Rewrote the last paragraph of linking material yet again! Line learning linking material.
17.2.21
Line learning Happy.
19.2.21
Line learning Happy.
20.2.21
Line learning Happy.
21.2.21
Looked at the end of the show, rewrote the last paragraph of linking material again. PThen looked at the last poem, wrote a new poem, ‘I Don’t Know Why I’m Happy’, and decided to make a medley with ‘Happy’ for the last words of the show, more fitting with the tone. The idea being I might put this poem on a postcard as an extra / bookmark for anyone who buys the book. Ran through sections of the show. Then off to Victoria Park skateboard ramps for a photo shoot with Emily Appleton for the show promotional material. Home, and re-worked the ‘You Dumped a Muffin in your Cuppa’ song, making it almost a minute shorter. Long day!
22.2.21
Line learning I Don’t Know Why I’m Happy.
23.2.21
Full show run through from memory, for the first time! 54 minutes. Decided to end the show after the final linking material but then carry on with I Don’t Know Why I’m So Happy / Happy afterwards. This gives the option of substituting another poem.
25.2.21
More subtle rewrites to the end of the final linking material to make it sound more like an ending.
27.2.21
Line learning I Don’t Know Why I’m So Happy.
28.2.21
Practising random parts of the show.
1.3.21
Full show run through, 53 minutes.
2.3.21
First real rehearsal session rather than line learning, played around with using a chair as a prop, marked up the scripts at moments where the chair will feature.
3.3.21
Exchanged emails with Paignton Palace Theatre about the possibility of using their black box space to film the Yay show without an audience for online fringe purposes. They emailed back to say yes, and free of charge!! (Well, they want some work off me in exchange).
4.3.21
Chatted to filmmaker John Tomkins about arrangements to film the show without an audience at the Palace Theatre and agreed terms, then chatted about the logistics. Next got in touch with the Palace Theatre and they said they could offer the actual theatre auditorium for filming purposes and let us use their sound / lighting engineer.
5.3.21
Worked on the publicity images sent by Emily Appleton to choose two or three as possible poster images for the show and images to send out with press releases. Then chatted to John Tomkins about the film version before listening to various bits of music as opening and closing music for the film version of the show. Had another rehearsal with the chair as a prop and also tried some choreography for the last poem, I Don’t Know Why I’m So Happy / Happy. Finally pondered on the idea of signing the ‘Becky’ poem myself and ran through it a couple of times.
6.3.21
Full run-through of the show singing the You Dunked a Muffin in your Cuppa song rather than playing the audio, and doing the whole show with movement, choreography and using the chair as a prop. Also chatted to Bryce Dumont about the possibility of using Croydon Tourist Office music for the start and end of the filmed version.
7.3.21
Spent some time making a first couple of designs for the possible publicity poster. Then worked on a song with a Croydon Tourist Office backing track for the film, which I called ‘So happy’.
8.3.21
Line learning You Dunked a Muffin in Your Cuppa.
9.3.21
Worked on the publicity poster design and then line learning You Dunked a Muffin in Your Cuppa.
10.3.21
Rehearsal using the chair.
13.3.21
Sunrise rehearsal room, Brixham. Went through the whole show, no movement.
14.3.21
Sunrise rehearsal room, Brixham. Went over the various bits that I struggled with yesterday.
15.3.21
Back in Paignton. Went over the last half of the show, typed up revisions, did some admin with Guildford Fringe.
16.3.21
Wrote a new poem to finish the show which draws together happiness and identity, ‘Be Yourself’, which also has an element of humour. In the evening, headlined at ‘Leadworks’, an online gig, and debuted some of the linking material from the show as well as performing three poems in the set, Shakka Lakka Boom, Homecoming and Seaside Soul.
17.3.21
Line learning Be Yourself.
18.3.21
Line learning Be Yourself.
19.3.21
Did a complete run through of the show, including the new Be Yourself poem at the end. Came to 55 minutes.
21.3.21
Spent the morning working on an interview with Heather Moulson and talked about the show and its premise. Then worked on a blog with the publicity pictures and the press ‘interview’ I did with myself, and unleashed it on the world on my website and social media, changing profile pictures to the show poster. Afternoon, worked on an audio recording of the show mainly to help myself stay fresh but also as a possible future project.
23.3.21
Tickets for the Yay show on sale on the Guildford Fringe website.
25.3.21
Did ‘Shakka Lakka Boom’ and ‘Seaside Soul’ plus linking material at WonderZoo, an online gig based in Plymouth.
27.3.21
Rehearsed last half hour of the show in the Sunrise Rehearsal Studio, Brixham.
30.3.21
Rehearsed last ten minutes of the show, back in Paignton.
7.4.21
Rehearsed whole show. Chatted to filmmaker John Tomkins about the logistics of filming the show in Paignton’s Palace Theatre next week. Evening, did ten minutes of poems and linking materials of the show at Word Mustard, an online gig based in Weston-super-Mare.
14.4.21
Filmed the show at Paignton’s Palace Theatre with John Tomkins, sound engineer Clive and Sarah from the theatre. Filmed for five hours, filming the show twice from several angles, and also footage for a trailer which involved different poses on stage. Then home for the last proof-read of the collection.
19.4.21
John Tomkins made the trailer for the recording of the solo show, and this was put online on my website and various social media channels.
21.4.21
Had a meeting online with Fay Roberts from PBH Free Fringe about entering the show into the online Edinburgh fringe, then a meeting with John Tomkins to show me some of the edits of the show so far.
23.4.21
John Tomkins sent me a first edit of the show, watched it and suggested a couple of minor revisions.
26.4.21
John Tomkins sent me the second edit of the show, watched it and approved it as the definitive edition.
27.4.21
A box of Yay books arrived!
28.4.21
Spoke with Ludlow Fringe about performing the show in the same week as the Guildford Fringe / Taunton Live.
2.5.21
Full run through of the show at the Sunrise Rehearsal Room, Brixham. It’s the first time I’ve done the show since filming at the theatre, relieved that it’s still in my head!
7.3.21
Spent some time making a first couple of designs for the possible publicity poster. Then worked on a song with a Croydon Tourist Office backing track for the film, which I called ‘So happy’.
8.3.21
Line learning You Dunked a Muffin in Your Cuppa.
9.3.21
Worked on the publicity poster design and then line learning You Dunked a Muffin in Your Cuppa.
10.3.21
Rehearsal using the chair.
13.3.21
Sunrise rehearsal room, Brixham. Went through the whole show, no movement.
14.3.21
Sunrise rehearsal room, Brixham. Went over the various bits that I struggled with yesterday.
15.3.21
Back in Paignton. Went over the last half of the show, typed up revisions, did some admin with Guildford Fringe.
16.3.21
Wrote a new poem to finish the show which draws together happiness and identity, ‘Be Yourself’, which also has an element of humour. In the evening, headlined at ‘Leadworks’, an online gig, and debuted some of the linking material from the show as well as performing three poems in the set, Shakka Lakka Boom, Homecoming and Seaside Soul.
17.3.21
Line learning Be Yourself.
18.3.21
Line learning Be Yourself.
19.3.21
Did a complete run through of the show, including the new Be Yourself poem at the end. Came to 55 minutes.
21.3.21
Spent the morning working on an interview with Heather Moulson and talked about the show and its premise. Then worked on a blog with the publicity pictures and the press ‘interview’ I did with myself, and unleashed it on the world on my website and social media, changing profile pictures to the show poster. Afternoon, worked on an audio recording of the show mainly to help myself stay fresh but also as a possible future project.
23.3.21
Tickets for the Yay show on sale on the Guildford Fringe website.
25.3.21
Did ‘Shakka Lakka Boom’ and ‘Seaside Soul’ plus linking material at WonderZoo, an online gig based in Plymouth.
27.3.21
Rehearsed last half hour of the show in the Sunrise Rehearsal Studio, Brixham.
30.3.21
Rehearsed last ten minutes of the show, back in Paignton.
7.4.21
Rehearsed whole show. Chatted to filmmaker John Tomkins about the logistics of filming the show in Paignton’s Palace Theatre next week. Evening, did ten minutes of poems and linking materials of the show at Word Mustard, an online gig based in Weston-super-Mare.
14.4.21
Filmed the show at Paignton’s Palace Theatre with John Tomkins, sound engineer Clive and Sarah from the theatre. Filmed for five hours, filming the show twice from several angles, and also footage for a trailer which involved different poses on stage. Then home for the last proof-read of the collection.
19.4.21
John Tomkins made the trailer for the recording of the solo show, and this was put online on my website and various social media channels.
21.4.21
Had a meeting online with Fay Roberts from PBH Free Fringe about entering the show into the online Edinburgh fringe, then a meeting with John Tomkins to show me some of the edits of the show so far.
23.4.21
John Tomkins sent me a first edit of the show, watched it and suggested a couple of minor revisions.
26.4.21
John Tomkins sent me the second edit of the show, watched it and approved it as the definitive edition.
27.4.21
A box of Yay books arrived!
28.4.21
Spoke with Ludlow Fringe about performing the show in the same week as the Guildford Fringe / Taunton Live.
2.5.21
Full run through of the show at the Sunrise Rehearsal Room, Brixham. It’s the first time I’ve done the show since filming at the theatre, relieved that it’s still in my head!
Had a great time with filmmaker John Tomkins filming my new show at Paignton’s Palace Theatre last week. The show is still being edited, but John has made this trailer, which I hope you like!
The show will be available to stream on various online fringe platforms over this summer.
But what is it about?
‘Robert is a poet. And he’s happy. Or is he? After the death of a favourite aunt, he decides to find out exactly what it means to be happy. He ends up as a poet-in-residence on a fish factory ship in a search for contentment on the high seas. What could possibly go wrong? Comedy and poetry collide head on in this new show from the Professor of Whimsy’.
I was going through some old blogs recently and daydreaming about the days when a performance poet could travel anywhere and life was pretty much normal. Though to be honest, my life has never been normal! In 2019 I was asked to do the Hammer and Tongue tour, appearing in six different cities over nine days, and it was the most amazing adventure. I’d spend the day travelling, zigzagging across the UK, and in the evenings I’d perform to a different audience every night. I met such wonderful people. In retrospect, perhaps I shouldn’t have decided halfway through to spend the weekend at home in Devon! It probably would have been easier and cheaper to stay in Surrey with relatives.
So here are the blogs I wrote during that magical period, from Hackney to Bristol, then Brighton, Cambridge, Oxford and Southampton, with an inexplicable hiatus in Devon halfway through!
The first blog was written in a Wetherspoons in Hackney the night after the gig, the night after sleeping in an office block!
https://professorofwhimsy.com/2019/04/03/on-the-road-and-looking-after-an-office-block-in-london/
The second blog was written the day after the gig in Bristol. I was on the train to Brighton when I wrote it.
https://professorofwhimsy.com/2019/04/04/thoughts-from-on-the-road-2/
The third blog was written in a hotel in Cambridge while I was at the buffet breakfast, watching what was going on around me and laughing at all of the foibles of human nature. I think by now, some kind of madness had set in!
https://professorofwhimsy.com/2019/04/06/more-thoughts-from-on-the-road-the-buffet-breakfast/
The last blog was written at my bed and breakfast in Southampton before the final gig.
https://professorofwhimsy.com/2019/04/10/final-thoughts-from-on-the-road/
The thing about lockdown is that it’s brought a very real sense of what living means to me. And this is the accumulation of memory and experience, and meeting people on the road. I can’t wait for things to get back to normal, but a part of me is worried that they never will be quite the same. As well as the Hammer and Tongue tour, 2019 also saw me at the Edinburgh Fringe, and fringes in Guildford, Reading and Barnstaple with my show about tea, and with my regular poetry set in Newcastle, Petersfield and Milton Keynes. Little did I know what 2020 would bring!
Robert is a poet. And he’s happy. Or is he? After the death of a favourite aunt, he decides to find out exactly what it means to be happy. He ends up as a poet-in-residence on a fish factory ship in a search for contentment on the high seas. What could possibly go wrong? Comedy and poetry collide head on in this new show from the Professor of Whimsy’.
Interview
Comedy performance poet Robert Garnham has been writing a show about happiness. It’s a project he started back in 2018.
‘It seemed to me that there was a lot of negativity around at the time’, he explains. ‘And let’s be honest, the news was always really depressing. It’s hard to be upbeat at times but I thought it would be nice to at least try. Of course, then things started getting even worse’.
During this time he was also preparing his third collection, ‘Yay!’, due to be published by Burning Eye Books in May 2021.
‘The agreement was that I would write and perform a show which I could tour in support of the book. Mind you, this agreement came about before the global pandemic and the various lockdowns’.
‘I started work on the show in April 2020. At the back of my mind was the cheerful thought that maybe by the end of the year, everything would be back to normal. Ha! But I kept writing, and then in September 2020 I started the process of learning the script and rehearsing, all the time unsure when it would ever see the light of day’.
So what is the show about?
‘The show tells a story of the main character’s search for happiness. He’s happy enough, but when his Aunt dies he realises that he needs to get to the root of happiness. He asks himself, can we ever be truly happy if we’re only going to snuff it? He becomes a poet in residence on a ship and interacts with the crew, all the time looking for those moments of happiness. Of course, things don’t go to plan, but he learns what works for other people. Relationships? Humour? Alcohol? Being kind? A sense of belonging?’
‘The show touches on matters of mental health, identity, kindness, and learning to listen. But not in a preachy kind of way. It’s a comedy, but there are serious undertones’.
‘The show is interspersed by poems from the new collection. Also, I’d made a conscious decision at the start of the process not to have any props or sound effects. I’d spent most of the last ten years touring the UK, lugging a big box of props around, and seriously, I’m getting too old for that kind of thing! But I thought it would be an amazing challenge, just to stand there with the mic, the words, and nothing else.’
‘Naturally, the show does not solve any of the problems of modern society. I just hope audiences will enjoy it as an hour of amiable poetry and storytelling, a bit of silliness and wordplay, and perhaps think about what it is that makes them truly happy’.
Yay: The Search for Happiness will be appearing throughout the UK and also be available to stream online in 2021.
This is what I’ve been up to for the last month or so with the show, if anyone’s interested!
(For progress up to this point see https://professorofwhimsy.com/2021/02/02/yay-the-search-for-happiness-diaries/ )
2.2.21
Line learning Sunrise.
3.2.21
Line learning linking material.
5.2.21
Line learning linking material. Also worked on the ‘poetry workshop’ scene and explored options of hearing or showcasing the poems. Thought about an audio section much like the ‘You Dunked Your Muffin . .’ Section where I say that I recorded the fishermen on my mobile phone. Decided to write the poems on paper and keep them folded in my pocket, (cleverly with the before and after lines written on the paper too!), thereby whizzing through a whole page of the script.
8.2.21
Rehearsed and went over last third of the show. Did a ‘table read’ of the final piece of long linking material, then re-wrote to shift the focus away from the Robert character ‘coming out’, and more to a confession of his love in keeping with the tone of the show. Tidied up and tightened the rest of the linking material which comes after the Sunrise poem.
9.2.21
Line learning linking material.
10.2.21
Chatted to film director John Tomkins about performing the show in Paignton to a select socially-distanced audience and him filming it and editing it professionally for streaming services and online fringe festivals. Also, line learning linking material.
11.2.21
Went out this morning in freezing wind with Mark to try and take some publicity photos for the show. Edited them. Spent the afternoon rehearsing and line learning. Just a couple of paragraphs to go!
12.2.21
Line learning linking material.
13.2.21
Line learning linking material.
14.2.21
Ran through almost the entire show from memory, with the exception of the last couple of minutes. Running time 55 minutes. Decided on a couple of ‘light’ rewrites.
15.2.21
Rewrote the last paragraph of linking material and more line learning.
16.2.21
Contacted Emily Appleton about taking some publicity photos for the show poster and to publicise the show and the book. Arranged for Sunday morning, weather permitting. Rewrote the last paragraph of linking material yet again! Line learning linking material.
17.2.21
Line learning Happy.
19.2.21
Line learning Happy.
20.2.21
Line learning Happy.
21.2.21
Looked at the end of the show, rewrote the last paragraph of linking material again. PThen looked at the last poem, wrote a new poem, ‘I Don’t Know Why I’m Happy’, and decided to make a medley with ‘Happy’ for the last words of the show, more fitting with the tone. The idea being I might put this poem on a postcard as an extra / bookmark for anyone who buys the book. Ran through sections of the show. Then off to Victoria Park skateboard ramps for a photo shoot with Emily Appleton for the show promotional material. Home, and re-worked the ‘You Dumped a Muffin in your Cuppa’ song, making it almost a minute shorter. Long day!
22.2.21
Line learning I Don’t Know Why I’m Happy.
23.2.21
Full show run through from memory, for the first time! 54 minutes. Decided to end the show after the final linking material but then carry on with I Don’t Know Why I’m So Happy / Happy afterwards. This gives the option of substituting another poem.
25.2.21
More subtle rewrites to the end of the final linking material to make it sound more like an ending.
27.2.21
Line learning I Don’t Know Why I’m So Happy.
28.2.21
Practising random parts of the show.
1.3.21
Full show run through, 53 minutes.
2.3.21
First real rehearsal session rather than line learning, played around with using a chair as a prop, marked up the scripts at moments where the chair will feature.
3.3.21
Exchanged emails with Paignton Palace Theatre about the possibility of using their black box space to film the Yay show without an audience for online fringe purposes. They emailed back to say yes, and free of charge!! (Well, they want some work off me in exchange).
4.3.21
Chatted to filmmaker John Tomkins about arrangements to film the show without an audience at the Palace Theatre and agreed terms, then chatted about the logistics. Next got in touch with the Palace Theatre and they said they could offer the actual theatre auditorium for filming purposes and let us use their sound / lighting engineer.
5.3.21
Worked on the publicity images sent by Emily Appleton to choose two or three as possible poster images for the show and images to send out with press releases. Then chatted to John Tomkins about the film version before listening to various bits of music as opening and closing music for the film version of the show. Had another rehearsal with the chair as a prop and also tried some choreography for the last poem, I Don’t Know Why I’m So Happy / Happy. Finally pondered on the idea of signing the ‘Becky’ poem myself and ran through it a couple of times.
6.3.21
Full run-through of the show singing the You Dunked a Muffin in your Cuppa song rather than playing the audio, and doing the whole show with movement, choreography and using the chair as a prop. Also chatted to Bryce Dumont about the possibility of using Croydon Tourist Office music for the start and end of the filmed version.
Poem
You know those
Conveyor belt toasters you get
In buffet breakfast bargain hotels?
My mate Brian
Has one of those in his kitchen.
It’s kept on all the time
On the off chance that
Someone might fancy some toast.
Brian is a pirate.
He’s proud of his toast conveyor.
I’ve seen him plunder a frigate.
I’ve seen him
Butter a crumpet.
The toast falls off the bottom
Of the conveyor belt
And he says,
Har harrrrrrrr.
We met on the high seas.
I was first mate on the poop deck.
He threatened me with his big blunderbuss
But after that we got on fine.
You must come round for dinner
Some time,
He opined.
I brought a fine Merlot.
I’d like to propose a toast, he said.
Would you like some too?
And we sat like lemons
In an awkward silence
As we waited for it to trundle through.
Four slices.
Cut in two.
Pieces of eight, he said.
Robert Garnham