I’ve been very lucky over the last few years and had some gigs with some very big audiences. This doesn’t always happen. Last weekend I did a gig in a florist in Brixham to eight people. It was a private affair so I knew what I was letting myself in for, and I did my usual routine. The demographic was, well, the youngest person there was seventy five and the oldest was eighty three. I’m not being ageist, as I work with older people and I know that they enjoy a laugh as much as the next person. However the fact that there was only eight of them made it very hard to elicit anything beyond a mild chuckle.
And then four days later, I performed to three hundred young people in a theatre in Bristol.
The whole dynamic was so different. I did the exact same poems and they were greeted so wonderfully that I felt kind of relieved, as if I had lost something along the way. The gig at the florist had made me wonder if I was just some weird bloke who had been dragged off the street into someone’s private function, which actually come to think of it, was pretty much near the truth. I’d been invited to perform after the owners of the venue had seen me walking with my family on Boxing Day and had asked me, on the spur of the moment, to come and do this private gig for them. So the whole set up was already a big weird!
To add to the weirdness, I was given my own dressing room at the florist, which was a small room filled with flowers. I’m certainly glad it wasn’t the allergy season. There was a stool in the middle of the room on which I could sit and prepare myself for the performance, and that’s where I spent most of the night, sitting on that stool going over my set and wondering how it would go. And as I say, eight people.
But Bristol. Wow. I was supporting the wonderful Dizraeli, a huge name on the Bristol scene, and as a result they had sold out and the theatre was packed. I was on near the start of the evening and I really felt that the night had a potential of going completely up the Spout. Would all these trendy young people find my work amusing? Would I cock it up completely, and forget my words? Would they not find my humour funny and start playing with their phones, or dabbing, or flossing, or fidget spinning, or whatever it is that young people are in to these days? But from the start of the set, it was completely magical. The room laughed. Indeed, they laughed a lot. They laughed at bits that audiences don’t normally laugh at. They were listening intently and with enthusiasm. The first poem usually takes two and a half minutes but it was almost a minute longer than normal because of all the laughing.
And what an amazing feeling it was to perform to so many people. The big stage, the space, the fact that all of these people were concentrating on me, made me think that anything if possible, and also that anything I wrote intending to be funny, actually was funny. Indeed, it made me feel invincible!
It was an amazing gig, and when I left the venue I was greeted by a group of these young people, who started quoting bits of my poetry at me. It was such a great moment. And then, because I’m so rock and roll, I decided to go to the local supermarket and get some groceries, only to meet some more young people next to the display of bagels, one of whom flung her arms around me and thanked me for making her laugh. I assume she had been to the gig!
So two amazing bookings in two very different places. And as I caught the train home the next day, I thought how amazing it would be if every gig were a sold out crowd of three hundred people, and how wonderful it would be if I could command such interest on my own.
Re: commanding that much interest… You can, and will.