Flapjacks a-plenty, a story for Christmas, by Robert Garnham

Flapjacks a-plenty

On the first day of Christmas my true love gave to me a cappuccino-flavoured flapjack. I say ‘true love’, he was actually the man upstairs, the one who has a face that could rival the angels and a flat that smelled of beef-flavoured crisps. I must admit there was a certain chemistry whenever he spoke, he would ask about things that had nothing to do with anything, like whether or not I preferred skimmed to semi-skimmed milk, and had I seen the football at the weekend?
I’d not been sure what to make when he had moved in, a couple of months previously. He didn’t look like the sort of person who would have time for anyone else. He drove a souped up car with a big spoiler on the back and whenever he started it up it sounded like a fart in a sewer. And he wore a baseball cap a lot of the time, and not even ironically. I’d phoned up a friend.
‘I think his name is Aaron. Although it could be Adam. It’s hard to tell. Whenever he has friends come over they stand outside my window and shout up at his flat. And you know what people are like, they’re so sloppy with their syllables, sometimes’.
‘Is he good looking, though?’
My friend, Matt, was incredibly shallow.
‘Yes, very much. He has a face that could rival the angels. And blond hair. He’s absolutely gorgeous’.
Yes, Matt was very shallow indeed.
On the second day of Christmas my true love gave to me two chocolate coated flapjacks and another cappuccino-flavoured flapjack. Obviously, he didn’t know that he was my true love, yet. Plus I hadn’t eaten the flapjack from the day before, yet.
‘Where are you getting all these flapjacks from?’, I asked him.
We were in the communal entranceway. Tinsel undulated on the heat rising from the radiator.
‘It’s kind of a family tradition’, he replied.
Did I mention that he’s got blonde hair and a winning smile? I’m sure I remembered mentioning the winning smile.
‘But I don’t really like flapjacks’, he added.
‘I’ll have ’em’.
Kind of like a flapjack-orientated advent calendar, I told myself.
‘Right, I’ll see you tomorrow, then’, he said, and off he went, back up the stairs.
I kept the flapjacks in the cupboard in the kitchen, the one that gleams and shines whenever the kettle boils. I’d put a few Christmas decorations around the kitchen, some fairy lights around the microwave and some dangly jovial elves on the mug stand. Yet whenever I opened the kitchen cupboard door and saw the flapjacks there, it made me more festive than any plastic tinsel while at the same time reminding me of my true love with his blond hair and winning smile and his flat that smelled of beef-flavoured crisps.
He was out in the front driveway the next morning, putting rubbish in his bin. He was only wearing a t-shirt and shorts and it must have been about two degrees celsius out there. His manly, yet graceful frame contrasted with the drab surroundings. I almost dropped my cup of tea. Sure enough, there was a knock on my door around ten minutes later and he gave me three bakewell-flavoured flapjacks, two chocolate flavoured flapjacks and a cappuccino flavoured flapjack.
‘I saw you putting the rubbish out this morning’, I told him.
‘Crisp packets, mostly’, he replied.
And boom, that winning smile.
‘Are you okay with all of these flapjacks?’, he asked. ‘They’ve got a good date on them, so you don’t have to eat them all at once’.
‘No problem. Keep them coming . . . Aaron?’
‘Pardon?’
‘Adam?’
That grin, again.
On the fourth day of Christmas my true love gave to me four plain flapjacks, three Bakewell-flavoured flapjacks, two chocolate flavoured flapjacks and a cappuccino flavoured flapjack. To be honest it was only the cappuccino flavoured flapjack which appealed to me, which meant I was only going to be getting one a day of the sort that I actually liked, which wasn’t really fair but again I told him to keep them coming.
He went back upstairs to his flat and a short while later I could hear him belching the theme tune to Match of the Day, which, I guess, must have been quite difficult to do.
On the fifth day of Christmas my true love gave to me five onion rings.
‘Is this some kind of a joke?’, I asked. ‘Where’s my flapjacks?’
‘The post was late this morning’, he replied.
‘My advent calendar picture today was of an advent calendar’.
‘Well’, he said, with that winning smile, ‘How meta is that?’
He went off out in his car a short while after that, baseball cap and big puffy jacket, and off he drove, those big double exhausts blowing raspberries at the cars behind them. I stood in my window next to my fairy lights and I gave out something of a deep sigh.
I don’t need to go on, but suffice to say, a veritable torrent of flapjacks arrived over the next six days sprinkled here and there with a modicum of onion rings. But it was the season of goodwill and in a strange sort of way I wondered if he felt sorry for me. It was great that he wanted to involve me in his annual tradition, what with his blond hair and his winning smile. But onion rings gave me wind, I didn’t have the heart to tell him.
The advent calendar picture that day was of a sneezing unicorn.
I’d start to imagine all kinds of scenarios where we might go out together in his souped-up car, me and my true love. Of course, he’d have to be very patient as I lowered myself down into the passenger seat. I don’t know why the suspension has to be so close to the ground in these things. We’d park in the multi-storey and go to the Christmas market, just the two of us, him in his puffy jacket and baseball cap, and sure, people might think that I was going around with my nephew, but it didn’t matter what they thought. And we’d sip mulled wine and marvel at the wooden carved decorations and the fake snow and the mince pies which were given a shockingly high mark-up just because it was a christmas market. And then he would go back to his car and he would smile and I would smile and he’d put on his CD player and instead of it being DJ J.D. Deejay D and the Angry Muvvas, it would be Bing Crosby singing I’m Dreaming of a White Christmas, booming out from his speakers as we slowed down for the speed bump on which his front spoiler might scrape.
And then, subsumed beneath the warmth of sherry and mulled wine, he’d come back to my flat and we’d sit on the sofa and he’d snuggle up next to me and we’d watch late night TV. A festive edition of Police Interceptors, perhaps. With the normal theme tune but someone rattling sleigh bells over it, and superimposed fake snow over the opening titles.
Every day he would come. With his body-hugging plain white t-shirt and his blond hair and his winning smile, wearing shorts even though the heating was on. And I would look forward to it because I knew that every flapjack he delivered was his little way of saying, ‘Yeah, you’re alright, you are’.
I phoned up my friend, Shallow Matt.
‘Why don’t you ask him out?’
‘Yes, but where would we go?’
‘It’s just an expression’.
‘The christmas market? That’s just ridiculous?’
‘I didn’t mention the Christmas market’.
‘No, but you were thinking it’.
‘He went out to his car this morning. I don’t know why, perhaps he was just checking that it was still there. And he kind of ran his long fingers along the bonnet. And I thought, wow, that’s true love, that is.’
‘Do you actually like flapjacks?’, Matt asked.
‘Only the cappuccino ones’.
On Christmas Eve he came down with a box. It contained twelve Wimbledon fancy flapjacks, eleven goji berry flapjacks, ten yoghurt-topped flapjacks, an almond croissant, (I still don’t know how the almond croissant got mixed up in all this), eight caramel flapjacks, seven cherry and oat flapjacks, (‘Aren’t they all oat flapjacks?’, I’d asked), six toffee flapjacks, five onion rings, four plain flapjacks, (‘That’s your oat flapjack’, I said), three Bakewell flavoured flapjacks, two chocolate coated flapjacks and a cappuccino flavoured flapjack.
‘Just pop it down there’, I said.
‘Aren’t you going to invite me in?’, he asked, ‘What with it being Christmas Eve and all that?’
He lingered in the hall. He smiled. He even leaned on the doorpost in what I suppose was an approximation of nonchalance.
‘Come on then’.
He came in. He looked kind of smaller.
‘Do you want something to eat? I’ve just cracked open a Pot Noodle, I can easily get another one on the go’.
‘Go on, you twisted my arm’.
‘It’s good to see you, Aaron’.
‘Adam’.
‘Adam’.
I looked out the window. It was drizzling. The sun had long since disappeared behind the factory that manufactured novelty farting gnomes. (Is there any other kind of farting gnome than a novelty farting gnome?). Our reflections glared back at us from the darkened glass, me and him, my true love, with his winning smile and blond hair and plain white t-shirt and shorts, and me, and we did look kind of good together, it must be said.
‘What was your advent calendar picture today?’, he asked.
‘It was an advert for some cut-price ceiling tiles’, I replied. ‘I think I might get a different advent calendar next year’.
‘Your flat’, he said, ‘smells of flapjacks’.

A Wee Poem

When the beer’s been a flow
And I need to go
To a room of urinals
All tight in a row,
To lessen that pressure,
That busting to pee
To feel that relief
So heavenly free,
But I’ll tell you this once and you’ll probably not care
I can’t go if there’s someone else there.

He’s burly of course,
He pees with such force
Like Niagara Falls,
It sounds like a horse.
He lets out a groan
So at ease as he pees
It’s holding me back,
I want to shout, please!
Leave me alone, it’s really not fair!
I can’t go if there’s someone else there.

I wish he’d just dash,
I’d offer hard cash.
All I wanted to do
Was go for a slash.
But my waterworks clam,
They’re ever so fickle.
Nothing comes out,
Not even a trickle.
I stand like a statue in a pose of despair.
I can’t go if there’s someone else there.

I’ve always been weak
And ever since meek
And never more so
Than when having a leak.
With a bloke so butch
He looks like King Kong
My god how on Earth
Has this gone so wrong?
He’s still weeing now, I want to peak and not stare,
I can’t go if there’s someone else there.

I feel like a loser
He looks like a bruiser
This happens each time
I go to the boozer.
One moment I’m sitting
With Daphne and Jenny
But then oh my god
I must spend a penny.
I’m jealous of how he can wee with such flair
I can’t go if there’s someone else there.

It doesn’t make sense
I’m feeling so tense
And that’s kind of why
I concoct the pretence
That I’ve had my wee
I find myself trusting
Not to let on at all
That I’m actually still busting
I’d best keep it in and just utter a prayer
I can’t go if there’s someone else there.

Midnight DJ

Midnight DJ

It’s a rainy night in the city.
It’s only me here in the studio.
The phone lines are open
But no-one ever calls,
Though I can feel all those lost souls,
The night shifts,
The insomniacs
Looking at the rain as it rolls down their
Window panes,
The empty streets reflecting the sodium glare
Of solitary streetlights, scattershot neon,
The dull overcast night sky
Stained brown.

Here’s a sleazy jazz number,
Plaintive for the forgotten,
A sad sax penetrating aching limbs,
Sweat-soaked chests,
Sheets flung aside,
The cool fingers of night a porcelain ghost
Drumming along with the relentless rain,
A midnight poet awake at his desk in
A pool of light on the 32nd floor,
His words have all become meaningless,
But here’s your jazz nonetheless, fella.

It’s a rainy night in the city.
I purr into the microphone, lull
My listeners with inconsequential thoughts,
Philosophy for the broken-hearted.
‘I can’t remember if I closed the fridge door
When I left to come here tonight.
It might be open, it might be ajar.
Open or closed, it’s prone to involuntary
Openings based on the loose floorboard on whose
Surface a soul may step thus causing
The fridge door to open, dear listeners,
And here’s some more cool jazz, cool,
Fresh from the fridge that might be open.’

Drops of rain race down the pane, lit from behind
By errant neon from the adjacent offices
Of a corporate cat-spaying conglomerate,
I cue the next track,
Piano riffs bouncing through the psyche of this concrete
Accumulation of slumbering demons,
Too tired to haunt the present moment they dream
Their cursed dreams as I sip my cold black coffee
And spill it down my Justin Bieber t-shirt, the
Contours of my stomach having long since given
His Biebness an involuntary scowl, and now,
He’s sweating Americano too.

Time to croon for the fallen, my tones an audible shiver,
A timbre for the forsaken, I lean in and
Ponder on the likelihood, has anyone thought, of
The planet in its entirety coming under the machinations
Of rabbits, our bunny overlords fierce and bending our will,
Is it not likely, to elevate their rabbitty schemes,
And dear listener, Thumper was never a friend of mine,
Accompanied by a low rumble of thunder this last thought
Hangs in the air like static before an advertisement
For J. Arthur Bowyer’s Synchro-Boost Houseplant Compost.

Radio signals bounce and slide between the skyscrapers.
I’m the friend in the corner, a scratchy crackle,
A solitary bar-hugging oracle bringing solace to the forgotten.
Humid apartments whose dank walls cling on to the heat,
Windows flung open on the ceaseless din of falling rain
As I ponder in a dulcet murmur on whether
It was the news guy, or the traffic reporter, who
Stole my lunch from the staff kitchen, and what the
Chances are that mullets might come back into fashion,
And why are downpipes called downpipes when it’s blatantly obvious
That water doesn’t flow upwards, and here’s some
Early Coltrane, except by mistake I say Colgate,
Not that anyone’s likely to mention this as
No-one ever calls.

It’s a rainy night in the city.
I’m your late night friend.
And all those lost souls, they hang on my words
As distant thunder rumbles, sheet lightning
Silhouetting the solemn tombstone skyscrapers,
A dead squid is in the gutter, flowing inexorably
Towards the drain, where it comes from no-one knows,
Or it could be a carrier bag, the next song
Is a long one because I need to go for a pee.

I Wish I Lived in a Bungalow (A Poem)

I wish I lived in a bungalow

I wish I lived in a bungalow
One floor is enough for me.
Mooching round in my bungalow,
Now what shall I have for my tea?
People would call
They’d stand in the hall
They’d look around
And say, ‘Is that all?’
I wish I lived in a bungalow
One floor is enough for me.

I wish I lived in a bungalow
I’d go from room to room.
I’d only need one plug you see
When I use the vacuum.
It’s ever so static
I’d feel so ecstatic
And going upstairs
Only leads to the attic
I wish I lived in a bungalow
Or possibly a chalet.

I wish I lived in a bungalow
My god it would be such a laugh.
People would visit my bungalow
And ask, ‘Where’s the other half?’
I’d have no cares
I’d ignore their stares
There is no cupboard
Under the stairs
I wish I lived in a bungalow
Or perhaps a ground floor flat.

I wish I lived in a bungalow
My bedroom down the hall.
Would I get bored of my bungalow?
No, not a chance, not at all.
It’s what I adore
I’d be thrilled to the core
My plan only has
One major floor
I wish I lived in a bungalow
And be closer to planet earth.

I wish I lived in a bungalow
Imagine the plaudits and glory
Like the Star Wars franchise the place
Only has the one storey.
It’s what I’d do
Without much ado
The downstairs loo
Is just called the loo
I wish I lived in a bungalow
Also, I’m ever so lonely.

I wish I lived in a bungalow
You try it, you can’t go back.
I wish I lived in a bungalow
Perhaps in a cul-de-sac.
It’s made out of brick
I get such a kick
You can keep your stairs
They’re making me sick
I wish I lived in a bungalow
With Darren from the coffee shop.

I wish I lived in a bungalow
It’s something I’ll always regret.
Nothing better than a bungalow,
You can keep your maisonette.
That’s my intent
The hours I’ve spent
It’s one step away
From being a tent.
It wouldn’t be far
You can visit by car
You can come right in
The door is ajar.
I’d make my stamp
Buy a standard lamp
You’ll have to admit
It’s kind of camp
I wish I lived in a bungalow
I wish I lived in a bungalow
I wish I lived in a bungalow
One floor is enough for me.

Buying a fake beard

For reasons which are too tiresome to go into, I decided to purchase a fake beard. I’d done a bit of research online and I’d noted the differences between those that use elastic around the back of the head, and those which clip around the ears. On various websites, the convention seemed to be that those which clip were the most durable, as the elastic ones are prone to perishing with repeated use. I don’t know why someone would want to use a fake beard repeatedly, it probably being more prudent in the long run actually to grow a beard, but in any case, and pondering on the pros and cons of all the various permutations of fake beard construction and design, I set off into town, intent on making a purchase.
One of the fun parts of online research had been the reviews of fake beards left by previous customers on the various websites. ‘A tendency to itch . .’, for example, or ‘Amazing! Looked just like the real thing!’, on another. ‘It fitted right over the top of my normal beard with no problem at all! Nobody suspected a thing’, read another, or, ‘Terrile! The elastic snapped on only its second usage and almost had the eye out of the ambassadors wife’. The funniest customer review for a fake beard came from a young lady called Samantha who wrote, ‘I originally got this for a costume for myself, but didn’t use it. My son ended up wearing it to dress up as an old man in his first grade class. It worked well and stayed on for most of the day. But beware: this does not look real in the slightest’. Well, it wouldn’t, would it?’.
The fake beard can trace its heritage back to the days of the Yukon gold rush of 1896. In this rugged environment up in the frozen north, the vast majority of potential prospectors arrived clean shaven before making the perilous journey into the wilds, armed with little more than hope and a good shovel. As the winter set in the more rugged among them sprouted impressive beards, and as the famous rhyme points out, the bigger the beard, the more they were feared. In this environment of deep cold and lawlessness, a man was judged solely on the volume, mass and bushyness of his facial hair, and only those who made the grade were unmolested by rival prospectors, bandits, thieves, ne’er do wells, robbers and the perennially shifty. And those without beards didn’t stand a chance.
Gordon McKirk saw a niche in the market and, with his patented glue made from fir tree sap, and a healthy supply of skunk pelts, began to sell fake beards to the prospectors. His Klondike tin shack set up between brothels became one of the most visited businesses of the gold rush, new arrivals making a beeline straight from the steamers and through the mountains to his shop in order to cultivate the manly frontier look. Gordon himself would offer a bespoke fitting service, matching the skunk pelts perfectly with the various chins presented to him, applying the sap glue with a small brush and applying the fake beard before revealing to the customer their new look by means of a mirror hidden behind the curtain. Alas, this was a trick, as the mirror actually was a portrait of one of a number of existing rugged gold prospectors, such as Dangerous Dan McHiggins, Dangerous Dan McKinley, Dangerous Dan McNish, Dangerous Dan McFortescue, or Toby Simpson, who wasn’t particularly dangerous, but he did have a big beard. In actual fact, all of the gold prospectors who left Gordon McKirks shop looked more or less the same, smelling of fir tree sap and skunk pelt, and would promptly get robbed the moment they set foot outside the shop.
Alas, Gordon himself was to succumb in 1898, when, blinded by the various pungent aromas of his skunk pelts, and deafened by the constant honky tonk music coming from the brothels on either side of his Emporium, he tried to fit one of his fake beards to a full grown adult male grizzly bear.
When I was a kid my next door neighbour was a kindly old lady called Celia. She lived alone and kept herself to herself for the most part, though she did volunteer for a couple of days a week listening to children read at the local primary school. She also was quite deaf, and her voice would get higher and higher the longer the sentence that she was speaking. So for example she might say, ‘I was walking through the town the other day and I Thought I Might But Some Daffodils SO I DID AND I MUST SAY THEY’VE STARTED TO COME UP AND THEY LOOK SPLENDID!! But the most unusual thing about Celia was that she always had fake beards hanging on her washing line.
There were always at least seven of them. And you would never see her wearing any of them, which was the weirdest thing. In all other regards she was quite normal and genial, and she was a churchgoing lady who was admired by the local community for the most part.
Of course, there were rumours about why she would have fake beards hanging from her washing line, the suspicion was that she was helping out with the local amateur dramatics society, but she had never shown any inclination towards the arts or any interest in theatre whatsoever.
At about this same time there was a series of cars being held up late at night by an armed individual, a lone figure who for one reason or another became known as the Masked Monk of Maidenhead. It was always something of a mystery why he should be known as the Masked Monk of Maidenhead, as there was nothing particularly Monk like about his reported appearance, and nor did the miscreant operate anywhere near Maidenhead. Rumours then began to persist that Celia, my own next door neighbour, was actually the Masked Monk of Maidenhead, what with all the fake beards hanging on her washing line. It didn’t matter that not one report of the Masked Monk of Maidenhead mentioned any facial hair, fake or otherwise. Nevertheless, rumours persisted and Celia started to become a suspect.
‘It’s just my fluffy BUNTING’, she would say. ‘Every day is a celebration so WHY NOT PUT OUT BUNTING? AND WHY NOT MAKE IT FLUFFY?’ Let’s face it, we’ve all heard of Normal Bunting and the WORLD NEEDS CHEERING UP AND I’M THE ONE TO DO IT!’
As is usual in these situations, the truth was even stranger than fiction and there was a clearer story at the heart of Celia and her fluffy bunting. And bizarrely, it did involve the Masked Monk of Maidenhead.
As I say, she was a church going, god fearing lady, who also did charitable work every now and then for the local monastery. Of the ten monks who lived there, three were bearded. Living by rules which stipulated anonymity, every time the monks appeared in public, they had to look the same so that they were compelled not to form emotional attachments to ordinary people and be swayed from the path of their teachings. Celia would, therefore, provide them with a beard washing service so that they could go about their religious piety freed from the constraints of picking bits of fake beard from the filters of their tumble dryers. When one of their number rebelled against this doctrine and formed an unhealthy obsession with an optician named Brenda, he was ostracised from the religious order and would spend the rest of his time flagging down passing motorists, demanding from them use of their laundry facilities.
Of course, this might all be rumour and inneundo, and to be honest, Celia is probably long dead now.
Alexander the Great, allegedly, was a prolific wearer of fake beards. In the days when he was seen out and about while wearing one of them, he was apparently known just as Alexander the Average. A ruler of the known world by the time he was thirty, Alexander appears in statues, artwork and on coins clean shaven and looking pretty damn hot, yet contemporary accounts always mention him stroking his beard. It is not pointed out whether he was wearing the beard at the time that he was stroking it, or if this was just a mistranslation. What is clear is that many historians suggest he would take time away from the rigours of his court and duties, his lovers and soldiers and necessary admin, don a fake beard, and slip into the busy city streets of Babylon in search of open mic comedy nights.
It is not known whether or not Alexander graces the stages of such institutions himself, or whether he preferred just to sit at the back and heckle. But there are accounts of a comedian from this time, known as Alexander the Great Ninny, who was more of an observational comedian and whose act was much mimicked by such later comedians as Mark Twain and Queen Victoria. One of Alexander the Great Ninny’s Jokes runs as follows:
‘What’s the big deal with conquering Persia? What’s that all about? If you really want to set yourself a challenge, try sorting out the Babylonian annual theatre festival. On the one hand, you’ve got bloodshed, screaming, decapitation, impaling, horror and massive human suffering, and on the other, you’ve got the conquering of Persia’.
Now naturally, this is kind of joke that nowadays has been done to death, with a punchline that you can see a mile off, but at the time it was all new and, contemporary accounts attest, Alexander the Great Ninny would then end each set by tugging his fake beard down, revealing a glimpse of his actual face, and saying, ‘Guess who, folks!’, before scampering off stage to thunderous applause.
So as I say, I decided to go out and buy a fake beard. To be honest, as I left my house the other day I felt excited by the prospect of buying a fake beard and this put something of a spring in my step. I walked with a bit of a smile on my face, the sort of smile which told the world that I was off out to buy a fake beard. I’ve often seen this smile on the faces of other people, and I can always tell what it is that they’re up to, and now it was my turn to have this smile. And those with beards, fake or otherwise, often have the same smile but it’s hidden away from the world. Hidden behind their beards. The smiles might even be fake, as fake as the beards that they hide behind. A philosopher might say, we’r all hiding behind fake beards.
There’s a joke shop in the town where I live. Mister Happy’s Jocular Palace. It has costumes and party accessories as well as Jokes, and for a joke shop, it’s run by the most miserable man I’ve ever met. How tough life must be for him, a man with no sense of humour, spending his entire life running a joke shop. Unless, this itself is the joke. Perhaps he has found the best way to live his life, like a miserable comedian, a man who draws out laughter from the world but hides behind his own ennui,
So I go in to his shop and he looks up from his newspaper. He probably doesn’t get many customers on a Wednesday morning. I walk past the whoopie cushions and the fake noses, the plastic dog turds and the squirty lapel flowers, to a display of fake beards hanging in packets on the wall. And there were so ,at different types of fake beard. Stick on fake beards, hook behind the ear fake beards, elastic strap fake beards, short fake beards, long fake beards, fake goatees, grey fake beards, brown fake beards, white fake beards, and all kinds of different length, from just a couple of inches to ones that came down halfway down your chest, there was every conceivable kind of fake beard you can think of.
Mister Happy puts down his newspaper and ambles over.
‘I’m looking for a fake beard’, I told him.
‘How long do you want it?’, he asked,
‘Just for the night’, I replied.

On poetry slams in the age of Zoom – and an idea for a new kind of poetry slam!

This week I took part in an online poetry slam, and as ever, I was blown away by the quality of the performances and the sheer poetic talent of those taking part. By the wonders of Zoom, participants in many parts of the country, and further afield, poured their heart out and took the audience to the darkest places of the human psyche, taking in every part of lived experience along the way, from death, to rape, to misogyny, genocide and personal angst. They did so using language and imagery which stayed with me long afterwards, painting pictures using words which imprinted on my imagination the emotions of what it means to be human. The slam was won, rightly, by the performer who’d performed the best, written the best, and absolutely nailed the format.

I was lucky enough to get out of the first round with a poem using humour to tackle the weighty subject of homophobia. My strategy, however, had been then to revert to a couple of comedy poems. However I knew that the mood of the night was to embrace the deeply serious, and that comedy poems certainly wouldn’t cut the mustard, so I did a semi-comedic poem about death in the second round, my hand kind of forced by the dynamics of the evening. In the event, I was incredibly happy with my performances, and happier still that the strategy I’d picked would probably work well at another event.

But then I got thinking: Just when did poetry slams in the UK become so serious? My performance career now spans three decades, (okay, so I only performed in two years of the 2000s, and we’re only one year into the 2020s, but who’s counting?). And when I started slamming all those years ago, the one certainty was that audiences, judges and fellow competitors alike were up for a laugh. If you could write well and with humour, and perform it well and with humour, then the chances were that your chances were good. And this is something I’d always admired about the UK slam scene. People like AF Harrold and Jonny Fluffypunk were winning slams all over the place when I first started, and it felt wonderful being a part of such a very welcoming scene in which comedy was rewarded and regarded well in an art form, (poetry), which I’d always seen as snooty and stuck-up. The fact that comedy poets won slams also felt like the whole scene was somehow ironic. Sure, I’d been on the internet and watched American poetry slams, which were all about identity and big themes, where the serious poet, or, god help us, the poet who turned on the waterworks, was acclaimed as the winner. While over in the UK, AF Harrold was winning slams with poems about cats being better than dogs.

Sure, there were serious poets. Of course there were. At my very first slam, in Bristol, I made it to the final with my poem about beards and was (rightly) beaten by Steven Duncan, who did a wonderful poem about the black experience from Windrush to the present day, taking in racism and police brutality. But it was still a fifty fifty shot that a comedy poem would do the biz, and probably around fifty percent of the poets at the slam were comic poets.

And yes, I managed here and there to win the occasional poetry slam. It always felt ironic doing so. Because I’ve never seen what I do as poetry, and a poetry slam seemed the ultimate American and trendy thing to take part in. The fact that I could do so with poems about jellyfish and badgers and, of course, beards, seemed to drive a truck straight through such pretensions.

Naturally, over the last year and a half, most events have moved online, and one could argue that in so doing, they have made them more accessible and democratic. Online events have opened slams up to people who might never have been able to get out to events in far flung corners of the UK. (And to think, once a month I used to go to Bang Said the Gun in London just to take part in their weekly slam). With this increased online community, it seems that the American idea of what a poetry slam in has, stealthily, increased and encroached on the more traditional UK version. Obviously, I’m not saying this is a bad thing. It’s just the nature of these events, and the world has definitely become a more serious and, one would argue, less equal place over the last few years. Various movements have rightfully given voices to those who before might not have had a voice, or encouraged them to do so with bravery and gusto, and the poetry slam is the ideal place where this can occur. From Black Lives Matter to the #metoo movement, people are finding the courage, the depth, or the anger to draw attention to issues, and this is a wonderful thing.

So what is the point of this essay? Well, here’s my big idea. Understanding that the poetry slam genre has evolved, yet also feeling nostalgic for the days when comedy was almost an expectation of the poetry slam, I would like to propose a brand new type of poetry slam: a comedy poetry slam. While the rules and format would be roughly the same, there would be one or two tweaks. Such as: Yes, you are allowed props. Yes, you are allowed costumes. And yes, you can sing, or dance, or incorporate music. Judging criteria would be the same – performance, audience reaction and writing – but there would be scope for laughter and this could be taken into account. (This is another reason why, I believe, comedy performance poetry doesn’t work in the Zoom age in which everyone has their mic muted). In such a way, this will help poetry slams become entertainment again and reward those who experiment with the three minutes that they’re given. It’s time to draw attention to the performance aspect of spoken word, (after all, it was still called performance poetry back when I started, with the emphasis on the performance), and marvel in the inventiveness of so many fertile minds.

‘Deadbeats’ on Ptown Radio with Thom Boulton

Last week I had the immense pleasure of appearing on Thom Boulton’s ‘Deadbeats’ radio show on Plymouth’s Ptown radio. We spent two hours listening to music and chatting and having a jolly old time.

You can listen to the radio show right here. And if you like Ptown Radio, then don’t forget to download their app so that you can listen any time!

https://www.ptownradio.co.uk

I am the Captain of This Good Ship, (Poem)

Poem

I am the captain of this good ship.
Seafaring is in my soul.
I spend my time in that bit at the front,
You know, at the top,
With the big windows,
What’s it called?
Where I steer it from.

I’m a very merry mariner
A merry mariner me.
I’m a very merry mariner
On a millpond mirror sea.
I’m the captain don’t you see
You can pipe me aboard any time.
Weeee-weeee, captain on bridge!
(Oh, that’s what it’s called,
The bridge!)

My crew noticed my tattoo,
They always point it out.
Whenever I pass near them,
‘Anchor’, is what they shout.
‘Such an anchor’.
‘Here comes the anchor’.
‘Oh my god it’s the anchor’.
My tattoo
Is of an anchor.

Seventy five percent of my office
And cabin
Have been taken over by cargo.
I suppose that’s why they call them
My quarters.
Next door is a room where I planted
Gorse, heather and wild grass
And let some sheep graze.
‘Why did you do that?’, my deputy asked.
I said, ‘It’s the staff common room’.

But I like being the captain
It’s the job I’ve always wanted to do.
They sent me to navel college.
I think it was the wrong one.
I know nothing about driving a ship
But I have an encyclopedic knowledge
Of belly buttons.

I run my fingers on the hull
And listen to the soft whispering of the ship.
‘Capital cities’, she says,
‘London, Paris, Rome,
Canberra, Delhi, Beijing’.
‘Oh my god’, my deputy said,
‘I think the ship is listing’.

I found a subordinate the other day
Piling plastic bottles on the deck,
Plastic bottles of French, Dijon, English,
Colmans and other brands
Of hot yellow sauce.
‘No, you idiot!’, I yelled,
‘I told you to make a
Muster station!’

But I’m the captain,
Whatever happens, I’m the captain,
I’m the tip top nautical fella on this
rusty ship with its big brass propeller,
I’m the order barker,
I’m the port-side parker,
I’m the first mate berater
I’m the seaman inspiration
I’m the radar operator
If we sink I’ll see ya later
I’m the ship steering quip-sneering
Anchor-dropping boat flip fearing
Keep myself in uniform so
Never wear an earring
I’m the poop deck slipper
I’m the mid storm kipper
I’m the radar flashing blipper
I’m in charge cos I’m the skipper
I’m the captain
I’m the captain
I’m the captain
Don’t you knowwwwwwwww.

The other day we found
Water in the cargo hold.
‘Do you think we’ll sink?’
Someone asked.
‘Maybe not’, I replied.
‘Capsize?’, they asked.
‘Extra large’, I replied.

The WhatsApp Group

Are you coming?
Yes I’m coming
Are you going?
Only if you’re going
I’m going if you’re going
Are you coming?
I’m going.
I don’t know if I’m going.
I don’t know if I’m coming or going.
Are you going to
Only if you’re going to too.
Who’ll be there?
I’ll be there
Will you be there
If you’ll be there
We’ll be there
Even if he’s there
Who’s he
You know who he is
I don’t know who he is
Will he be there
I don’t know if he’ll be there if I
Don’t know who he is.
Will he be there?
Yeah.
Ok, lol.
Sorry about that lol
No probs lol
Tried my best lol
Can’t be helped lol
These things happen lol
Smiley face lol.
Lol.
Taxi or bus?
Bus or taxi?
Taxi taxi taxi
Bus bus bus
Let’s walk
Let’s not
Lol
Uber
What?
Uber
What’s that?
Uber is Uber
Never heard if Uber
Shall we take an Uber
How do you take an Uber?
Do you take an Uber with food or water?
Yeah, what’s an Uber
I can’t believe you’ve never heard of Uber
I once took an Uber and my Uber was a Ford puma
Oh it was a puma Uber
I once took an Uber and my Uber was a Subaru.
Do they have Ubers in Cuba?
Try underneath the ironing board it was there last time I looked
Sorry that was for someone else, lol.
Lol.
Lol.
Lol.
Smiley face. Lol.
What do you mean puma Uber?
I don’t think I’ll go if he’ll be there
He won’t be there
You said he’d be there
I didn’t say he’d be there
Someone said he’d be there
Yes I’ve heard of Uber
I said he might be there
Might he be there
He might not be there
I’m not going there if he might be there
My cousin uses Uber
Try underneath the sideboard then
He probably won’t be there
Who won’t be there?
He won’t be there
But he might be there
He might indeed be there
It’s a chance you’ve got to take
I might not go
Well I’m not going if you’re not going
And I’m not going if both of you aren’t going
So who’s going?
I’m not going
Nor am I
Me neither
Not if he’ll be there
And you won’t be there
Who’ll be there?
You know who
I don’t know who, do you?
So whose actually going?
Not me
Not me
Nor me
Or me
Still, it’s nice to spend time at home, isn’t it?
Lol
Lol
Lol
Lol
Hey everyone I’ve booked an Uber for seven.
Everyone?
Everyone?
Hello?