Gravity of the situation

Thunder roar and dancing flames,
Gravity regained.
Cosmonaut Major Pavel,
Youthful hero of the
Red age
Braces in his helmet
For the crush of atmosphere . . .

Another frosty morning on the Steppes. The flat landscape is a faded sepia nothing. Her cottage is nowhere near a main road, little more than a wooden shack surrounded by a wooden fence which demarcated her territory from the endless nothing. A few flowers in pots had not yet had the chance to bloom, though they had shown green roots and signs of growth. She hung out the washing. Her breath turned to vapour, but she was used to the cold. Her scarf, her shawl, her dress, bright primary colours against the dull landscape, the dark wood panelling, the peeling paint, the overcast sky.
She hears a whistling sound. She pauses for a while, her lips clamped on clothes pegs as she hangs a pair of flowery bloomers. The whistling spins gets loud, pronounced, sustained, and she looks up just in time to see a parachute open, and suspended beneath it a Soyuz re-entry capsule. The whistling stops, and the capsule, grey and defined against the overcast sky, swings back and forth, then lands with a heavy thud in the field next to her cottage.
‘Not again’, she whispers.
She finishes hanging up her bloomers, spits out the remaining pegs into her laundry basket, then ambles over to the gate, just in time to see the hatch of the capsule open.
‘Another couple of metres and you’d have crushed my bluebells!’, she yells.
Major Pavel squeezes himself out of the capsule. Like toothpaste from a tube.
‘Olga?’, he says.
‘Pavel!’
The gravity is too much. He’s been on the International Space Station for almost a year. He kind of slumps down on to the side of the capsule.
‘How are the kids?’, he asks, as he takes off his helmet.
‘Fine, no thanks to you’.
‘I had to make sacrifices. For the good of the space programme, and for Mother Russia’.
‘Don’t give me none of that’.
‘How I’ve longed for your supple arms, capturing me, plucking my Sputnik from the sky, my sexy Soyuz so charred and beaten . . .’.
‘You just left me one morning. Gone . . ‘.
He seems dazed. He looks over at her cottage.
‘What . . . What are the chances?!’
Her dainty touch, skin so soft as new year snow.
‘Hugging my metal machine to your chest . . . You dainty flower . . ‘.
‘Don’t you go on about dainty flowers. Another five feet and you’d have crushed my dainty flowers with your fancy spacecraft. Bluebells are just coming up . . .’.
‘Did you miss me?’
‘I’m certainly glad you missed me!’
‘But did you . . Miss me?’
Her features relax, somewhat.
‘Yes’, she whispers.
‘They’ll be here soon’, he says. ‘To pick me up. Begin the debrief. Add my knowledge to the needs of the Motherland ‘. He looks at her and smiles.
‘They might not be’.
‘What do you mean?’
‘Social distancing’.
‘Olga!’
He takes a step forwards. She takes a step back.
‘Two metres!’, she says.
They stare at each other across her bluebells.
The night before he’d seen lightning over the Brazilian rainforest. He’d never felt further from home.
‘The sky’, she whispers, ‘is the same as it’s always been. But we’re all cosmonauts, now’.

A poem for Andrew Graham-Dixon

Andrew Graham-Dixon
Enthuses
And finds poetry in the raw
Of that which would
Otherwise bore me arseless.

He finds radical politicising
In a small painting
Of a warthog.
It’s all in the tusks,
He says.
He looks a bit like
Bryan Ferry.

The aurora borealis
Also
Bore me arseless.
Andrew Graham-Dixon
Talks about bleakness
With a Norwegian.

Andrew Graham Dixon
Enunciates.
Andrew Graham Dixon
Luxuriates in the last syllable
Of Van Gogh
Andrew Graham Dixon
Is the thinking mans
Maggie Philbin
Andrew Graham Dixon
Finds Pot Noodles
‘Hauntingly eloquent’
Andrew Graham Dixon
Uses exuberant hand gestures
At dull canvases
With a sad horse on it
Andrew Graham Dixon
Doesn’t move his eyebrows much
Andrew Graham Dixon
Would probably do the ordering
For me
In an Italian restaurant.

I turned up at work
With a side parting
And a shirt open
At the collar.
You’ve been watching him again,
My boss said,
Haven’t you?

I murmur something
About the stoicism
Of the early Romantics
And get on with
Things.

Nathan went for a walk in the rain

Here’s a poem I’ve been working on for a couple of months. I hope you like it.

Nathan went for a walk in the rain,
Felt the cold drops sting thrown by the wind
Like thoughts flung at him.
Often he felt he could disappear
Given the chance,
Less than a ghost,
Scared by its own haunting.
Often life
Really was too daunting.

Hands thrust in pockets
He would stand under the
Limbs of a tree
Whose skeletal branches
Silhouetted against an overcast
Battleship sky
Seemed to him
The jagged black lightning
Of negative storms,
Moments of joy nullified,
Time turned inside out.
Even this tree, one day,
Would fall and rot,
Not even a memory.

Custodians of masculinity leer in with
Jeering grins,
Jagged claws soured with the blood of souls
Too weak to join the cultural dance,
Maps marked not with routes
But the chaos of headstrong toxicity,
The violence of difference,
For straying would be a calamity
And only a fool would sheer from the path
And be rightly and soundly mocked.

Nathan went for a walk in the rain.
It’s hard to explain the indefinable.
It’s easier to be a man, and stamp down emotion,
To be one of the lads and aspire to such,
Show no fear, stick up two fingers at pain,
Don’t be weak, don’t be spineless, don’t be gay
And don’t talk about it, don’t talk about it,
And if someone does then don’t listen,
For god’s sake, don’t admit that you’re lonely,
What kind of man does that?

Nathan went for a walk in the rain.
He watches the puddles circles with heavy drops
Falling like abandons ideas or dragon tears.
No time to explain, just a walk.
No time to talk, never time to talk,
No time to listen if he needed to talk
And what could he possibly explain?
Nathan went for a walk in the rain.

There’s nothing more creepy than the Lindt chocolatier

Some things are plain weird, they cannot be explained
Downright odd or unsettling or perhaps completely deranged
Some things fill me with dread or a deep sense of fear.
There’s nothing more creepy than the Lindt chocolatier.

If I don’t see the chap again then that would be too soon
With malevolent intent doth he brandish his big spoon
Gives a knowing wink while he’s grinning from ear to ear
There’s nothing more creepy than the Lindt chocolatier.

I try to live a wholesome life and do just what I can
But often I wake at night simply terrified by this man
I went to the doctors, he asked what’s wrong, I said now listen here
There’s nothing more creepy than the Lindt chocolatier.

I’ve been to places frightening, I’ve walked in dark dark woods
I’ve found myself along at nights in scary neighbourhoods
I’ve been to lots of places with an ominous atmosphere
There’s nothing more creepy than the Lindt chocolatier.

I dreamed I found the perfect man as cute as cute can be
And sensitive too with an undercurrent of rampant masculinity
Turns out it was you know who, I must say I shed a tear
There’s nothing more creepy than the Lindt chocolatier.

The phantom of the opera, the hunchback of Notre Dame,
Skeleton from He-Man, none of them meant any harm
They’re all quite pleasant actually, we’d probably go for a beer
There’s nothing more creepy than the Lindt chocolatier.

He beckons with malevolent intent and tempts us to his lair
The promise of sweet nourishment, he wonders if we dare
Abandon all our hopes and dreams and morals that we hold dear
There’s nothing more creepy than the Lindt chocolatier.

Last summer I remember when the funfair came to town
I saw him on a bouncy castle jumping up and down
Wearing for some reason what looked like bondage gear
There’s nothing more creepy than the Lindt chocolatier.

I saw him once approaching when I was out on a late night street walk
Chocolate bonbons, he said to me, I said, enough of all that sweet talk
I know you are well meaning but there’s one thing that I should make clear
There’s nothing more creepy than the Lindt chocolatier.

A malfunction at the farting gnome factory

A malfunction
On the farting gnome
Production line.

Respite
From the onslaught.

How fervently
Do we toil
Churning our
Thousands of these
Plastic bastards.

In the west,
Discerning folk
Decorate their green
Luscious gardens
With our beautiful,
If flatulent,
Product.

An engineer
Works
To get the production
Re-started.
If he fails,
He will have failed us all.

Multicoloured
Farting gnome lined
Like a militaristic
Trumping of the colour.

A whistle!
The conveyor starts again.
A cheer goes up,
Machines grind.
We will have to work
Extra hard to make up time.

You should see
My tiny apartment,
I’ve got hundreds of them,
All different permutation
Of farting gnome.
They let go in unison,
A farting orchestra,
Whenever I walk in the door.

It’s why
My girlfriend left me
The moment she came home
For the first time.

Torquay 2 : The Other Team 2

Audio version:

https://soundcloud.com/robertdgarnham/perpendicular-episode-torquay

Torquay 2 Woking 2

Three hundred or so low guttural individual voices
Combine into a cohesive whole, a chorus of
Feral anticipation as custard coloured titans
Skip on to the pitch, the first among them kind of
Punches limply through a paper hoop
Emblazoned with their team sponsor’s logo,
J. Arthur Bowyer’s Synchro-Boost Houseplant Compost,
Three half-hearted palm slaps and then the paper gives way,
These athletic specimens of masculinity and matching socks,
Shiny blue polyester shorts a-gleam under the spotlights,
Back slaps and star jumps, half-hearted jogging,
While the opposing team, who must have had an
Awfully long bus ride, kind of slouch on to the field,
Mooching along the sides of the pitch like slugs around lettuce.

I’d brought a book to read assuming there would be seats.
Instead I was pressed up against the lanky frame of an
Ever so friendly though unusually potty-mouthed
Scrote of a lad who replica custard coloured shirt
Had last year’s sponsor, McClintock’s Polystyrene Coving Ltd.,
And who suggested at top column that the home team
Might like to consider breaking the fucking legs of the opposition.
Someone then tried to start a chant going,
‘Oh we do like to beat them beside the seaside!
We’re gonna beat you by two or three!’
But it kind of got drowned out
To a chant of ‘Put them all in intensive care!
Put them all in intensive care!
Put them all in intensive care!
Captain Ollie’s got great hair!’

I have come with a friend who’s there for the football
But also to show me the football and he
Made a kind of grimace when I said I’d brought a book.
The home team did some warm up exercises.
‘They’re dancing!’ I said, ‘it’s all a bit camp, isn’t it?’
Number 32 is just my type, bleach blond hair, stubble,
Long legs and snake hips.
‘Coooo-eeeee! Over here! Yoooo-hooooo!’
My pal said, ‘He’s on loan from Bournemouth’.
I said, ‘That’s okay, I’d give him back in one piece’.

The stadium announcer extols the virtues of both teams
And attests to the veracity of
J. Arthur Bowyer’s Synchro-Boost Houseplant Compost,
And the game begins, number 32s elegant fingers splayed
As he dribbles the ball, like he’s a ballet dancer,
Or a gymnast balancing on a beam, though even
The home team audience yells that he’s a useless
Time wasting tossbag who gets the ball and does fuck all,
Go back to Bournemouth you useless waste of space.
He’s got lovely eyes.

The ground rumbles and thuds as they race from one end
To the other, kicking up clods of grass and winning
The applause of the audience who shout encouragement,
These lads in custard who aim at the goal at the other end,
Someone misses a sitter, someone else scuffs it,
And then the ball goes in the corner and two opposing players
Prance and dance around it like Torville and Dean.
My eyes kind of wander off to the other side
Where twenty or so or the away team supporters chirrup
And you can just make out the faded lettering of
Last years sponsor showing through under a new coat of paint,
McClintock’s Polystyrene Coving Ltd. is better than any competition.
Only the word ‘tit’ is still showing.

My pal has already told me in advance
The skill of number 10, whose speciality is
Less the sublime and precocious nature of his craft,
More his knack for falling over at just the right moment,
Now he goes down like a sack of spuds and the
Audience erupts, apparently this is a good thing,
He’s allowed to aim a ball at the keeper and boom,
In it goes, I almost spill my cup of tea
As I’m jostled and the lad next to me flings
His arms around my neck, jumps up and down, the
Tea oscillates as I breathe in his Lynx Africa antiperspirant,
I must say I enjoy it a lot.
And now I want number 10 to fall over again.

Wouldn’t you know it, he does, never fails to disappoint,
Fortune smiles twice in the low setting sun,
Achilles in his death throes, Icarus mid melt,
Our hero is downfallen and rolling in the mud like a hippo,
The ref’s cheek bones prominent as his blows his whistle.
Boom, scores! The audience is enraptured once again,
Another clingy embrace of Lynx Africa,
I’m a cuppa carrying eucalyptus and he’s my own personal koala,
Number 32 looks down wistfully as if jealous, I hope,
Oh, I hope, of me and my new found tame delinquent
Who sips a surreptitious beer from a paper bag and
Chinks against my half spilled Darjeeling, cheers!
Caught up in the joy of the moment I attempt to start a chant
Based on the third movement of Beethoven’s Pastoral Symphony
But it doesn’t take hold.

Really, I’m only here for my pal who’s brought me along.
This is his culture and I’m an interloper.
But I want to show that I understand life
Beyond the cliche, broaden my mind and experience
Every nuance of our shared cultural history.
‘We’re winning ‘, he says during the interval
As we queue for pies sold from a shed
Next to the unoccupied press box.
‘Well, they are’, I point out, ‘We’re just watching’.
I’m taking him to a drag show next weekend.

And then the announcer wants us all to sing happy birthday
For Little Liam, whose favourite player is number ten.
And Little Jimmy, whose favourite player is number ten,
And Little Jack, whose favourite player is number ten,
And he reminds us that we can all vote for the
J. Arthur Bowyer’s Synchro-Boost Houseplant Compost
Man of the Match, which is usually won by number ten.
‘I’d like to vote for number 32’, I say, perhaps too loudly,
And everyone around me laughs and says how funny,
They love my sense of humour.

Two more goals soon after the interval.
Perhaps the audience has tired itself out,
I’m the only one who seems excited, and my new friend
In the McClintock shirt hardly seems inclined at all
To repeat his usual celebratory hijinx, no doubt
Enervated by his previous exertions and the two litre bottle of cider
Stuffed down the front of his trackie bottoms,
And when the ref calls a halt to the show I pat
My pal on the back and ask whether four nil in some kind
Of club record.
It was two all, he says, they switched ends.
They what?
Why didn’t the announcer explain this
Before I got excited over nothing?

Oh, this communal kickabout, this colossal crowd clapping
This unified oneness this matey definitely not homoerotic bonding,
This celebration of the hunter’s skill this
All-encompassing rough and tumble this slippery sport a spurt
With spurious curiosities this worship of the physical
This proof of prayer this spectacle this weird excuse
To suddenly bellow ‘Nice tackle!’ and no one bats an eyelid
This playing out of certain urges but would they ever let me
Join in? No, probably not, and number ten has got mud all over him.

What did you think?, my pal asks
As we file like clocked off factory workers
Into the adjacent streets, not that he’s interested really,
Immediately he then adds, shall we get some chips?

I think of number 32
Isolated
In the dressing room.

On hearing late night planes

What’s that noise?
A little buzzing aeroplane
Tiny buzzing flying buzzing
Little little aeroplane.

Two in the morning,
You’re hidden by night clouds
And I’m laying in bed with the
Latest bout of insomnia,
Envisaging your propellers
Cutting through the mist
As you effect your
Sweet nocturnals.

You fill the night with an insistent throb,
Jarring vibrations, secret missions.
I’m down here on sweated sheets,
You’re up there so cool and calm,
All professionalism and various scientific principles,
Calculated, unflappable optimism.

I’ve been grounded all night.
Sleep would be the ultimate take-off.
I’ve been trundling down the runway
Trundling
Trundling
Turning around and giving it another go.
Trundling
Trundling.
Garnham Air, you’ve got permission to take off
I know
I know.
I’m trying.

Trundling.
Trundling.

How mesmerising my town must be from up there
Hypnotised, trance-like, by the lights of the
Tesco’s megastore
From up the you can probably see
The curvature of the pier.
You might even see what
My neighbours been up to in the back yard
These last few weeks
Or at least what’s causing the smell.

All day long, you never stop moving from
Exotic locations bound up with chimerical
Extravagance and wonder.
From Manchester international a short hop
To Edinburgh International.
From Edinburgh international a shot hop
To Southampton international.
From Southampton international a short hop
To Newquay Airport.
For, Newquay Airport a short hop
To Manchester International.
From Manchester international a short hop
To London Stanstead.
From London Stanstead a short hop
To Manchester International.
From Manchester International a short hop
To Southampton international.
From Southampton international a short hop
To Manchester International.
And so on.

Two in the morning.
What I really need is a friend.
Text messages in the dark,
Phone vibrations matching
Your incessant buzz.
‘Hey Rob, you there? x’
How my heart would dance!
Not like yesterday when
All it said was,
‘Your bill is available to view online’.

I imagine you pristine
Skimming voluminous cumulonimbus
Just you and the stars and
The satellites
Floating as if on nothing
With your seamless buzzing
Incessant buzzing
Endless powerful buzzing.

Which, actually,
Might just be the central heating pump.

Hypnotism

Look into my eyes
I’m going to put you in a trance.
When I count to three
You’ll open your eyes and
you’ll be an audience at a poetry gig.
1,2,3.

Let me hypnotise this chap.
When I say the magic word, maybe
He’ll be the walrus
And I’ll be the narwhal
And he’ll nuzzle me,
Oh, how he’ll nuzzle me,
Nuzzle me you walrus freak,
You sexy feral walrus freak.
The magic word will be
Anne Widdecombe.

I tried to hypnotise my aunt
make her think she was a donkey.
didn’t work.
She just did her knitting.
I tried to hypnotise a donkey
Into thinking she was my aunt.
Amazingly it did some knitting
And looked just like my aunt.
then I realised I’d just
Hypnotised my aunt
Into thinking she was my aunt
Which is what she was.

I saw the man of my dreams
And I started my old routine
Pendulous pocket watch tick tock pocket watch
I know this might sound creepy
But you are feeling sleepy
On the count of three you’ll wake and see
That you should spend your life with me
And he replied
Do you want to go large
For an extra 65p?
I went home.

My friend Eric
Is really mesmeric.
And because he’s so mesmeric
He’s known as mesmeric Eric
He can walk into a fishmongers
And just the raising of an eyebrow
Can get him as much free hake
As he can shake a stick at.
He lives in Falmouth.

I asked my ex if I could
Hypnotise him.
I said it will be over before you know it.
He said, usual then.
I said, you won’t feel a thing.
He said, usual then.
I said, it might put you to sleep.
He said, sounds about right.
I said, parts of it will be a bit sloppy.
He said, story of my life.
I said, afterwards you might feel a bit humiliated.
He said.
We are talking about hypnotism, right?
I said, and then we might just kind of drift apart
And the next time I see you you’ll be with a much
Younger thinner more handsome hypnotist
Called Kevin
Who means everything to you
And you’re all over each other
And I wonder if secretly it’s because you’re trying to
Prove to me that I meant absolutely nothing
And then you introduce me to him and say,
This is Kevin, he’s an optometrist.
I don’t care what Star sign he is.

I told him a joke
About wheat
He said
It was corny.

When he used to work in a bank i once came in
And asked what do you with all my sultanas.
He suggested a currant account.

I asked him to think of a number
Between one and nine.
He said, Anne Widdecombe.

A poem about eyebrows

Nobody I know
Has more than two eyebrows,
Not even Jennifer.
And I’m quite content
With the two that I’ve got
Thanks for asking.

I looked at them through a microscope.
A thousand bristly hairs
On each side give or take,
Squint and your can really see
The follicles.

My friend Russell
Has really loud eyebrows
It’s why he’s called Russell
It’s because they rustle.

Mine look like punctuation
I don’t know what font
But it ain’t Times New Roman.
They’re like moustaches
That have migrated north.
Imagine them all over your manly torso,
Steven,
You’d look like a shaved Chewbacca.

My left one is called Daphne

But oh, I’m sure we’ve all done it.
Balanced a bottle nosed dolphin
On the top of my glasses
To hide my eyebrows from the casual observer
But my forehead kept getting moistened
By its blowhole.

I wake in the middle of the night
With eyebrow cramp.
Early morning mist clings to them
Whenever it’s damp.
I sprinkled them with glitter
But it looked a bit camp.
The security guard at the
Caterpillar sanctuary
Stopped me on the way out.
Just checking, he said,
Just checking.

Interesting fact.
If a sperm whale had eyebrows
They’d be big enough
To use as an ironing board.

The fortune cookie said,
‘A frown becomes a Glare
Without eyebrows there.’
Just because it rhymes
Doesn’t mean it’s true
Does it.

Geoff’s eyebrows are parabolic
They make me feel euphoric
With their eyebrow up down
Wriggle wriggle
Boom titty boom titty
Watch them jiggle jiggle
Naughty Geoff!
Naughty Geoff!
Your eyebrows are orgasmic!

An eyebrow fetishist
Wanted to lick them.
And the more startled I looked,
The more it turned him on.

I phoned him up
And rustled them on the speaker.
Apparently in the fetish community
This is called Just Browsing.

He came at me one night
And trimmed them with some scissors.
But I suppose that’s what happens with
Internet grooming.

Eyebrows, eyebrows, eyebrows.
Whenever I go on Google.

The elastic has gone in my boxer shorts

Something’s not right
It’s an odd complaint
There’s a certain looseness
Where there used to be restraint.
I get no joy
From my morning coffee cup.
The elastic has gone in my boxer shorts
And they won’t stay up.

The world has got such problems
With wars and such.
But there’s a certain sagginess
In my crotch.
I thought it would be fine
I guess I’m out of luck
The elastic has gone in my boxer shorts
And they won’t stay up.

Things just fall apart,
That’s entropy,
But now my only enemy
Is gravity
I rang the customer service desk,
They couldn’t give a toss,
The elastic has gone in my boxer shorts
And they won’t stay up.

Nothing lasts forever,
It makes my life hell
They used to be a large
Now they’re XXXXL
I hung them on the washing line
A squirell used them as a hammock
The elastic has gone in my boxer shorts
And they won’t stay up.

They twist and flop and tangle
Whenever they get the chance.
The man this morning is Tesco said,
Hey that’s a crazy dance
As I swivelled and gyrated
All around the town
The elastic has gone in my boxer shorts
And – oh no! – they’re down.