My New Year’s Resolution: To have more fun!

So today I performed my annual New Year’s Day poetry extravaganza. And as I’m staying in Brixham at the Muv’s, this took place in the room at the back of her garage where I normally rehearse, a place I have nicknamed the ‘Sunrise Rehearsal Studio’. I can make as much noise as I like in there and nobody can hear me, because the room is not attached to or near any other building.
The day before, I’d kind of made a New Year’s Resolution, which had two parts to it. The first is to concentrate more on comedy poetry, the second is to have fun performing. The first part of this resolution has come about because I feel that, over the last couple of years and especially since lockdown and the pandemic, I have spent most of my time doing things other than comedy poetry. And yes, while it’s great to experiment and try other things, I was just kidding myself that any of these were worth unleashing on an audience. Serious poems, serious pieces of writing, various artworks and ideas which had at least taken me out of my comfort zone, were the speciality of proper artists and proper poets who have made a career out of such a manner of expression. The one thing I’m good at, hopefully, and known for, is making people laugh through poetry and performance. And I hadn’t done nearly enough of this since the end of 2019.
The second part of the resolution is to have fun performing. I know this sounds a bit weird, what with my performance being very silly, comedic and clowning, but I’d spent far too much time concentrating on performance and theory and effect and not nearly enough on enjoying the process.
So today’s gig in the Sunrise Rehearsal Studio allowed me to have fun in the silliness of what I was doing and, hopefully, in such a way, connect with the audience. And once I’d made this pact with myself to enjoy what I was doing, well, wouldn’t you know, I started to really enjoy what I was doing!
2022 is here, now. And I have no idea where it will go or what will happen. I have a couple of projects on the go which might lead to something wonderful, or then again, they might not. But I’m determined that I shall have lots of fun along the way. I hope to see you out there in poetry land, too.

Happy new year to everyone, and here’s to a better future!

My 2021 Advent Calendar in all its glory

Today’s Advent Calendar picture is of Beryl Reid eating a wagon wheel. An actual wagon wheel.

Today’s Advent Calendar picture is of the crank handle of an old jalopy.

Today’s Advent Calendar picture is of Samuel Beckett breakdancing in the cafe at a garden centre next to the narcissi.

Today’s Advent Calendar picture is apppatently an advert for Dreadnought Sheep Dip.

Today’s advent calendar picture is of a monk trying to feed a jacket to a horse.

Today’s Advent Calendar picture shows a small field just outside of Norwich and some of the adjacent lay-by.

Today’s advent calendar picture shows Skippy the Kangaroo waiting for an exhaust manifold to be fitted to his Ford Capri. One of the mechanics is Liam Gallagher. It’s raining. The Irn Bru drinks machine has an Out of Order notice on it written in calligraphy. The man in the office behind a glass window is sad because nobody appreciates his calligraphy.

Today’s advent calendar picture shows kylie Minogue as reimagined in Fuzzy Felt

Today’s Advent Calendar picture is of Inspector Poirot looking for a pair of scissors to open the packaging that his newly bought pair of scissors have come in.

Today’s advent calendar is a picture of a colander. It’s an advent colander.

Today’s Advent Calendar picture is very minimalist and shows a penguin at the South Pole looking very quizzically at a harp.

Today’s Advent Calendar picture shows the starboard spark plugs of a coal barge.

Today’s Advent Calendar picture shows the Easter bunny.

Today’s Advent Calendar picture shows a duck behind the wheel of a 1986 Opel Manta being stopped by a policeman who happens to be a ferret, whose pointing at a speed limit sign which says 30mph, while a badger walks past pushing a prom inside of which is a lobster baby, while the other side of the road there’s a kangaroo which, inexplicably, is walking a dog.

Today’s Advent Calendar picture shows a selection of different pasta shapes laid out in size order next to a Philips screwdriver, presumably for scale.

Today’s Advent Calendar picture shows the bearded captain of the bulk carrier MSC Mercury Thora Hird on the bridge behind the wheel, but he’s vogueing, Madonna style, while his First Mate captures the whole thing on his mobile phone, as the other crew on the bridge clap and cheer. They’re obviously intending to upload it to Tiktok.

Today’s Advent Calendar picture shows an exasperated theatre director shouting at an ostrich through a megaphone on a theatre stage. Muscles are bulging in his neck. The ostrich has fluffed another line in the big monologue and will have to start again. The ostrich can barely hide its contempt. The play they are rehearsing is called Up My Left Trouser Leg.

Today’s Advent Calendar picture shows an advent calendar.

Today’s Advent Calendar picture shows a moment of hilarity on the novelty farting gnome production line. Doris has put one of them on her head and is doing a silly little dance to Cher’s Believe, everyone’s laughing, though she doesn’t realise that her supervisor is standing right behind her. This is the third time she’s done such a thing in the last week. The manufacture of novelty farting gnomes is a serious business, doesn’t she understand? And why is it necessary to add the word ‘novelty’?

Today’s Advent Calendar picture shows the Three Wise Men having stopped off to buy scratch cards , are leaning on a post box and furiously scratching them with 10p coins.

Today’s Advent Calendar picture shows an argument at the crunch nut corn flake production line because the manager has sped up the conveyor belt and they’ve obviously started falling off on to the floor, there are boxes everywhere, tempers are fraying, arms raised, red faces, bulging veins in necks, and nobody has noticed that a lion has just sauntered in through the door.

Today’s Advent Calendar picture shows a runaway flat bed truck with about fifty standard lamps balanced on the back making its way driverless through the giraffe enclosure at a safari park. The giraffes are curious, of course, and somewhat envious of these long necked mechanical objects. Maud from the adjacent tea hut looks up from her urn, she’s pointing to the large net that she’s kept just for a situation like this.

Today’s Advent Calendar picture shows Yogi Bear lying flat on his face with a tranquilliser dart stuck in his rump, in the meat aisle at Morrison’s. He’s riffled the chiller cabinet and made a hell of a mess.

A Wee Poem

When the beer’s been a flow
And I need to go
To a room of urinals
All tight in a row,
To lessen that pressure,
That busting to pee
To feel that relief
So heavenly free,
But I’ll tell you this once and you’ll probably not care
I can’t go if there’s someone else there.

He’s burly of course,
He pees with such force
Like Niagara Falls,
It sounds like a horse.
He lets out a groan
So at ease as he pees
It’s holding me back,
I want to shout, please!
Leave me alone, it’s really not fair!
I can’t go if there’s someone else there.

I wish he’d just dash,
I’d offer hard cash.
All I wanted to do
Was go for a slash.
But my waterworks clam,
They’re ever so fickle.
Nothing comes out,
Not even a trickle.
I stand like a statue in a pose of despair.
I can’t go if there’s someone else there.

I’ve always been weak
And ever since meek
And never more so
Than when having a leak.
With a bloke so butch
He looks like King Kong
My god how on Earth
Has this gone so wrong?
He’s still weeing now, I want to peak and not stare,
I can’t go if there’s someone else there.

I feel like a loser
He looks like a bruiser
This happens each time
I go to the boozer.
One moment I’m sitting
With Daphne and Jenny
But then oh my god
I must spend a penny.
I’m jealous of how he can wee with such flair
I can’t go if there’s someone else there.

It doesn’t make sense
I’m feeling so tense
And that’s kind of why
I concoct the pretence
That I’ve had my wee
I find myself trusting
Not to let on at all
That I’m actually still busting
I’d best keep it in and just utter a prayer
I can’t go if there’s someone else there.

Buying a fake beard

For reasons which are too tiresome to go into, I decided to purchase a fake beard. I’d done a bit of research online and I’d noted the differences between those that use elastic around the back of the head, and those which clip around the ears. On various websites, the convention seemed to be that those which clip were the most durable, as the elastic ones are prone to perishing with repeated use. I don’t know why someone would want to use a fake beard repeatedly, it probably being more prudent in the long run actually to grow a beard, but in any case, and pondering on the pros and cons of all the various permutations of fake beard construction and design, I set off into town, intent on making a purchase.
One of the fun parts of online research had been the reviews of fake beards left by previous customers on the various websites. ‘A tendency to itch . .’, for example, or ‘Amazing! Looked just like the real thing!’, on another. ‘It fitted right over the top of my normal beard with no problem at all! Nobody suspected a thing’, read another, or, ‘Terrile! The elastic snapped on only its second usage and almost had the eye out of the ambassadors wife’. The funniest customer review for a fake beard came from a young lady called Samantha who wrote, ‘I originally got this for a costume for myself, but didn’t use it. My son ended up wearing it to dress up as an old man in his first grade class. It worked well and stayed on for most of the day. But beware: this does not look real in the slightest’. Well, it wouldn’t, would it?’.
The fake beard can trace its heritage back to the days of the Yukon gold rush of 1896. In this rugged environment up in the frozen north, the vast majority of potential prospectors arrived clean shaven before making the perilous journey into the wilds, armed with little more than hope and a good shovel. As the winter set in the more rugged among them sprouted impressive beards, and as the famous rhyme points out, the bigger the beard, the more they were feared. In this environment of deep cold and lawlessness, a man was judged solely on the volume, mass and bushyness of his facial hair, and only those who made the grade were unmolested by rival prospectors, bandits, thieves, ne’er do wells, robbers and the perennially shifty. And those without beards didn’t stand a chance.
Gordon McKirk saw a niche in the market and, with his patented glue made from fir tree sap, and a healthy supply of skunk pelts, began to sell fake beards to the prospectors. His Klondike tin shack set up between brothels became one of the most visited businesses of the gold rush, new arrivals making a beeline straight from the steamers and through the mountains to his shop in order to cultivate the manly frontier look. Gordon himself would offer a bespoke fitting service, matching the skunk pelts perfectly with the various chins presented to him, applying the sap glue with a small brush and applying the fake beard before revealing to the customer their new look by means of a mirror hidden behind the curtain. Alas, this was a trick, as the mirror actually was a portrait of one of a number of existing rugged gold prospectors, such as Dangerous Dan McHiggins, Dangerous Dan McKinley, Dangerous Dan McNish, Dangerous Dan McFortescue, or Toby Simpson, who wasn’t particularly dangerous, but he did have a big beard. In actual fact, all of the gold prospectors who left Gordon McKirks shop looked more or less the same, smelling of fir tree sap and skunk pelt, and would promptly get robbed the moment they set foot outside the shop.
Alas, Gordon himself was to succumb in 1898, when, blinded by the various pungent aromas of his skunk pelts, and deafened by the constant honky tonk music coming from the brothels on either side of his Emporium, he tried to fit one of his fake beards to a full grown adult male grizzly bear.
When I was a kid my next door neighbour was a kindly old lady called Celia. She lived alone and kept herself to herself for the most part, though she did volunteer for a couple of days a week listening to children read at the local primary school. She also was quite deaf, and her voice would get higher and higher the longer the sentence that she was speaking. So for example she might say, ‘I was walking through the town the other day and I Thought I Might But Some Daffodils SO I DID AND I MUST SAY THEY’VE STARTED TO COME UP AND THEY LOOK SPLENDID!! But the most unusual thing about Celia was that she always had fake beards hanging on her washing line.
There were always at least seven of them. And you would never see her wearing any of them, which was the weirdest thing. In all other regards she was quite normal and genial, and she was a churchgoing lady who was admired by the local community for the most part.
Of course, there were rumours about why she would have fake beards hanging from her washing line, the suspicion was that she was helping out with the local amateur dramatics society, but she had never shown any inclination towards the arts or any interest in theatre whatsoever.
At about this same time there was a series of cars being held up late at night by an armed individual, a lone figure who for one reason or another became known as the Masked Monk of Maidenhead. It was always something of a mystery why he should be known as the Masked Monk of Maidenhead, as there was nothing particularly Monk like about his reported appearance, and nor did the miscreant operate anywhere near Maidenhead. Rumours then began to persist that Celia, my own next door neighbour, was actually the Masked Monk of Maidenhead, what with all the fake beards hanging on her washing line. It didn’t matter that not one report of the Masked Monk of Maidenhead mentioned any facial hair, fake or otherwise. Nevertheless, rumours persisted and Celia started to become a suspect.
‘It’s just my fluffy BUNTING’, she would say. ‘Every day is a celebration so WHY NOT PUT OUT BUNTING? AND WHY NOT MAKE IT FLUFFY?’ Let’s face it, we’ve all heard of Normal Bunting and the WORLD NEEDS CHEERING UP AND I’M THE ONE TO DO IT!’
As is usual in these situations, the truth was even stranger than fiction and there was a clearer story at the heart of Celia and her fluffy bunting. And bizarrely, it did involve the Masked Monk of Maidenhead.
As I say, she was a church going, god fearing lady, who also did charitable work every now and then for the local monastery. Of the ten monks who lived there, three were bearded. Living by rules which stipulated anonymity, every time the monks appeared in public, they had to look the same so that they were compelled not to form emotional attachments to ordinary people and be swayed from the path of their teachings. Celia would, therefore, provide them with a beard washing service so that they could go about their religious piety freed from the constraints of picking bits of fake beard from the filters of their tumble dryers. When one of their number rebelled against this doctrine and formed an unhealthy obsession with an optician named Brenda, he was ostracised from the religious order and would spend the rest of his time flagging down passing motorists, demanding from them use of their laundry facilities.
Of course, this might all be rumour and inneundo, and to be honest, Celia is probably long dead now.
Alexander the Great, allegedly, was a prolific wearer of fake beards. In the days when he was seen out and about while wearing one of them, he was apparently known just as Alexander the Average. A ruler of the known world by the time he was thirty, Alexander appears in statues, artwork and on coins clean shaven and looking pretty damn hot, yet contemporary accounts always mention him stroking his beard. It is not pointed out whether he was wearing the beard at the time that he was stroking it, or if this was just a mistranslation. What is clear is that many historians suggest he would take time away from the rigours of his court and duties, his lovers and soldiers and necessary admin, don a fake beard, and slip into the busy city streets of Babylon in search of open mic comedy nights.
It is not known whether or not Alexander graces the stages of such institutions himself, or whether he preferred just to sit at the back and heckle. But there are accounts of a comedian from this time, known as Alexander the Great Ninny, who was more of an observational comedian and whose act was much mimicked by such later comedians as Mark Twain and Queen Victoria. One of Alexander the Great Ninny’s Jokes runs as follows:
‘What’s the big deal with conquering Persia? What’s that all about? If you really want to set yourself a challenge, try sorting out the Babylonian annual theatre festival. On the one hand, you’ve got bloodshed, screaming, decapitation, impaling, horror and massive human suffering, and on the other, you’ve got the conquering of Persia’.
Now naturally, this is kind of joke that nowadays has been done to death, with a punchline that you can see a mile off, but at the time it was all new and, contemporary accounts attest, Alexander the Great Ninny would then end each set by tugging his fake beard down, revealing a glimpse of his actual face, and saying, ‘Guess who, folks!’, before scampering off stage to thunderous applause.
So as I say, I decided to go out and buy a fake beard. To be honest, as I left my house the other day I felt excited by the prospect of buying a fake beard and this put something of a spring in my step. I walked with a bit of a smile on my face, the sort of smile which told the world that I was off out to buy a fake beard. I’ve often seen this smile on the faces of other people, and I can always tell what it is that they’re up to, and now it was my turn to have this smile. And those with beards, fake or otherwise, often have the same smile but it’s hidden away from the world. Hidden behind their beards. The smiles might even be fake, as fake as the beards that they hide behind. A philosopher might say, we’r all hiding behind fake beards.
There’s a joke shop in the town where I live. Mister Happy’s Jocular Palace. It has costumes and party accessories as well as Jokes, and for a joke shop, it’s run by the most miserable man I’ve ever met. How tough life must be for him, a man with no sense of humour, spending his entire life running a joke shop. Unless, this itself is the joke. Perhaps he has found the best way to live his life, like a miserable comedian, a man who draws out laughter from the world but hides behind his own ennui,
So I go in to his shop and he looks up from his newspaper. He probably doesn’t get many customers on a Wednesday morning. I walk past the whoopie cushions and the fake noses, the plastic dog turds and the squirty lapel flowers, to a display of fake beards hanging in packets on the wall. And there were so ,at different types of fake beard. Stick on fake beards, hook behind the ear fake beards, elastic strap fake beards, short fake beards, long fake beards, fake goatees, grey fake beards, brown fake beards, white fake beards, and all kinds of different length, from just a couple of inches to ones that came down halfway down your chest, there was every conceivable kind of fake beard you can think of.
Mister Happy puts down his newspaper and ambles over.
‘I’m looking for a fake beard’, I told him.
‘How long do you want it?’, he asked,
‘Just for the night’, I replied.

On how I learned to love writing short stories again

On how I learned to love writing short stories again

The only thing I ever wanted to be was a writer. When I was a kid, I’d write all the time. For me, the most wonderful thing in the world was a new notebook with all of its blank pages and the limitless possibilities of the words that would fill it up. If there was one thing I really enjoyed, it was making people laugh because of what they were reading, knowing that it was my own words that had caused such merriment. I remember my English teacher, Mr. Smith, encouraging me to write, and I’d show him my stories and he’d sit and read them to himself and every now and then he would laugh. And I’d always ask him what it was that had made him laugh.

During my teenage years I discovered existentialism and I forgot all about wanting to make people laugh. I just wanted to be seen as a deep thinker, a modern Camus or Kafka astounding people with my weighty philosophic intellect. The only things missing were a beret, and a weighty philosophic intellect. This ‘phase’ took a few years to get over.

In my twenties, I moved to Devon and joined a writers’ circle, and for the first time I would be reading out my words to other people. And when they laughed, it was the most magical feeling in the world. I spent all my spare moments writing, in my first flat, which was on the third floor of a spooky gothic mansion, and I’d sit there all evening and write and write and write, endless short stories which I’d then immediately file away, and sometimes not even print off.

Education came late to me, and I spent seven years doing an undergraduate course, and then two years doing postgraduate, all by distance learning, so writing took a back seat but I’d still have a crack at it if I had a spare few moments, though I’d never look at what I’d written once it was done. And as soon as my education was over, I discovered comedy performance poetry and the deep joy of being on stage and making people laugh.

Of course, this was a pivotal moment, because now I was getting paid and travelling all over the UK, spreading comedy and joy and meeting wonderful people. Indeed, the last thirteen years have been a magical experience and I never thought that I’d be in such a position. The fact that I make strangers laugh and enjoy life, if only for a few minutes, makes me feel incredibly privileged.

A couple of years ago, I went back to writing short stories. The only difference now was that, thanks to this thing called the ‘internet’, which wasn’t around when I was younger, I could now submit the end results. And wow, the response has been amazing. I’ve had short stories published all over the place, from magazines such as Stand and Defenestration, to Ink, Sweat and Tears, Riggwelter and Jersey Devil. Indeed, I have even been nominated for the Pushcart Prize in the USA, which is where most of my work is published.

But the most amazing thing of all is that some of the stories I’ve had published were ones I’d written twenty five or thirty years ago. Stand, one of the most respected magazines in the UK, have agreed to publish a story of mine next year which I wrote one evening at that old gothic flat. Black Moon magazine have just published one which I remember reading to the writers’ circle all those years ago. I’m absolutely astounded that these old stories are finding a new lease of life, while at the same time a little sad that I wasn’t brave enough to send them off at the time, as a nerdy twenty something.

So what’s my point with this essay? I suppose it’s ‘never give up on your dreams’, or something trite like that. Or at the very least, ‘give it a go, because you never know’. I was deeply unsure of myself for most of my young adult life and this has continued to some extent. I certainly don’t feel like I have a sense of entitlement but I’m at least glad that I am now a little braver when it matters.

And writing? I still love it, as much as I did when I was a kid!

The WhatsApp Group

Are you coming?
Yes I’m coming
Are you going?
Only if you’re going
I’m going if you’re going
Are you coming?
I’m going.
I don’t know if I’m going.
I don’t know if I’m coming or going.
Are you going to
Only if you’re going to too.
Who’ll be there?
I’ll be there
Will you be there
If you’ll be there
We’ll be there
Even if he’s there
Who’s he
You know who he is
I don’t know who he is
Will he be there
I don’t know if he’ll be there if I
Don’t know who he is.
Will he be there?
Yeah.
Ok, lol.
Sorry about that lol
No probs lol
Tried my best lol
Can’t be helped lol
These things happen lol
Smiley face lol.
Lol.
Taxi or bus?
Bus or taxi?
Taxi taxi taxi
Bus bus bus
Let’s walk
Let’s not
Lol
Uber
What?
Uber
What’s that?
Uber is Uber
Never heard if Uber
Shall we take an Uber
How do you take an Uber?
Do you take an Uber with food or water?
Yeah, what’s an Uber
I can’t believe you’ve never heard of Uber
I once took an Uber and my Uber was a Ford puma
Oh it was a puma Uber
I once took an Uber and my Uber was a Subaru.
Do they have Ubers in Cuba?
Try underneath the ironing board it was there last time I looked
Sorry that was for someone else, lol.
Lol.
Lol.
Lol.
Smiley face. Lol.
What do you mean puma Uber?
I don’t think I’ll go if he’ll be there
He won’t be there
You said he’d be there
I didn’t say he’d be there
Someone said he’d be there
Yes I’ve heard of Uber
I said he might be there
Might he be there
He might not be there
I’m not going there if he might be there
My cousin uses Uber
Try underneath the sideboard then
He probably won’t be there
Who won’t be there?
He won’t be there
But he might be there
He might indeed be there
It’s a chance you’ve got to take
I might not go
Well I’m not going if you’re not going
And I’m not going if both of you aren’t going
So who’s going?
I’m not going
Nor am I
Me neither
Not if he’ll be there
And you won’t be there
Who’ll be there?
You know who
I don’t know who, do you?
So whose actually going?
Not me
Not me
Nor me
Or me
Still, it’s nice to spend time at home, isn’t it?
Lol
Lol
Lol
Lol
Hey everyone I’ve booked an Uber for seven.
Everyone?
Everyone?
Hello?

Chorley Lodge and the 1984 Olympics

The other day I was in a second hand bookshop when I came across a Ladybird book of the 1984 Olympics, and all of a sudden I was transported back to a time when I was ten years old and a long, hot summer seemed to stretch ahead. My mother had bought me a copy of the same book, in which there was space to write in the winners of the various competitions. Now, you know me. I’m not exactly in to sports, and the idea of sitting there and watching the whole thing was not exciting, but I loved the idea of filling in these pages. But then with dread I realised that I would be away at Cub Camp for the first week of the Olympics and I would miss all the action. The joy of filling in all the blank pages would be denied and the book would never be complete.
I was not looking forward to Cub Camp. It would be the first time in my life that I would be away from home without my parents and I was sure that I’d be missing out on something, or that my family would be having loads of fun without me. Sure, I’d be with my friends, but I didn’t really know most of them, not really. They were just kids, and I tolerated them at the best of times. Indeed, being the 1980s, we all had the same bowl cut hairstyles and probably looked indistinguishable to the outside observer. But I much preferred being at home.
Now I say ‘Cub camp’, but we would actually be staying at a place called Chorley Lodge, which was a converted outbuilding on a former RAF World War Two airfield, on the edge of the New Forest in Hampshire. I hadn’t thought about this place for years, but the other night I watched a documentary about the natural history of the New Forest and I got to thinking about Chorley Lodge. I did a quick Google search and there it was, in all its glory. A plain concrete hut painted green with basic 1940s functional windows and probably enough asbestos to wipe out half the planet.
I remember hating it from the moment I arrived. We were looked after by a scout leader from a different troop to our own, who had this very weird idea that we should all go for a jog every morning before breakfast, but do so without our shirts, which in retrospect seems borderline dodgy. So we’d wake at sunrise from our austere bunks inside this palace of concrete blocks, and run through the adjacent pine trees which bordered what had once been the airfield, home to a hearty breakfast of puke inducing porridge.
The rest of the day would then be spent doing all sorts of wholesome blokey things. We would be split into groups of about four and assigned to some expert in their field who would do their best to teach us survival techniques or handy blokey pursuits. Orienteering was one of these, how to read a compass, how to pack a backpack, how to light a bonfire. But it always seemed that some other group would be doing an activity which was much more exciting. For example, a friend of mine had a brilliant young instructor who ran a half day practical workshop in building rockets, because apparently this is something that comes in handy if you’re ever caught in the wild. While my group had a half day workshop in Morse code. We’d be sat in a clearing dot dot dot and dash dash dashing while I could hear my friends out on the former runway launching rockets and whooping with excitement. ‘Robert, you really must concentrate. Now, what was the message I just sent you?’. Whoosh! Whoosh! Ha ha ha! ‘Erm . . Elephant knickerbocker dustbin Aunt?’ Whoosh! Kapowwww!
I think the whole week instilled in me several things which have lasted till this day. First, my hatred of communal sleeping arrangements probably stems from all thirty of us in one dorm and not feeling able to be myself. Secondly, my absolute revulsion at porridge. But thirdly, my love of forests, airfields and old buildings, even this weird cranky old concrete shack, which apparently has now been demolished, probably due to all that asbestos.
On the last day we all made wooden blocks with the name of the lodge and the date, and mine has been on the wall of my bedroom at my parents house for the last forty years. So that week at Chorley Lodge has remained in my memory, along with nighttime camp fire sing songs, outdoor eating and the vaguely kinky excitement of running semi naked through a forest.
But I never did get to complete that Ladybird Olympics 1984 book.

Music of the moment

‘Weren’t you here before?’, the waitress asks.
‘A while ago’.
He’s conscious that his English accent makes him stick out. Outside the diner windows, tall firs capture the early evening darkness, while trucks thunder past on the old highway. Bright neon reflects on the wet tarmac.
‘There’s really nothing special about me’, he insists, as he sits at a table near the plate glass window. He picks up the laminated menu. ‘It must have been over ten years ago. . .’.
Probably longer.
‘But I sure as hell remember you’, she says.
And he feels a strange connection inside. Sadness mixed with nostalgia. A hint of shame. Some jubilation.
‘I was a different man back then’.
‘You were on some tour, right? You and your . . Your uncle, right? Driving around the country. And you’d just come down from Canada’.
‘Yes’.
‘Oh, I sure remember you!’
So much had changed in the previous ten years. He looks around at the other customers in the diner. Truck drivers, a family in one corner, some lone drivers, a young couple. The rain intensifies and it starts to roll down the plate glass window.
‘You were young’, she says. ‘Mind you, so was I. The world was a different place back then, wasn’t it? Weren’t you drunk?’
‘I probably was’.
‘And we’d never had a Brit in here. Do you remember? We danced . . .’.
Oh, no.
‘Oh, I remember you, honey’.
She stands next to him and taps her long, painted nails on his shoulder.
‘You swept me off my feet. We glided across this very floor, the music was just the same but it was the music of the moment. You treated me like a proper lady for the first time in years. The bums at the counter, oh sure, they were laughing like hyenas. I said to the guys, this here is a real gentleman . Remember that? This here is a real gentleman ‘.
‘As I say, I was . . Different back then’.
‘Oh, I can’t forget someone like you. I really can’t, sugar. So, what brings you back? What brings you back here, to this crummy diner in the middle of nowhere?’
He wants to tell her that he’s retracing his steps, finding himself, doing something in memory of his late uncle, doing something in memory of his self, but it all sounds so trite.
‘I just felt like something to eat’, he lies.
And everywhere he’d been so far, nobody had remembered him at all. And it looked so different, everything looked like it had changed. It was quite dispiriting. Nobody had remembered him.
‘You staying here? For the night? In our little town? There’s a motel next door. Yes sir, you really did treat me like a proper lady’.
He and his uncle had adjoining rooms, and whisky. It was probably one of the very first times he’d even had whisky.
‘I don’t think it was me’, he says.
He gets up from his table by the window.
‘Oh, hon. I always remember a face’.
‘It wasn’t me’, he says.
And he walks away, back to the car, runs across the parking lot in the rain, through the puddles and the neon.

Yay!

‘Yay’ is the title of my new book, to be published by Burning Eye, and my new solo show, both of which are due to come out in the Spring of 2021. I’ve been working on both of these projects for a couple of years and I thought I would explain what I’ve been up to.

‘Yay’ will be a collection of upbeat poems, most of which tell a story or deal with a very specific place. Some of them are a little bit silly, some of them are somewhat life affirming, some of them are downright weird! And all of them are comedic in tone. The whole collection has been designed to make you laugh or smile.

The collection was devised a couple of years ago when it seemed that the world couldn’t get any more depressing. Naturally, after I started working on the project, it then suddenly did! The book contains poems from In the Glare of the Neon Yak, and Spout, my two solo shows, as well as material from my new upcoming show which will accompany the book.

The show will be called ‘Yay! : The Search for Happiness’. It was written in the first few months of this year and I have begun the process of trying to learn the thing. Indeed, I have been working with a director, the wonderful Dr Maggie Irving, with some funding from Torbay Culture, and she has been instructing me in the art of mime, movement and body expression. Unlike my previous shows, ‘Yay! : The Search for Happiness’ will have no props at all, just myself and a microphone. So in other words, I need all the help I can get! The reason for this is simply that I wont have to lug bags and boxes of props all over the country.

I’m still working on the collection. At the moment I’m in the process of deciding which poems will definitely be included. And of course, new ones keep arriving. It’s a very exciting time at the moment!

I’m looking forward to getting the book and the show out there into the world. Fingers crossed, of course, that there will be a fringe circuit next year. But if not, I’ll find a way to bring Yay! to your town.

On missing the Edinburgh Fringe

For the last couple of nights I have dreamed about the Edinburgh Fringe. I can’t remember what the dreams entailed, but there was definitely cobbles and drizzle and small theatre stages crammed into implausible locations. The cancellation of everything this year, including Edinburgh, has been pretty hard to take as a performer who relies in the most part in an audience. But most of all, it’s the communal madness and annual pilgrimage to Auld Reekie that I’ve found myself, oddly, missing muck more than I thought.

I say ‘oddly’ because last year, absolutely everything went wrong. Last year was my sixth year as a performer and my eighth fringe in all. The adventure started when the railway lines got flooded on the way there and I arrived nine hours late after various detours taking in Birmingham, Preston, Manchester and Newcastle instead of my original train which should have taken me straight there. I arrived to find that my show had not been included in the Wee Blue Book or on any of the signage at the venue, and then the venue itself had the toilets overflow because the sewage pipes had been inundated. One day I arrived at my venue to find a comedian setting up, they had assumed that the room would be empty because they had taken the wrong day off by mistake. And then on the way home, someone stole all my luggage. In spite of all this . . . I decided I wanted to go back the next year.

Edinburgh means a lot to the structure that I give to my year. I start writing a new show in November or December the year before, and then rehearse it up till April, when I unleash it on the world. I then do the same fringes every year : Barnstaple, Guildford, Reading, GlasDenbury, culminating in a trip up north. The whole year is structured around this timetable.

But Edinburgh means a lot more, too. It really is like a convention of spoken word artists and performance poets. People who you only usually see on social media are there, and a community exists of likeminded people sharing tales of flyering and accommodation. Some of these people have become very good friends over the years and it’s always somewhat emotional seeing them for the first time in a year. It’s also a great training ground, where you can hone your show and watch as many other different types of show as you can fit in. The inspiration I get from going every year lasts me a very long time and helps me experiment and push the boundaries. My last two shows wouldn’t have existed without seeing other shows.

And yes, Edinburgh is hard, physically and emotionally. I don’t know who decided to build a city right on the top of an extinct volcano where it rains most of the time and all the streets are cobbled. And you’re competing against thousands of other shows. And flyering itself is soul-destroying. I’m really no good at it. Yet the highs are extraordinary – slam wins, big audiences, great feedback, and of course, that miracle year in 2017 when I ended up on the radio and in all the papers, certainly outweighs the bad days where you get an audience of one, or you get absolutely drenched for eight hours a day.

I was looking forward to this year. I was going to do a ‘Greatest hits’ package which required minimum props and I’d found some great accommodation, and I was hoping to do everything right. Well. maybe next year, now.

And that’s if next year happens at all. The economic landscape may look very different by then, but I’m hoping there will still be a chance to go back up. With the exception of the town where I live and the town where I grew up, Edinburgh is the place I know the best having stayed and performed all over it for most of the last decade. I can’t envisage not going there for two years.