A message from the chairman of the scone society

Dear fellow scone enthusiasts.
It pains me to write this letter, but circumstance has forced my hand. For many years, the Brixham Town Scone Society website has been a valuable tool for members to connect, ask advice, share cooking tips, and buy and sell both equipment and ingredients. There have been no complaints and many of us have both enjoyed, and taken advantage of, this wealth of scone-cooking know-how just a click of the mouse away.
However, lately it has come to the attention of this committee that the Classified section of the website has been coming under some abuse from certain members whose interests lay beyond mixing methods and how to create a really cracking milk glaze.
The problem first came to light when it was pointed out to me that a lot of our newer subscribers to the website, who filled in the online form, listed the classified section as their main motivation for doing so, yet almost all of them answered the question ‘How many hours a week do you spend cooking scones?’ with the response, ‘None’, and in a lot of cases, ‘I do not like scones’. This was somewhat perplexing and an investigation was launched in case there were some confusion in the title of our website, (Scones A-Plenty.com), or indeed if there were some new boy band or comic perhaps titled ‘Scone Man’, that was leading to this sudden influx in new members.
However, after a terrible mix-up (no pun intended) the other day in which one of our senior committee members, Maureen Hepplethwaite, found herself not at a scone cookery demonstration as she had been expecting, but at a swinger’s sex party, it was decided that action was needed.
The first thing we noticed was the number of young men offering a variety of different shaped spatulas for sale in the classifieds. While these are great implements in the mixing process, it is probably more common in the scone community to use wooden spoons, so I think it’s fair to say that this raised a few eyebrows among the committee. Most of these spatulas were advertised as being new, ‘or in new condition’, while some were being offered in a slightly battered state.
At this stage, alarm-bells didn’t actually start ringing. The admin behind running a pro-scone website means that some matters don’t actually get attended to until there’s some kind of emergency. The Great Flour Shortage of 2005 was one such calamity, and equally fraught was the resignation of our chairman in 2009 when he announced that frankly, he preferred muffins.
We then noticed the alarming number of society members offering scones of varying states of completion, some of which were ‘ready to pick up now’, others were, ‘come and collect’, while many were ‘lacking one final ingredient’. ‘Already in the mixing bowl’, apparently, (and according to Reginald, who does not proclaim to be an expert on such matters), means that the ‘seller’ is willing to conduct the process in their own home. ‘On the baking tray’, apparently means that they are willing to travel. And it’s anyone’s guess what ‘ready to be consumed with fresh fresh salad’, means. Suspicions were raised further when Phil Burton (member since 1988), advertised that he had a home-made ready mix featuring fresh sultana pieces and fruity chunks only to receive an email which read, ‘You’re a dirty boy, oh my, you’re a dirty boy!’, followed by someone’s phone number.
Dear society members, this will just not do. To get to the root of the problem, we have employed a code-breaker whose previous area of expertise was the Egyptian hieroglyphs and also the mating call of the common sparrow. And it was no surprise to learn that the codes adopted by many of the users of our classified pages were also a base form of mating call in themselves . Once she had explained what many of the codes and terminologies

were, I, as your brave Chairman, decided to pose online as one of these lovelorn scone-bakers with an advertisement composed specifically to entrap the guilty.
Spatula for sale (or rent). Slightly rusty yet ergonomically designed to offer maximum stirring. Mixture in bowl yet also functions on the tray. Fellow mixer must have GSOH. No salad please. Jam and cream to spread as desired. Satisfaction guaranteed. Stirs in an anti-clockwise or circular motion.
Alas, the only reply to my classified ad was from another society member who offered me a ‘lasagne’. ‘I don’t get it’, I said to the code-breaker.
‘Nor do I’, she replied.
And just to be safe, I haven’t eaten a lasagne since.
Dear society member, it is time to put an end to this, and the decision was recently
taken at a committee level to put an end to the classified section of our website. We understand that this may very well reduce the number of people who have joined our society, (over twenty thousand new members in the last six weeks, a figure which still manages to perplex us), but we believe that this is the safest method to rid our wholesome community of undesirable attention.
Like many of you, I started out as a young man with a head full of ideas and dreams intent on devoting my life to the construction and consumption of the humble scone. Starstruck by such scone-bakers as Ethel P. Anderson and Audrey ‘Iron Knuckles’ McGinty, I saw the society as a means to connect with like minded souls whose purpose and heart were in a similar vein to my own. It has been nothing short of tragic to see our fine institution highjacked by those whose thoughts remain as base as their own animalistic instincts. I see this as an opportunity to root out these wrongdoers and make our society safe again!
The moment I’ve finished writing this email, I shall be visiting the committee where no doubt we shall be indulging in the wholesome pursuit of the perfect scone. And yes, fellow committee members, thanks for asking, I shall definitely be bringing my own spatula.
Yours
The chairman.

What Jack Kerouac said to Frank O’Hara

What Jack Kerouac said to Frank O’Hara

The last couple of weeks, I’ve been re-reading Jack Kerouac’s Desolation Angels. When I was a teenager, I read a lot of Kerouac and kind of fell in love with the idea of freedom and movement, jazz and friendship that his books described. Consequently I grew up with the idea of the Beat Generation being this mighty art form of expression and culture which has gone on to inform the literary movements of the present day.

          Naturally, this idea was just the romantic side of me attaching importance to something I really liked. Because when I was a teenager, I wasn’t into sports or football or anything like that. The big names of literature were the equivalent of major league football teams. I didn’t care about Liverpool FC, or Real Madrid, or Bjorn Borg. For me, the big names were Kafka, Camus, Dorothy Parker, Gabriel Garcia Marquez. And of course, Jack Kerouac.

          As I grew older I had to get a job, and real life kind of intervened, and this meant that I didn’t read, or dream, quite so much. Around the year 2000 I decided to study with the Open University, and this led me to the poetry of Frank O’Hara.

          I hated poetry. I always enjoyed English Literature at school, but I hated poetry. It left me cold every single time, from what’s his name with his bog bodies, to Byron going on and on about how much he liked Napoleon. Wordsworth was just a pain in the arse. Poetry never spoke to me the way that prose did, and most poems seemed to be a puzzle that had to be solved, but never would be solved, or at least, never by me. Some of the words were pretty, but really, who had the time? 

          I was very excited when I learned that one week, we’d be studying Allen Ginsberg. A-ha! Wasn’t Ginsberg a friend of Kerouac and William Burroughs? Sure, he was just a boring poet, but wouldn’t he be saying something as exciting as the saintly Jack?

          And sure, the beginning of Howl was great, but then it just became words again. And my mind started to drift. And I’d re-read lines. And the text would say, ‘Look how exciting this next verse is!’, and I’d read it and think, ‘What?’ The whole week was very disappointing.

          The next week we were due to study Frank O’Hara, and I thought, oh jeez, not another bloody poet. But perhaps this defeatist frame of mind was just the ring thing at the time, and it has probably changed the entire course of my life. Expected to be bored arseless, I was instead completely captivated by this slightly camp fresh new voice writing poems about drinking cola, eating hamburgers, calling up friends of the phone and watching B-movies. And of course, sexual acts in train station toilets. Frank O’Hara, I said, where have you been all my life?!

          If you’re reading this, then you’ll probably know all about Frank, and how he was a member of the New York school of poetry in the 1950s, allied to the abstract expressionists and employed by the Museum of Modern Art. I liked New York, and I liked abstract expressionism, and I’d been to MoMA several times. More than that, Frank seemed to be talking just to me. Sure, everyone who reads his poems probably thinks the same thing, but I sensed in his voice the sort of personality that I could easily become friends with. Who needs those Beat Poets with their beards and their sandals and their grimy treks across the continent when this urbane, funny, whimsical precursor to Warhol, who hung around cafeterias and galleries and burger bars, (and station toilets), existed and elicited more or less the same artistic response from the reader?

          It’s been 22 years since I discovered O’Hara and I’ve read almost every textbook, biography and anthology you can think of. Because O’Hara showed me that poetry can be about anything which you want it to be about. There doesn’t have to be something metaphysical or metaphorical about it. Sometimes a poem about eating a sandwich at lunchtime can just be about eating a sandwich at lunchtime. And it can be funny! Who else could end a poem with the words, ‘Lana Turner we love you, get up!’, the poem in question being ‘Lana Turner Has Collapsed’.

          When I first started performing and writing performance poetry fourteen years ago, O’Hara was my reference point. He helped me find my own poetry voice. This would be before I was introduced to the work of people like Ivor Cutler or Salena Godden. It’s probably fair to say that if I hadn’t read O’Hara, then I’d never have taken up spoken word.

There are literary stories which I love. These are usually about writers meeting, and some of these may be so mythological as to not actually have happened at all. One of my favourite stories involves a cab ride shared after a Parisian party by those two giants of the literary scene, James Joyce and Marcel Proust. And apparently, they sat side by side in the cab, completely silent the entire journey, and when they arrived at the first dropping off place, Joyce said, ‘Evening’, and that was it.

          But there’s another literary meeting of world which I enjoy, and this involves Jack Kerouac and Frank O’Hara. Representatives of the two different schools of poetry, the Beat Generation and the New York School, they apparently did not get along.

          Now this was a shame. It’s like discovering that two of your uncles don’t like each other. I tried to stay neutral in this battle from seventy years ago, but while I liked Kerouac, and while Kerouac was a big part of my formative years, I decided very much to put everything behind Team O’Hara.

          It’s not quite clear how this enmity existed. There have been some who have accused Kerouac of homophobia, though a lot of his friends, and a lot of the content of his work have been concerned with homosexuality and very non-judgementally so for a time that was significantly more conservative in these matters. There have even been some who suggest that Kerouac was simply jealous that Frank could be so open about his sexuality. Others suggest that Kerouac’s antagonism towards O’Hara was because his friend, Gregory Corso, was a big fan of O’Hara’s oeuvre, which made Jack jealous, and Ginsberg was also an admirer.

          Whatever the cause, word has it that at a poetry reading in New York, while O’Hara was reading some of his poems, Kerouac is supposed to have shouted, ‘You’re ruining American poetry!’ To which O’Hara is said to have responded, to much laughter, ‘That’s more than you’ve ever done!’

          I’d love this story to be true. Especially as Kerouac is later meant to have apologised a few months later, by visiting O’Hara’s flat, saying nothing, but typing out an apology on his typewriter. Something along the lines of, ‘Sorry for what I said that time’.

How I would love to have been there. I can imagine Frank afterwards, probably at a party, bitching about Kerouac. He would probably have found it hilarious.

Whimsy in the Woods Podcast Episode Three

In today’s episode Robert goes along the beach in Paignton for a walk next to the sea and performs two poems. One of them is about a chap called Bill, who just wants to make some noise. The other is about a man who sees a ghost, ooooo!

Whimsy in the Woods Podcast Episode Two

In today’s podcast, Robert is still walking in the woods. He ponders on a scummy pond, a glimpse of London through the trees, and reads a poem about Icarus.

Whimsy in the Woods Episode Two

Whimsy in the Woods Podcast Episode One

Robert Garnham goes for a walk in the woods, reminisces about magpies, and reads a poem about the summer solstice and a petrol station.

Whimsy in the Woods Episode One

Some short videos that I’ve gone and made

Over the last few weeks I’ve been making videos of some of the short poems that I’ve been writing. Usually little more than a minute long, they give me a chance to have a little fun! I hope you like them.

My New Year’s Resolution: To have more fun!

So today I performed my annual New Year’s Day poetry extravaganza. And as I’m staying in Brixham at the Muv’s, this took place in the room at the back of her garage where I normally rehearse, a place I have nicknamed the ‘Sunrise Rehearsal Studio’. I can make as much noise as I like in there and nobody can hear me, because the room is not attached to or near any other building.
The day before, I’d kind of made a New Year’s Resolution, which had two parts to it. The first is to concentrate more on comedy poetry, the second is to have fun performing. The first part of this resolution has come about because I feel that, over the last couple of years and especially since lockdown and the pandemic, I have spent most of my time doing things other than comedy poetry. And yes, while it’s great to experiment and try other things, I was just kidding myself that any of these were worth unleashing on an audience. Serious poems, serious pieces of writing, various artworks and ideas which had at least taken me out of my comfort zone, were the speciality of proper artists and proper poets who have made a career out of such a manner of expression. The one thing I’m good at, hopefully, and known for, is making people laugh through poetry and performance. And I hadn’t done nearly enough of this since the end of 2019.
The second part of the resolution is to have fun performing. I know this sounds a bit weird, what with my performance being very silly, comedic and clowning, but I’d spent far too much time concentrating on performance and theory and effect and not nearly enough on enjoying the process.
So today’s gig in the Sunrise Rehearsal Studio allowed me to have fun in the silliness of what I was doing and, hopefully, in such a way, connect with the audience. And once I’d made this pact with myself to enjoy what I was doing, well, wouldn’t you know, I started to really enjoy what I was doing!
2022 is here, now. And I have no idea where it will go or what will happen. I have a couple of projects on the go which might lead to something wonderful, or then again, they might not. But I’m determined that I shall have lots of fun along the way. I hope to see you out there in poetry land, too.

Happy new year to everyone, and here’s to a better future!

My 2021 Advent Calendar in all its glory

Today’s Advent Calendar picture is of Beryl Reid eating a wagon wheel. An actual wagon wheel.

Today’s Advent Calendar picture is of the crank handle of an old jalopy.

Today’s Advent Calendar picture is of Samuel Beckett breakdancing in the cafe at a garden centre next to the narcissi.

Today’s Advent Calendar picture is apppatently an advert for Dreadnought Sheep Dip.

Today’s advent calendar picture is of a monk trying to feed a jacket to a horse.

Today’s Advent Calendar picture shows a small field just outside of Norwich and some of the adjacent lay-by.

Today’s advent calendar picture shows Skippy the Kangaroo waiting for an exhaust manifold to be fitted to his Ford Capri. One of the mechanics is Liam Gallagher. It’s raining. The Irn Bru drinks machine has an Out of Order notice on it written in calligraphy. The man in the office behind a glass window is sad because nobody appreciates his calligraphy.

Today’s advent calendar picture shows kylie Minogue as reimagined in Fuzzy Felt

Today’s Advent Calendar picture is of Inspector Poirot looking for a pair of scissors to open the packaging that his newly bought pair of scissors have come in.

Today’s advent calendar is a picture of a colander. It’s an advent colander.

Today’s Advent Calendar picture is very minimalist and shows a penguin at the South Pole looking very quizzically at a harp.

Today’s Advent Calendar picture shows the starboard spark plugs of a coal barge.

Today’s Advent Calendar picture shows the Easter bunny.

Today’s Advent Calendar picture shows a duck behind the wheel of a 1986 Opel Manta being stopped by a policeman who happens to be a ferret, whose pointing at a speed limit sign which says 30mph, while a badger walks past pushing a prom inside of which is a lobster baby, while the other side of the road there’s a kangaroo which, inexplicably, is walking a dog.

Today’s Advent Calendar picture shows a selection of different pasta shapes laid out in size order next to a Philips screwdriver, presumably for scale.

Today’s Advent Calendar picture shows the bearded captain of the bulk carrier MSC Mercury Thora Hird on the bridge behind the wheel, but he’s vogueing, Madonna style, while his First Mate captures the whole thing on his mobile phone, as the other crew on the bridge clap and cheer. They’re obviously intending to upload it to Tiktok.

Today’s Advent Calendar picture shows an exasperated theatre director shouting at an ostrich through a megaphone on a theatre stage. Muscles are bulging in his neck. The ostrich has fluffed another line in the big monologue and will have to start again. The ostrich can barely hide its contempt. The play they are rehearsing is called Up My Left Trouser Leg.

Today’s Advent Calendar picture shows an advent calendar.

Today’s Advent Calendar picture shows a moment of hilarity on the novelty farting gnome production line. Doris has put one of them on her head and is doing a silly little dance to Cher’s Believe, everyone’s laughing, though she doesn’t realise that her supervisor is standing right behind her. This is the third time she’s done such a thing in the last week. The manufacture of novelty farting gnomes is a serious business, doesn’t she understand? And why is it necessary to add the word ‘novelty’?

Today’s Advent Calendar picture shows the Three Wise Men having stopped off to buy scratch cards , are leaning on a post box and furiously scratching them with 10p coins.

Today’s Advent Calendar picture shows an argument at the crunch nut corn flake production line because the manager has sped up the conveyor belt and they’ve obviously started falling off on to the floor, there are boxes everywhere, tempers are fraying, arms raised, red faces, bulging veins in necks, and nobody has noticed that a lion has just sauntered in through the door.

Today’s Advent Calendar picture shows a runaway flat bed truck with about fifty standard lamps balanced on the back making its way driverless through the giraffe enclosure at a safari park. The giraffes are curious, of course, and somewhat envious of these long necked mechanical objects. Maud from the adjacent tea hut looks up from her urn, she’s pointing to the large net that she’s kept just for a situation like this.

Today’s Advent Calendar picture shows Yogi Bear lying flat on his face with a tranquilliser dart stuck in his rump, in the meat aisle at Morrison’s. He’s riffled the chiller cabinet and made a hell of a mess.

A Wee Poem

When the beer’s been a flow
And I need to go
To a room of urinals
All tight in a row,
To lessen that pressure,
That busting to pee
To feel that relief
So heavenly free,
But I’ll tell you this once and you’ll probably not care
I can’t go if there’s someone else there.

He’s burly of course,
He pees with such force
Like Niagara Falls,
It sounds like a horse.
He lets out a groan
So at ease as he pees
It’s holding me back,
I want to shout, please!
Leave me alone, it’s really not fair!
I can’t go if there’s someone else there.

I wish he’d just dash,
I’d offer hard cash.
All I wanted to do
Was go for a slash.
But my waterworks clam,
They’re ever so fickle.
Nothing comes out,
Not even a trickle.
I stand like a statue in a pose of despair.
I can’t go if there’s someone else there.

I’ve always been weak
And ever since meek
And never more so
Than when having a leak.
With a bloke so butch
He looks like King Kong
My god how on Earth
Has this gone so wrong?
He’s still weeing now, I want to peak and not stare,
I can’t go if there’s someone else there.

I feel like a loser
He looks like a bruiser
This happens each time
I go to the boozer.
One moment I’m sitting
With Daphne and Jenny
But then oh my god
I must spend a penny.
I’m jealous of how he can wee with such flair
I can’t go if there’s someone else there.

It doesn’t make sense
I’m feeling so tense
And that’s kind of why
I concoct the pretence
That I’ve had my wee
I find myself trusting
Not to let on at all
That I’m actually still busting
I’d best keep it in and just utter a prayer
I can’t go if there’s someone else there.

Buying a fake beard

For reasons which are too tiresome to go into, I decided to purchase a fake beard. I’d done a bit of research online and I’d noted the differences between those that use elastic around the back of the head, and those which clip around the ears. On various websites, the convention seemed to be that those which clip were the most durable, as the elastic ones are prone to perishing with repeated use. I don’t know why someone would want to use a fake beard repeatedly, it probably being more prudent in the long run actually to grow a beard, but in any case, and pondering on the pros and cons of all the various permutations of fake beard construction and design, I set off into town, intent on making a purchase.
One of the fun parts of online research had been the reviews of fake beards left by previous customers on the various websites. ‘A tendency to itch . .’, for example, or ‘Amazing! Looked just like the real thing!’, on another. ‘It fitted right over the top of my normal beard with no problem at all! Nobody suspected a thing’, read another, or, ‘Terrile! The elastic snapped on only its second usage and almost had the eye out of the ambassadors wife’. The funniest customer review for a fake beard came from a young lady called Samantha who wrote, ‘I originally got this for a costume for myself, but didn’t use it. My son ended up wearing it to dress up as an old man in his first grade class. It worked well and stayed on for most of the day. But beware: this does not look real in the slightest’. Well, it wouldn’t, would it?’.
The fake beard can trace its heritage back to the days of the Yukon gold rush of 1896. In this rugged environment up in the frozen north, the vast majority of potential prospectors arrived clean shaven before making the perilous journey into the wilds, armed with little more than hope and a good shovel. As the winter set in the more rugged among them sprouted impressive beards, and as the famous rhyme points out, the bigger the beard, the more they were feared. In this environment of deep cold and lawlessness, a man was judged solely on the volume, mass and bushyness of his facial hair, and only those who made the grade were unmolested by rival prospectors, bandits, thieves, ne’er do wells, robbers and the perennially shifty. And those without beards didn’t stand a chance.
Gordon McKirk saw a niche in the market and, with his patented glue made from fir tree sap, and a healthy supply of skunk pelts, began to sell fake beards to the prospectors. His Klondike tin shack set up between brothels became one of the most visited businesses of the gold rush, new arrivals making a beeline straight from the steamers and through the mountains to his shop in order to cultivate the manly frontier look. Gordon himself would offer a bespoke fitting service, matching the skunk pelts perfectly with the various chins presented to him, applying the sap glue with a small brush and applying the fake beard before revealing to the customer their new look by means of a mirror hidden behind the curtain. Alas, this was a trick, as the mirror actually was a portrait of one of a number of existing rugged gold prospectors, such as Dangerous Dan McHiggins, Dangerous Dan McKinley, Dangerous Dan McNish, Dangerous Dan McFortescue, or Toby Simpson, who wasn’t particularly dangerous, but he did have a big beard. In actual fact, all of the gold prospectors who left Gordon McKirks shop looked more or less the same, smelling of fir tree sap and skunk pelt, and would promptly get robbed the moment they set foot outside the shop.
Alas, Gordon himself was to succumb in 1898, when, blinded by the various pungent aromas of his skunk pelts, and deafened by the constant honky tonk music coming from the brothels on either side of his Emporium, he tried to fit one of his fake beards to a full grown adult male grizzly bear.
When I was a kid my next door neighbour was a kindly old lady called Celia. She lived alone and kept herself to herself for the most part, though she did volunteer for a couple of days a week listening to children read at the local primary school. She also was quite deaf, and her voice would get higher and higher the longer the sentence that she was speaking. So for example she might say, ‘I was walking through the town the other day and I Thought I Might But Some Daffodils SO I DID AND I MUST SAY THEY’VE STARTED TO COME UP AND THEY LOOK SPLENDID!! But the most unusual thing about Celia was that she always had fake beards hanging on her washing line.
There were always at least seven of them. And you would never see her wearing any of them, which was the weirdest thing. In all other regards she was quite normal and genial, and she was a churchgoing lady who was admired by the local community for the most part.
Of course, there were rumours about why she would have fake beards hanging from her washing line, the suspicion was that she was helping out with the local amateur dramatics society, but she had never shown any inclination towards the arts or any interest in theatre whatsoever.
At about this same time there was a series of cars being held up late at night by an armed individual, a lone figure who for one reason or another became known as the Masked Monk of Maidenhead. It was always something of a mystery why he should be known as the Masked Monk of Maidenhead, as there was nothing particularly Monk like about his reported appearance, and nor did the miscreant operate anywhere near Maidenhead. Rumours then began to persist that Celia, my own next door neighbour, was actually the Masked Monk of Maidenhead, what with all the fake beards hanging on her washing line. It didn’t matter that not one report of the Masked Monk of Maidenhead mentioned any facial hair, fake or otherwise. Nevertheless, rumours persisted and Celia started to become a suspect.
‘It’s just my fluffy BUNTING’, she would say. ‘Every day is a celebration so WHY NOT PUT OUT BUNTING? AND WHY NOT MAKE IT FLUFFY?’ Let’s face it, we’ve all heard of Normal Bunting and the WORLD NEEDS CHEERING UP AND I’M THE ONE TO DO IT!’
As is usual in these situations, the truth was even stranger than fiction and there was a clearer story at the heart of Celia and her fluffy bunting. And bizarrely, it did involve the Masked Monk of Maidenhead.
As I say, she was a church going, god fearing lady, who also did charitable work every now and then for the local monastery. Of the ten monks who lived there, three were bearded. Living by rules which stipulated anonymity, every time the monks appeared in public, they had to look the same so that they were compelled not to form emotional attachments to ordinary people and be swayed from the path of their teachings. Celia would, therefore, provide them with a beard washing service so that they could go about their religious piety freed from the constraints of picking bits of fake beard from the filters of their tumble dryers. When one of their number rebelled against this doctrine and formed an unhealthy obsession with an optician named Brenda, he was ostracised from the religious order and would spend the rest of his time flagging down passing motorists, demanding from them use of their laundry facilities.
Of course, this might all be rumour and inneundo, and to be honest, Celia is probably long dead now.
Alexander the Great, allegedly, was a prolific wearer of fake beards. In the days when he was seen out and about while wearing one of them, he was apparently known just as Alexander the Average. A ruler of the known world by the time he was thirty, Alexander appears in statues, artwork and on coins clean shaven and looking pretty damn hot, yet contemporary accounts always mention him stroking his beard. It is not pointed out whether he was wearing the beard at the time that he was stroking it, or if this was just a mistranslation. What is clear is that many historians suggest he would take time away from the rigours of his court and duties, his lovers and soldiers and necessary admin, don a fake beard, and slip into the busy city streets of Babylon in search of open mic comedy nights.
It is not known whether or not Alexander graces the stages of such institutions himself, or whether he preferred just to sit at the back and heckle. But there are accounts of a comedian from this time, known as Alexander the Great Ninny, who was more of an observational comedian and whose act was much mimicked by such later comedians as Mark Twain and Queen Victoria. One of Alexander the Great Ninny’s Jokes runs as follows:
‘What’s the big deal with conquering Persia? What’s that all about? If you really want to set yourself a challenge, try sorting out the Babylonian annual theatre festival. On the one hand, you’ve got bloodshed, screaming, decapitation, impaling, horror and massive human suffering, and on the other, you’ve got the conquering of Persia’.
Now naturally, this is kind of joke that nowadays has been done to death, with a punchline that you can see a mile off, but at the time it was all new and, contemporary accounts attest, Alexander the Great Ninny would then end each set by tugging his fake beard down, revealing a glimpse of his actual face, and saying, ‘Guess who, folks!’, before scampering off stage to thunderous applause.
So as I say, I decided to go out and buy a fake beard. To be honest, as I left my house the other day I felt excited by the prospect of buying a fake beard and this put something of a spring in my step. I walked with a bit of a smile on my face, the sort of smile which told the world that I was off out to buy a fake beard. I’ve often seen this smile on the faces of other people, and I can always tell what it is that they’re up to, and now it was my turn to have this smile. And those with beards, fake or otherwise, often have the same smile but it’s hidden away from the world. Hidden behind their beards. The smiles might even be fake, as fake as the beards that they hide behind. A philosopher might say, we’r all hiding behind fake beards.
There’s a joke shop in the town where I live. Mister Happy’s Jocular Palace. It has costumes and party accessories as well as Jokes, and for a joke shop, it’s run by the most miserable man I’ve ever met. How tough life must be for him, a man with no sense of humour, spending his entire life running a joke shop. Unless, this itself is the joke. Perhaps he has found the best way to live his life, like a miserable comedian, a man who draws out laughter from the world but hides behind his own ennui,
So I go in to his shop and he looks up from his newspaper. He probably doesn’t get many customers on a Wednesday morning. I walk past the whoopie cushions and the fake noses, the plastic dog turds and the squirty lapel flowers, to a display of fake beards hanging in packets on the wall. And there were so ,at different types of fake beard. Stick on fake beards, hook behind the ear fake beards, elastic strap fake beards, short fake beards, long fake beards, fake goatees, grey fake beards, brown fake beards, white fake beards, and all kinds of different length, from just a couple of inches to ones that came down halfway down your chest, there was every conceivable kind of fake beard you can think of.
Mister Happy puts down his newspaper and ambles over.
‘I’m looking for a fake beard’, I told him.
‘How long do you want it?’, he asked,
‘Just for the night’, I replied.