My New Year’s Resolution: To have more fun!

So today I performed my annual New Year’s Day poetry extravaganza. And as I’m staying in Brixham at the Muv’s, this took place in the room at the back of her garage where I normally rehearse, a place I have nicknamed the ‘Sunrise Rehearsal Studio’. I can make as much noise as I like in there and nobody can hear me, because the room is not attached to or near any other building.
The day before, I’d kind of made a New Year’s Resolution, which had two parts to it. The first is to concentrate more on comedy poetry, the second is to have fun performing. The first part of this resolution has come about because I feel that, over the last couple of years and especially since lockdown and the pandemic, I have spent most of my time doing things other than comedy poetry. And yes, while it’s great to experiment and try other things, I was just kidding myself that any of these were worth unleashing on an audience. Serious poems, serious pieces of writing, various artworks and ideas which had at least taken me out of my comfort zone, were the speciality of proper artists and proper poets who have made a career out of such a manner of expression. The one thing I’m good at, hopefully, and known for, is making people laugh through poetry and performance. And I hadn’t done nearly enough of this since the end of 2019.
The second part of the resolution is to have fun performing. I know this sounds a bit weird, what with my performance being very silly, comedic and clowning, but I’d spent far too much time concentrating on performance and theory and effect and not nearly enough on enjoying the process.
So today’s gig in the Sunrise Rehearsal Studio allowed me to have fun in the silliness of what I was doing and, hopefully, in such a way, connect with the audience. And once I’d made this pact with myself to enjoy what I was doing, well, wouldn’t you know, I started to really enjoy what I was doing!
2022 is here, now. And I have no idea where it will go or what will happen. I have a couple of projects on the go which might lead to something wonderful, or then again, they might not. But I’m determined that I shall have lots of fun along the way. I hope to see you out there in poetry land, too.

Happy new year to everyone, and here’s to a better future!

Small Town American Boy Tries an English Delicacy

So this poem, amazingly, is based kn a true story. I’ve changed his name. Because he might read this!

America,
Land of the free.
Stars ‘n’ stripes,
Hollywood,
And it’s so amazing,
They’ve even got McDonalds there.
But I tell you
What they haven’t got.
Cheese and pickle sandwiches.
And forever there shall remain
A chasm as deep as the Grand Canyon.

My friend Brody,
All American boy raised on
Baseball and NASCAR,
Country music and out of town malls,
And fishing down at the old creek
With Emmy Lou,
Weirdly infatuated with
Inspector Morse,
Texted me one day
The question that was burning within.
What’s a cheese and pickle sandwich?

One moonlit night in small town America,
In the midst of apple pie baking,
Pick up trucks and 7-11s,
Did his postman deliver a jar of
Imported English pickle, and Brody,
Ever keen to sample exotic foodstuffs
In the glare of diner neon and freeway streetlights,
The roar of pick ups and duck hunts,
Concoct a delicacy so rare as to make
The Angels whimper.

I asked him afterwards
What he had thought.
And he replied
That he melted inside,
His taste buds had come alive,
He almost cried
For the years he’d existed without
Cheese and pickle sandwiches.

The air seemed more pure,
Colours more vivid,
Senses heightened and he was overtaken
With an inner peace
So utterly consuming,
He said he felt a strange compulsion
To grin at a squirrel.

Imbued with hope he skimmed above
Mere comprehension
And suddenly
America made sense.
The love of Kermit for Miss Piggy.
The intricate rules of the rodeo
And most of the Twilight saga.
A lump of processed cheese.
A spread of pickle sublime.
Two slabs of supermarket granary
Lifted him above the humdrum.
Oh! It was like a gastronomic slap in the face.
Oh! It was like a religious awakening.
Oh! It was a cruise control on a turnpike
(Because I definitely know what both of those mean),
Because they Lord of the Snack had sung
And the words which oozed forth
Into the ears of this small town boy were,
‘Go on, make yourself another cheese and pickle sandwich’.

And he opened the screen door.
And he sat on the stoop,
Filled with righteous fervour,
That he should lift up
This cheese and pickle sandwich
As an offering to God on high,
All hail the cheese and pickle sandwich!
All hail its mighty goodness!
And he howled at the night
Like a cowboy,
Yaaaaaaaa-Hooooo!
Mamma!

So you liked it?, I asked.
Sure, he replied, it was swell.
What do you think I should
Try next?
And I suggested
Spam Fritters.

My 2021 Advent Calendar in all its glory

Today’s Advent Calendar picture is of Beryl Reid eating a wagon wheel. An actual wagon wheel.

Today’s Advent Calendar picture is of the crank handle of an old jalopy.

Today’s Advent Calendar picture is of Samuel Beckett breakdancing in the cafe at a garden centre next to the narcissi.

Today’s Advent Calendar picture is apppatently an advert for Dreadnought Sheep Dip.

Today’s advent calendar picture is of a monk trying to feed a jacket to a horse.

Today’s Advent Calendar picture shows a small field just outside of Norwich and some of the adjacent lay-by.

Today’s advent calendar picture shows Skippy the Kangaroo waiting for an exhaust manifold to be fitted to his Ford Capri. One of the mechanics is Liam Gallagher. It’s raining. The Irn Bru drinks machine has an Out of Order notice on it written in calligraphy. The man in the office behind a glass window is sad because nobody appreciates his calligraphy.

Today’s advent calendar picture shows kylie Minogue as reimagined in Fuzzy Felt

Today’s Advent Calendar picture is of Inspector Poirot looking for a pair of scissors to open the packaging that his newly bought pair of scissors have come in.

Today’s advent calendar is a picture of a colander. It’s an advent colander.

Today’s Advent Calendar picture is very minimalist and shows a penguin at the South Pole looking very quizzically at a harp.

Today’s Advent Calendar picture shows the starboard spark plugs of a coal barge.

Today’s Advent Calendar picture shows the Easter bunny.

Today’s Advent Calendar picture shows a duck behind the wheel of a 1986 Opel Manta being stopped by a policeman who happens to be a ferret, whose pointing at a speed limit sign which says 30mph, while a badger walks past pushing a prom inside of which is a lobster baby, while the other side of the road there’s a kangaroo which, inexplicably, is walking a dog.

Today’s Advent Calendar picture shows a selection of different pasta shapes laid out in size order next to a Philips screwdriver, presumably for scale.

Today’s Advent Calendar picture shows the bearded captain of the bulk carrier MSC Mercury Thora Hird on the bridge behind the wheel, but he’s vogueing, Madonna style, while his First Mate captures the whole thing on his mobile phone, as the other crew on the bridge clap and cheer. They’re obviously intending to upload it to Tiktok.

Today’s Advent Calendar picture shows an exasperated theatre director shouting at an ostrich through a megaphone on a theatre stage. Muscles are bulging in his neck. The ostrich has fluffed another line in the big monologue and will have to start again. The ostrich can barely hide its contempt. The play they are rehearsing is called Up My Left Trouser Leg.

Today’s Advent Calendar picture shows an advent calendar.

Today’s Advent Calendar picture shows a moment of hilarity on the novelty farting gnome production line. Doris has put one of them on her head and is doing a silly little dance to Cher’s Believe, everyone’s laughing, though she doesn’t realise that her supervisor is standing right behind her. This is the third time she’s done such a thing in the last week. The manufacture of novelty farting gnomes is a serious business, doesn’t she understand? And why is it necessary to add the word ‘novelty’?

Today’s Advent Calendar picture shows the Three Wise Men having stopped off to buy scratch cards , are leaning on a post box and furiously scratching them with 10p coins.

Today’s Advent Calendar picture shows an argument at the crunch nut corn flake production line because the manager has sped up the conveyor belt and they’ve obviously started falling off on to the floor, there are boxes everywhere, tempers are fraying, arms raised, red faces, bulging veins in necks, and nobody has noticed that a lion has just sauntered in through the door.

Today’s Advent Calendar picture shows a runaway flat bed truck with about fifty standard lamps balanced on the back making its way driverless through the giraffe enclosure at a safari park. The giraffes are curious, of course, and somewhat envious of these long necked mechanical objects. Maud from the adjacent tea hut looks up from her urn, she’s pointing to the large net that she’s kept just for a situation like this.

Today’s Advent Calendar picture shows Yogi Bear lying flat on his face with a tranquilliser dart stuck in his rump, in the meat aisle at Morrison’s. He’s riffled the chiller cabinet and made a hell of a mess.

Flapjacks a-plenty, a story for Christmas, by Robert Garnham

Flapjacks a-plenty

On the first day of Christmas my true love gave to me a cappuccino-flavoured flapjack. I say ‘true love’, he was actually the man upstairs, the one who has a face that could rival the angels and a flat that smelled of beef-flavoured crisps. I must admit there was a certain chemistry whenever he spoke, he would ask about things that had nothing to do with anything, like whether or not I preferred skimmed to semi-skimmed milk, and had I seen the football at the weekend?
I’d not been sure what to make when he had moved in, a couple of months previously. He didn’t look like the sort of person who would have time for anyone else. He drove a souped up car with a big spoiler on the back and whenever he started it up it sounded like a fart in a sewer. And he wore a baseball cap a lot of the time, and not even ironically. I’d phoned up a friend.
‘I think his name is Aaron. Although it could be Adam. It’s hard to tell. Whenever he has friends come over they stand outside my window and shout up at his flat. And you know what people are like, they’re so sloppy with their syllables, sometimes’.
‘Is he good looking, though?’
My friend, Matt, was incredibly shallow.
‘Yes, very much. He has a face that could rival the angels. And blond hair. He’s absolutely gorgeous’.
Yes, Matt was very shallow indeed.
On the second day of Christmas my true love gave to me two chocolate coated flapjacks and another cappuccino-flavoured flapjack. Obviously, he didn’t know that he was my true love, yet. Plus I hadn’t eaten the flapjack from the day before, yet.
‘Where are you getting all these flapjacks from?’, I asked him.
We were in the communal entranceway. Tinsel undulated on the heat rising from the radiator.
‘It’s kind of a family tradition’, he replied.
Did I mention that he’s got blonde hair and a winning smile? I’m sure I remembered mentioning the winning smile.
‘But I don’t really like flapjacks’, he added.
‘I’ll have ’em’.
Kind of like a flapjack-orientated advent calendar, I told myself.
‘Right, I’ll see you tomorrow, then’, he said, and off he went, back up the stairs.
I kept the flapjacks in the cupboard in the kitchen, the one that gleams and shines whenever the kettle boils. I’d put a few Christmas decorations around the kitchen, some fairy lights around the microwave and some dangly jovial elves on the mug stand. Yet whenever I opened the kitchen cupboard door and saw the flapjacks there, it made me more festive than any plastic tinsel while at the same time reminding me of my true love with his blond hair and winning smile and his flat that smelled of beef-flavoured crisps.
He was out in the front driveway the next morning, putting rubbish in his bin. He was only wearing a t-shirt and shorts and it must have been about two degrees celsius out there. His manly, yet graceful frame contrasted with the drab surroundings. I almost dropped my cup of tea. Sure enough, there was a knock on my door around ten minutes later and he gave me three bakewell-flavoured flapjacks, two chocolate flavoured flapjacks and a cappuccino flavoured flapjack.
‘I saw you putting the rubbish out this morning’, I told him.
‘Crisp packets, mostly’, he replied.
And boom, that winning smile.
‘Are you okay with all of these flapjacks?’, he asked. ‘They’ve got a good date on them, so you don’t have to eat them all at once’.
‘No problem. Keep them coming . . . Aaron?’
‘Pardon?’
‘Adam?’
That grin, again.
On the fourth day of Christmas my true love gave to me four plain flapjacks, three Bakewell-flavoured flapjacks, two chocolate flavoured flapjacks and a cappuccino flavoured flapjack. To be honest it was only the cappuccino flavoured flapjack which appealed to me, which meant I was only going to be getting one a day of the sort that I actually liked, which wasn’t really fair but again I told him to keep them coming.
He went back upstairs to his flat and a short while later I could hear him belching the theme tune to Match of the Day, which, I guess, must have been quite difficult to do.
On the fifth day of Christmas my true love gave to me five onion rings.
‘Is this some kind of a joke?’, I asked. ‘Where’s my flapjacks?’
‘The post was late this morning’, he replied.
‘My advent calendar picture today was of an advent calendar’.
‘Well’, he said, with that winning smile, ‘How meta is that?’
He went off out in his car a short while after that, baseball cap and big puffy jacket, and off he drove, those big double exhausts blowing raspberries at the cars behind them. I stood in my window next to my fairy lights and I gave out something of a deep sigh.
I don’t need to go on, but suffice to say, a veritable torrent of flapjacks arrived over the next six days sprinkled here and there with a modicum of onion rings. But it was the season of goodwill and in a strange sort of way I wondered if he felt sorry for me. It was great that he wanted to involve me in his annual tradition, what with his blond hair and his winning smile. But onion rings gave me wind, I didn’t have the heart to tell him.
The advent calendar picture that day was of a sneezing unicorn.
I’d start to imagine all kinds of scenarios where we might go out together in his souped-up car, me and my true love. Of course, he’d have to be very patient as I lowered myself down into the passenger seat. I don’t know why the suspension has to be so close to the ground in these things. We’d park in the multi-storey and go to the Christmas market, just the two of us, him in his puffy jacket and baseball cap, and sure, people might think that I was going around with my nephew, but it didn’t matter what they thought. And we’d sip mulled wine and marvel at the wooden carved decorations and the fake snow and the mince pies which were given a shockingly high mark-up just because it was a christmas market. And then he would go back to his car and he would smile and I would smile and he’d put on his CD player and instead of it being DJ J.D. Deejay D and the Angry Muvvas, it would be Bing Crosby singing I’m Dreaming of a White Christmas, booming out from his speakers as we slowed down for the speed bump on which his front spoiler might scrape.
And then, subsumed beneath the warmth of sherry and mulled wine, he’d come back to my flat and we’d sit on the sofa and he’d snuggle up next to me and we’d watch late night TV. A festive edition of Police Interceptors, perhaps. With the normal theme tune but someone rattling sleigh bells over it, and superimposed fake snow over the opening titles.
Every day he would come. With his body-hugging plain white t-shirt and his blond hair and his winning smile, wearing shorts even though the heating was on. And I would look forward to it because I knew that every flapjack he delivered was his little way of saying, ‘Yeah, you’re alright, you are’.
I phoned up my friend, Shallow Matt.
‘Why don’t you ask him out?’
‘Yes, but where would we go?’
‘It’s just an expression’.
‘The christmas market? That’s just ridiculous?’
‘I didn’t mention the Christmas market’.
‘No, but you were thinking it’.
‘He went out to his car this morning. I don’t know why, perhaps he was just checking that it was still there. And he kind of ran his long fingers along the bonnet. And I thought, wow, that’s true love, that is.’
‘Do you actually like flapjacks?’, Matt asked.
‘Only the cappuccino ones’.
On Christmas Eve he came down with a box. It contained twelve Wimbledon fancy flapjacks, eleven goji berry flapjacks, ten yoghurt-topped flapjacks, an almond croissant, (I still don’t know how the almond croissant got mixed up in all this), eight caramel flapjacks, seven cherry and oat flapjacks, (‘Aren’t they all oat flapjacks?’, I’d asked), six toffee flapjacks, five onion rings, four plain flapjacks, (‘That’s your oat flapjack’, I said), three Bakewell flavoured flapjacks, two chocolate coated flapjacks and a cappuccino flavoured flapjack.
‘Just pop it down there’, I said.
‘Aren’t you going to invite me in?’, he asked, ‘What with it being Christmas Eve and all that?’
He lingered in the hall. He smiled. He even leaned on the doorpost in what I suppose was an approximation of nonchalance.
‘Come on then’.
He came in. He looked kind of smaller.
‘Do you want something to eat? I’ve just cracked open a Pot Noodle, I can easily get another one on the go’.
‘Go on, you twisted my arm’.
‘It’s good to see you, Aaron’.
‘Adam’.
‘Adam’.
I looked out the window. It was drizzling. The sun had long since disappeared behind the factory that manufactured novelty farting gnomes. (Is there any other kind of farting gnome than a novelty farting gnome?). Our reflections glared back at us from the darkened glass, me and him, my true love, with his winning smile and blond hair and plain white t-shirt and shorts, and me, and we did look kind of good together, it must be said.
‘What was your advent calendar picture today?’, he asked.
‘It was an advert for some cut-price ceiling tiles’, I replied. ‘I think I might get a different advent calendar next year’.
‘Your flat’, he said, ‘smells of flapjacks’.

A Wee Poem

When the beer’s been a flow
And I need to go
To a room of urinals
All tight in a row,
To lessen that pressure,
That busting to pee
To feel that relief
So heavenly free,
But I’ll tell you this once and you’ll probably not care
I can’t go if there’s someone else there.

He’s burly of course,
He pees with such force
Like Niagara Falls,
It sounds like a horse.
He lets out a groan
So at ease as he pees
It’s holding me back,
I want to shout, please!
Leave me alone, it’s really not fair!
I can’t go if there’s someone else there.

I wish he’d just dash,
I’d offer hard cash.
All I wanted to do
Was go for a slash.
But my waterworks clam,
They’re ever so fickle.
Nothing comes out,
Not even a trickle.
I stand like a statue in a pose of despair.
I can’t go if there’s someone else there.

I’ve always been weak
And ever since meek
And never more so
Than when having a leak.
With a bloke so butch
He looks like King Kong
My god how on Earth
Has this gone so wrong?
He’s still weeing now, I want to peak and not stare,
I can’t go if there’s someone else there.

I feel like a loser
He looks like a bruiser
This happens each time
I go to the boozer.
One moment I’m sitting
With Daphne and Jenny
But then oh my god
I must spend a penny.
I’m jealous of how he can wee with such flair
I can’t go if there’s someone else there.

It doesn’t make sense
I’m feeling so tense
And that’s kind of why
I concoct the pretence
That I’ve had my wee
I find myself trusting
Not to let on at all
That I’m actually still busting
I’d best keep it in and just utter a prayer
I can’t go if there’s someone else there.

Midnight DJ

Midnight DJ

It’s a rainy night in the city.
It’s only me here in the studio.
The phone lines are open
But no-one ever calls,
Though I can feel all those lost souls,
The night shifts,
The insomniacs
Looking at the rain as it rolls down their
Window panes,
The empty streets reflecting the sodium glare
Of solitary streetlights, scattershot neon,
The dull overcast night sky
Stained brown.

Here’s a sleazy jazz number,
Plaintive for the forgotten,
A sad sax penetrating aching limbs,
Sweat-soaked chests,
Sheets flung aside,
The cool fingers of night a porcelain ghost
Drumming along with the relentless rain,
A midnight poet awake at his desk in
A pool of light on the 32nd floor,
His words have all become meaningless,
But here’s your jazz nonetheless, fella.

It’s a rainy night in the city.
I purr into the microphone, lull
My listeners with inconsequential thoughts,
Philosophy for the broken-hearted.
‘I can’t remember if I closed the fridge door
When I left to come here tonight.
It might be open, it might be ajar.
Open or closed, it’s prone to involuntary
Openings based on the loose floorboard on whose
Surface a soul may step thus causing
The fridge door to open, dear listeners,
And here’s some more cool jazz, cool,
Fresh from the fridge that might be open.’

Drops of rain race down the pane, lit from behind
By errant neon from the adjacent offices
Of a corporate cat-spaying conglomerate,
I cue the next track,
Piano riffs bouncing through the psyche of this concrete
Accumulation of slumbering demons,
Too tired to haunt the present moment they dream
Their cursed dreams as I sip my cold black coffee
And spill it down my Justin Bieber t-shirt, the
Contours of my stomach having long since given
His Biebness an involuntary scowl, and now,
He’s sweating Americano too.

Time to croon for the fallen, my tones an audible shiver,
A timbre for the forsaken, I lean in and
Ponder on the likelihood, has anyone thought, of
The planet in its entirety coming under the machinations
Of rabbits, our bunny overlords fierce and bending our will,
Is it not likely, to elevate their rabbitty schemes,
And dear listener, Thumper was never a friend of mine,
Accompanied by a low rumble of thunder this last thought
Hangs in the air like static before an advertisement
For J. Arthur Bowyer’s Synchro-Boost Houseplant Compost.

Radio signals bounce and slide between the skyscrapers.
I’m the friend in the corner, a scratchy crackle,
A solitary bar-hugging oracle bringing solace to the forgotten.
Humid apartments whose dank walls cling on to the heat,
Windows flung open on the ceaseless din of falling rain
As I ponder in a dulcet murmur on whether
It was the news guy, or the traffic reporter, who
Stole my lunch from the staff kitchen, and what the
Chances are that mullets might come back into fashion,
And why are downpipes called downpipes when it’s blatantly obvious
That water doesn’t flow upwards, and here’s some
Early Coltrane, except by mistake I say Colgate,
Not that anyone’s likely to mention this as
No-one ever calls.

It’s a rainy night in the city.
I’m your late night friend.
And all those lost souls, they hang on my words
As distant thunder rumbles, sheet lightning
Silhouetting the solemn tombstone skyscrapers,
A dead squid is in the gutter, flowing inexorably
Towards the drain, where it comes from no-one knows,
Or it could be a carrier bag, the next song
Is a long one because I need to go for a pee.

I Wish I Lived in a Bungalow (A Poem)

I wish I lived in a bungalow

I wish I lived in a bungalow
One floor is enough for me.
Mooching round in my bungalow,
Now what shall I have for my tea?
People would call
They’d stand in the hall
They’d look around
And say, ‘Is that all?’
I wish I lived in a bungalow
One floor is enough for me.

I wish I lived in a bungalow
I’d go from room to room.
I’d only need one plug you see
When I use the vacuum.
It’s ever so static
I’d feel so ecstatic
And going upstairs
Only leads to the attic
I wish I lived in a bungalow
Or possibly a chalet.

I wish I lived in a bungalow
My god it would be such a laugh.
People would visit my bungalow
And ask, ‘Where’s the other half?’
I’d have no cares
I’d ignore their stares
There is no cupboard
Under the stairs
I wish I lived in a bungalow
Or perhaps a ground floor flat.

I wish I lived in a bungalow
My bedroom down the hall.
Would I get bored of my bungalow?
No, not a chance, not at all.
It’s what I adore
I’d be thrilled to the core
My plan only has
One major floor
I wish I lived in a bungalow
And be closer to planet earth.

I wish I lived in a bungalow
Imagine the plaudits and glory
Like the Star Wars franchise the place
Only has the one storey.
It’s what I’d do
Without much ado
The downstairs loo
Is just called the loo
I wish I lived in a bungalow
Also, I’m ever so lonely.

I wish I lived in a bungalow
You try it, you can’t go back.
I wish I lived in a bungalow
Perhaps in a cul-de-sac.
It’s made out of brick
I get such a kick
You can keep your stairs
They’re making me sick
I wish I lived in a bungalow
With Darren from the coffee shop.

I wish I lived in a bungalow
It’s something I’ll always regret.
Nothing better than a bungalow,
You can keep your maisonette.
That’s my intent
The hours I’ve spent
It’s one step away
From being a tent.
It wouldn’t be far
You can visit by car
You can come right in
The door is ajar.
I’d make my stamp
Buy a standard lamp
You’ll have to admit
It’s kind of camp
I wish I lived in a bungalow
I wish I lived in a bungalow
I wish I lived in a bungalow
One floor is enough for me.

Buying a fake beard

For reasons which are too tiresome to go into, I decided to purchase a fake beard. I’d done a bit of research online and I’d noted the differences between those that use elastic around the back of the head, and those which clip around the ears. On various websites, the convention seemed to be that those which clip were the most durable, as the elastic ones are prone to perishing with repeated use. I don’t know why someone would want to use a fake beard repeatedly, it probably being more prudent in the long run actually to grow a beard, but in any case, and pondering on the pros and cons of all the various permutations of fake beard construction and design, I set off into town, intent on making a purchase.
One of the fun parts of online research had been the reviews of fake beards left by previous customers on the various websites. ‘A tendency to itch . .’, for example, or ‘Amazing! Looked just like the real thing!’, on another. ‘It fitted right over the top of my normal beard with no problem at all! Nobody suspected a thing’, read another, or, ‘Terrile! The elastic snapped on only its second usage and almost had the eye out of the ambassadors wife’. The funniest customer review for a fake beard came from a young lady called Samantha who wrote, ‘I originally got this for a costume for myself, but didn’t use it. My son ended up wearing it to dress up as an old man in his first grade class. It worked well and stayed on for most of the day. But beware: this does not look real in the slightest’. Well, it wouldn’t, would it?’.
The fake beard can trace its heritage back to the days of the Yukon gold rush of 1896. In this rugged environment up in the frozen north, the vast majority of potential prospectors arrived clean shaven before making the perilous journey into the wilds, armed with little more than hope and a good shovel. As the winter set in the more rugged among them sprouted impressive beards, and as the famous rhyme points out, the bigger the beard, the more they were feared. In this environment of deep cold and lawlessness, a man was judged solely on the volume, mass and bushyness of his facial hair, and only those who made the grade were unmolested by rival prospectors, bandits, thieves, ne’er do wells, robbers and the perennially shifty. And those without beards didn’t stand a chance.
Gordon McKirk saw a niche in the market and, with his patented glue made from fir tree sap, and a healthy supply of skunk pelts, began to sell fake beards to the prospectors. His Klondike tin shack set up between brothels became one of the most visited businesses of the gold rush, new arrivals making a beeline straight from the steamers and through the mountains to his shop in order to cultivate the manly frontier look. Gordon himself would offer a bespoke fitting service, matching the skunk pelts perfectly with the various chins presented to him, applying the sap glue with a small brush and applying the fake beard before revealing to the customer their new look by means of a mirror hidden behind the curtain. Alas, this was a trick, as the mirror actually was a portrait of one of a number of existing rugged gold prospectors, such as Dangerous Dan McHiggins, Dangerous Dan McKinley, Dangerous Dan McNish, Dangerous Dan McFortescue, or Toby Simpson, who wasn’t particularly dangerous, but he did have a big beard. In actual fact, all of the gold prospectors who left Gordon McKirks shop looked more or less the same, smelling of fir tree sap and skunk pelt, and would promptly get robbed the moment they set foot outside the shop.
Alas, Gordon himself was to succumb in 1898, when, blinded by the various pungent aromas of his skunk pelts, and deafened by the constant honky tonk music coming from the brothels on either side of his Emporium, he tried to fit one of his fake beards to a full grown adult male grizzly bear.
When I was a kid my next door neighbour was a kindly old lady called Celia. She lived alone and kept herself to herself for the most part, though she did volunteer for a couple of days a week listening to children read at the local primary school. She also was quite deaf, and her voice would get higher and higher the longer the sentence that she was speaking. So for example she might say, ‘I was walking through the town the other day and I Thought I Might But Some Daffodils SO I DID AND I MUST SAY THEY’VE STARTED TO COME UP AND THEY LOOK SPLENDID!! But the most unusual thing about Celia was that she always had fake beards hanging on her washing line.
There were always at least seven of them. And you would never see her wearing any of them, which was the weirdest thing. In all other regards she was quite normal and genial, and she was a churchgoing lady who was admired by the local community for the most part.
Of course, there were rumours about why she would have fake beards hanging from her washing line, the suspicion was that she was helping out with the local amateur dramatics society, but she had never shown any inclination towards the arts or any interest in theatre whatsoever.
At about this same time there was a series of cars being held up late at night by an armed individual, a lone figure who for one reason or another became known as the Masked Monk of Maidenhead. It was always something of a mystery why he should be known as the Masked Monk of Maidenhead, as there was nothing particularly Monk like about his reported appearance, and nor did the miscreant operate anywhere near Maidenhead. Rumours then began to persist that Celia, my own next door neighbour, was actually the Masked Monk of Maidenhead, what with all the fake beards hanging on her washing line. It didn’t matter that not one report of the Masked Monk of Maidenhead mentioned any facial hair, fake or otherwise. Nevertheless, rumours persisted and Celia started to become a suspect.
‘It’s just my fluffy BUNTING’, she would say. ‘Every day is a celebration so WHY NOT PUT OUT BUNTING? AND WHY NOT MAKE IT FLUFFY?’ Let’s face it, we’ve all heard of Normal Bunting and the WORLD NEEDS CHEERING UP AND I’M THE ONE TO DO IT!’
As is usual in these situations, the truth was even stranger than fiction and there was a clearer story at the heart of Celia and her fluffy bunting. And bizarrely, it did involve the Masked Monk of Maidenhead.
As I say, she was a church going, god fearing lady, who also did charitable work every now and then for the local monastery. Of the ten monks who lived there, three were bearded. Living by rules which stipulated anonymity, every time the monks appeared in public, they had to look the same so that they were compelled not to form emotional attachments to ordinary people and be swayed from the path of their teachings. Celia would, therefore, provide them with a beard washing service so that they could go about their religious piety freed from the constraints of picking bits of fake beard from the filters of their tumble dryers. When one of their number rebelled against this doctrine and formed an unhealthy obsession with an optician named Brenda, he was ostracised from the religious order and would spend the rest of his time flagging down passing motorists, demanding from them use of their laundry facilities.
Of course, this might all be rumour and inneundo, and to be honest, Celia is probably long dead now.
Alexander the Great, allegedly, was a prolific wearer of fake beards. In the days when he was seen out and about while wearing one of them, he was apparently known just as Alexander the Average. A ruler of the known world by the time he was thirty, Alexander appears in statues, artwork and on coins clean shaven and looking pretty damn hot, yet contemporary accounts always mention him stroking his beard. It is not pointed out whether he was wearing the beard at the time that he was stroking it, or if this was just a mistranslation. What is clear is that many historians suggest he would take time away from the rigours of his court and duties, his lovers and soldiers and necessary admin, don a fake beard, and slip into the busy city streets of Babylon in search of open mic comedy nights.
It is not known whether or not Alexander graces the stages of such institutions himself, or whether he preferred just to sit at the back and heckle. But there are accounts of a comedian from this time, known as Alexander the Great Ninny, who was more of an observational comedian and whose act was much mimicked by such later comedians as Mark Twain and Queen Victoria. One of Alexander the Great Ninny’s Jokes runs as follows:
‘What’s the big deal with conquering Persia? What’s that all about? If you really want to set yourself a challenge, try sorting out the Babylonian annual theatre festival. On the one hand, you’ve got bloodshed, screaming, decapitation, impaling, horror and massive human suffering, and on the other, you’ve got the conquering of Persia’.
Now naturally, this is kind of joke that nowadays has been done to death, with a punchline that you can see a mile off, but at the time it was all new and, contemporary accounts attest, Alexander the Great Ninny would then end each set by tugging his fake beard down, revealing a glimpse of his actual face, and saying, ‘Guess who, folks!’, before scampering off stage to thunderous applause.
So as I say, I decided to go out and buy a fake beard. To be honest, as I left my house the other day I felt excited by the prospect of buying a fake beard and this put something of a spring in my step. I walked with a bit of a smile on my face, the sort of smile which told the world that I was off out to buy a fake beard. I’ve often seen this smile on the faces of other people, and I can always tell what it is that they’re up to, and now it was my turn to have this smile. And those with beards, fake or otherwise, often have the same smile but it’s hidden away from the world. Hidden behind their beards. The smiles might even be fake, as fake as the beards that they hide behind. A philosopher might say, we’r all hiding behind fake beards.
There’s a joke shop in the town where I live. Mister Happy’s Jocular Palace. It has costumes and party accessories as well as Jokes, and for a joke shop, it’s run by the most miserable man I’ve ever met. How tough life must be for him, a man with no sense of humour, spending his entire life running a joke shop. Unless, this itself is the joke. Perhaps he has found the best way to live his life, like a miserable comedian, a man who draws out laughter from the world but hides behind his own ennui,
So I go in to his shop and he looks up from his newspaper. He probably doesn’t get many customers on a Wednesday morning. I walk past the whoopie cushions and the fake noses, the plastic dog turds and the squirty lapel flowers, to a display of fake beards hanging in packets on the wall. And there were so ,at different types of fake beard. Stick on fake beards, hook behind the ear fake beards, elastic strap fake beards, short fake beards, long fake beards, fake goatees, grey fake beards, brown fake beards, white fake beards, and all kinds of different length, from just a couple of inches to ones that came down halfway down your chest, there was every conceivable kind of fake beard you can think of.
Mister Happy puts down his newspaper and ambles over.
‘I’m looking for a fake beard’, I told him.
‘How long do you want it?’, he asked,
‘Just for the night’, I replied.

On poetry slams in the age of Zoom – and an idea for a new kind of poetry slam!

This week I took part in an online poetry slam, and as ever, I was blown away by the quality of the performances and the sheer poetic talent of those taking part. By the wonders of Zoom, participants in many parts of the country, and further afield, poured their heart out and took the audience to the darkest places of the human psyche, taking in every part of lived experience along the way, from death, to rape, to misogyny, genocide and personal angst. They did so using language and imagery which stayed with me long afterwards, painting pictures using words which imprinted on my imagination the emotions of what it means to be human. The slam was won, rightly, by the performer who’d performed the best, written the best, and absolutely nailed the format.

I was lucky enough to get out of the first round with a poem using humour to tackle the weighty subject of homophobia. My strategy, however, had been then to revert to a couple of comedy poems. However I knew that the mood of the night was to embrace the deeply serious, and that comedy poems certainly wouldn’t cut the mustard, so I did a semi-comedic poem about death in the second round, my hand kind of forced by the dynamics of the evening. In the event, I was incredibly happy with my performances, and happier still that the strategy I’d picked would probably work well at another event.

But then I got thinking: Just when did poetry slams in the UK become so serious? My performance career now spans three decades, (okay, so I only performed in two years of the 2000s, and we’re only one year into the 2020s, but who’s counting?). And when I started slamming all those years ago, the one certainty was that audiences, judges and fellow competitors alike were up for a laugh. If you could write well and with humour, and perform it well and with humour, then the chances were that your chances were good. And this is something I’d always admired about the UK slam scene. People like AF Harrold and Jonny Fluffypunk were winning slams all over the place when I first started, and it felt wonderful being a part of such a very welcoming scene in which comedy was rewarded and regarded well in an art form, (poetry), which I’d always seen as snooty and stuck-up. The fact that comedy poets won slams also felt like the whole scene was somehow ironic. Sure, I’d been on the internet and watched American poetry slams, which were all about identity and big themes, where the serious poet, or, god help us, the poet who turned on the waterworks, was acclaimed as the winner. While over in the UK, AF Harrold was winning slams with poems about cats being better than dogs.

Sure, there were serious poets. Of course there were. At my very first slam, in Bristol, I made it to the final with my poem about beards and was (rightly) beaten by Steven Duncan, who did a wonderful poem about the black experience from Windrush to the present day, taking in racism and police brutality. But it was still a fifty fifty shot that a comedy poem would do the biz, and probably around fifty percent of the poets at the slam were comic poets.

And yes, I managed here and there to win the occasional poetry slam. It always felt ironic doing so. Because I’ve never seen what I do as poetry, and a poetry slam seemed the ultimate American and trendy thing to take part in. The fact that I could do so with poems about jellyfish and badgers and, of course, beards, seemed to drive a truck straight through such pretensions.

Naturally, over the last year and a half, most events have moved online, and one could argue that in so doing, they have made them more accessible and democratic. Online events have opened slams up to people who might never have been able to get out to events in far flung corners of the UK. (And to think, once a month I used to go to Bang Said the Gun in London just to take part in their weekly slam). With this increased online community, it seems that the American idea of what a poetry slam in has, stealthily, increased and encroached on the more traditional UK version. Obviously, I’m not saying this is a bad thing. It’s just the nature of these events, and the world has definitely become a more serious and, one would argue, less equal place over the last few years. Various movements have rightfully given voices to those who before might not have had a voice, or encouraged them to do so with bravery and gusto, and the poetry slam is the ideal place where this can occur. From Black Lives Matter to the #metoo movement, people are finding the courage, the depth, or the anger to draw attention to issues, and this is a wonderful thing.

So what is the point of this essay? Well, here’s my big idea. Understanding that the poetry slam genre has evolved, yet also feeling nostalgic for the days when comedy was almost an expectation of the poetry slam, I would like to propose a brand new type of poetry slam: a comedy poetry slam. While the rules and format would be roughly the same, there would be one or two tweaks. Such as: Yes, you are allowed props. Yes, you are allowed costumes. And yes, you can sing, or dance, or incorporate music. Judging criteria would be the same – performance, audience reaction and writing – but there would be scope for laughter and this could be taken into account. (This is another reason why, I believe, comedy performance poetry doesn’t work in the Zoom age in which everyone has their mic muted). In such a way, this will help poetry slams become entertainment again and reward those who experiment with the three minutes that they’re given. It’s time to draw attention to the performance aspect of spoken word, (after all, it was still called performance poetry back when I started, with the emphasis on the performance), and marvel in the inventiveness of so many fertile minds.