On 2025.

As 2025 lumbers to a wimpering snuff, many of us see a world that seems almost unrecognisable to the one we’ve always known. Division and hatred, thinly veiled racism, outright transphobia, and the prevalence of the ego have combined to create a cultural environment in which core principles of neighbourliness and humanity have taken a back seat. Other and better writers have written about this and to much greater effect. It’s hard not to see our lives, dominated as they are by so many distractions, and consumed mostly by looking at a screen or a mobile phone, as being the primary reason for this. But I’m not a psychologist. Nor an analyst. I just believe that it’s so much easier to tell a lie than it is to disprove it. And quicker, too. Do I despair of the world? All I can say is that people get bored very quickly. They want instant gratification, and now. The shock of the new.

As for me, 2025 has been, well, unnecessarily interesting. I’d had a good life for the last fifteen years, writing and performing poems while working in my job, in retail management at the same branch of a charity for almost thirty years. 2024 was marked by the drug dealers who lived in the flat above my shop. There were frequent fights, arguments, knives, needles, gangs of ne’erdowells to contend with, all happening right above the shop. I thought it couldn’t get any worse, and then, all of a sudden, it did. In February of this year, the drug dealers upset someone, (an ex-girlfriend, apparently), who then announced on social media that she was going to burn down their flat that very evening. (Incidentally, this was Valentine’s Day. How symbolic). So the drug dealers did the right and humane thing, and moved out for the night taking their possessions with them. I watched them go through the security peephole in our back door. They loaded their possessions into a car. I hope they don’t burn the place down, to cover their tracks, I thought. So it was no surprise when I got a phone call first thing the next morning to say that the shop had burned down.

Yes, it was arson. But now I found myself in a tentative position. Would I still have a job, especially in the current financial climate? What would happen to my staff, would they still have a job? The company could very well have ‘let us go’ then and there, but they were understanding. I was made into a floating manager. My job was now to travel through the south west and cover at any branch where a manager was absent. Over the course of 2025, I worked in almost every town you can think of between Bournemouth and Cornwall. Some of them I thought they’d just made up. (Midsomer pNorton?!). I spent a lot of 2025 living in hotel rooms and eating buffet breakfasts. So yes, I still had a job.

But it was my performing which suffered. I could not commit to gigs because I never knew where I was going to be staying or working. I could not rehearse, because I used to use the shop to rehearse every single morning while I was getting the place ready. I couldn’t learn lines, especially in a hotel room. I had a few wonderful gigs which I had to book time off for, including Penzance, and a quick trip to Edinburgh. I had a good enough time.

The one thing I did, though, was to work on a novel. I’d already written the first draft when I applied to Curtis Brown Creative, and amazingly, I was let on the course. Over the summer we developed the novel, and it’s looking very good indeed. I am now tinkering with it and hoping that an agent or a publisher sees enough in it to accept it. I’m very happy with it, indeed.

This last month, I was made temporary manager of the shop in Torquay. This is much closer to home, and all of a sudden, I have time now to rehearse again. It feels like things have turned a corner. They’re even due to begin building work on my old shop, (the landlord died over the summer and nobody owned the place, thereby everything came to a shuddering halt). Which is to say, I’m starting to feel like my old self again. The whimsy is returning.

So what did I get out of 2025? A lot of memories meeting people all over the south west, and a novel, and the benefit of the tutelage of Suzannah Dunn, (who really liked my novel), and a huge amount of time sat on trains. (Working in TIverton for three months meant five hours on trains and buses a day). And time to look at my fellow passengers, all watching TikTok.

The world will not change and I cannot make it. I just know that there are civil people out there, concerned for humans and humanity, opposed to stupid wars and political bullying, opposed to toxicity, big business, politics in general. Sometimes it is better to whisper than it is to shout, but I only say this because I’ve never felt entitled to shout, and that there are others who are much better at it than me.

Ode to You Know Who

Oh my goodness you really are a repulsive little man.
If we should ever pass in the street I certainly
Wouldn’t doff my cap.
It makes my stomach churn even to think we are
The same species.
Your utterances are toxic and deliberately 
Pugnacious and delivered with all of the wit and grace
Of a turd.
I don’t like you very much.

Oh, you saggy-bottomed baggy-jowelled loud-mouthed
Orange-faced dolt
With an expression like a spinster aunt
Straining out a poo in a station toilet
Three minutes before her train is due.
You weak-willed flabby-cheeked oddly-coiffured 
Stumpy-legged dunderhead
With a mouth like a cat’s arse,
I bet you’ve got a really small knob.
You red-capped Diet Cola-quaffing potty-mouthed
Egotistical scare-mongering morally-bankrupt pile of
Upchuck.
I don’t like you very much.

You no longer need compassion to be President, apparently.
Nor any sort of wisdom nor decorum,
Just a feel for the simple prejudices that sound good
In their repeating
And an inherent inferiority complex which migh stem
From your minuscule Willy
And a hint of righteous indignation,
The last simpering gasp of mature debate
In which the ultimate insult is to accuse your enemies
Of kindness 
And list among their number
Those less fortunate, less privileged, less straight,
More trans and definitely less white than yourself,
What kind of thinking does this legitimise?
What message does this send out to women
Who have been the victims of sex predators,
Or men who think it’s fine to act on such urges,
What message does this send out to the casual racist
You cry baby
You big cry baby
You white supremacist cry baby.
I don’t like you very much.

You name is an old English word for fart, how apt,
For thou art
A rancid wind passed on to the pages of history,
A stench, a gaseous build up let rip
Leaving in its wake an odour of smug pomposity

Oh, you snivelling snot bag,
You drivel-emitting weasel-brained rapscallion,
You bulbous-cheeked odious
Clay-brained tit, you crusty scab
On the face of common decency,
You pungent base fascism-obsessed unnecessary
Foul-brained ass of a man.
How I long for you to be photographed
Making love to an life sized cardboard cut out version
Of yourself while
Elon Musk wanks in the corner 
How I long for that
How I long for that day.

You were on TV the other nigh
Speaking your usual complete and utter bollocks
And I had a sudden urge to lick
Oh please let me lick
Let me lick the side of your
Craggy orange face.


The rise of wilful buffoonery and the allure of people like that Trump bloke.

I don’t usually do politics. The kind of spoken word that I do is an escape from the real world, though I do poetry about themes and society, such as LGBT issues, representation and inequality. I don’t usually do pieces about real people either, unless you count Jeremy Clarkson and Katie Hopkins, both of whom I’ve performed humorous poems about. I always see such poems as having a relatively short shelf life. I haven’t performed the Clarkson poem much since the muppet was fired from Top Gear. It was a sad day.
However this year has truly been a bummer, politically speaking, not only with that whole Brexit thing, (what the hell was all that shout?), and the populism of that Farage bloke, the rise of the rather spooky Teresa May, (again obliterating one of my poems, in which I mention ‘Home Secretary Teresa May. Short shelf life, you see), but rather more scarily, the ominous buffoonery of Donald Trump.
I’ve tried to make sense of all this as the ultimate expression of celebrity culture, the rise of anti-intellectualism, image over content, bluster as a signifier of the supposedly downtrodden. The result of the Europe referendum demonstrated, to my way of thinking, the wilful protest of the supposedly under-represented. Both Farage and Trump have grasped the idea that it doesn’t matter what lies you tell, as long as you sound angry. They have created situations in which there is a supposed opposition to everything which their supporters only just now realise that they cherish. Abstract concepts such as freedom, identity of the dominant culture, fear of change, the foreign Other. The more they shout and lie, the more popular they get, because the lies are so obvious that they’ve become conceptual anti-political protests.
I’d like to write poetry about this. But none of it is very poetic. The best way to fight bluster and bullying is often with humour, and that’s happening a lot in the US but not so much over here. I can’t remember who said that you can’t win an argument against stupidity. But when the stupidity is a purposeful tactic to win arguments, that’s when we should be worried.
The Pet Shop Boys did a song called I’m With Stupid, which had the line, ‘Is stupid really stupid, or a different kind of smart?’
Will all of this blow over? Probably not. Mr Trump hopefully won’t win the election, but you can never be too sure. People are being put off politics, including the politicians, and this will lead to a whole generation of media-managed calculated blundering, office as character, celebrity warmongering.

Oh, England.

Oh, England.What was that?

Are we still friends?

You’re scaring me.
You’re pulling out of the staff

Lottery syndicate.

Buying your own tickets now,

Hoping the big one comes along.
We turned one way

At the crossroads

Already convinced

That we were lost.
The loudest shouter

Demanded the way

That looked best for him.

He had no map.
Just instinct, 

Not even an app,

And now the engine sounds

Like its out of fuel.
England.

You shrank.

You stink.

You snarl.

You don’t think.

You regret.
The scariest thing is wondering what

Kind of language this seemingly legitimises,

What small stands a good man can take in a world

Where hate is now seen as justifiable

Because that funny Farage bloke looks like he might

Say something similar, you know,

Sipping a lager, probably, chortling and saying it

Not because it’s right but because it sounds

Good in the saying.

He’s got the rhythms,

He’s got the moves.

He looks like he thrives in chaos.
Perhaps he’ll buy us a round.
Oh, England.

I never felt comfortable with your flag,

Seeing it more as the appropriation of the mindless

Snivelling narrow minded seething loud mouthed 

Gut-led instinct ignoring boozer whose political 

Pronouncements sound leery in the pub environment,

Just one of the lads,

Waving that flag,

Waving it with all their might,

Waving that damn flag.
We are an island.

And some think that this means

We cannot join hands,

Reach out and help those jump across

When they need it the most,

Share some love because we all have love,

Even a skinhead can have a tender heart

If only he weren’t so

Afraid to show his true emotions.

The chanting of the pack might not make sense

But when it echoes back from high street shop fronts,

There’s a certain inevitability.

All it takes is an idiot with ambition

And a modicum of hatred.
Some think we need to build a wall,

But that would only succeed in

Keeping us in.
Oh, England.

I see no boundaries,

I see no politics,

And it’s not just me.

So long as we are on this planet

We cannot escape our duties,

Our humanity,

That others might be inclined to stand tall

And say that they exist for the greater good,

For peace and love, togetherness,

Understanding, sharing,

Kindness, curiosity,

Passions of the truest kind,

Rather than some localised upchuck,

And this at least makes me

Feel slightly better about the future.

Good people will always 

Be there.

Good people wilL always

Be there.
Oh, England.
 

Poem (for Katie Hopkins)

Poem (Katie Hopkins)


Once upon a time

There was an evil monster

Whose ferocity was fed

Not by those it maimed

But by the pumping buzz

Of publicity and sound bite,

Controversy and sheer big-headed

Attention-seeking desperation

And it was called 

Katie Hopkins.


And the more it fed the more

It scratched at the surface of

Polite society hoping that the

More damage it inflicted

The greater it’s substance would be

Only to find with each

Deep vicious cut

That people merely laughed at it.


How it scowled at the world

Like a mardy shark

Spoiled not by circumstance

But by the slow drip of publicity

Which it mistook for adulation.

How it fed so ravenously

On the eternal circle of

Jaded misguided opinion and response,

Prejudice disguised as truth.


Oh, Katie Hopkins,

Like a bad busker on the

Pedestrianised high street of proper debate,

A sad singer wailing at the world

Having only made 10p.


You’re like the kid in the quiet cul de sac

Whizzing up and down on her skateboard

Starting to become a nuisance.

Looking out from the window,

There she is again.


Whizzing up and down on her skateboard

Back and forth, hither and thither,

Whizzing up and down on her skateboard

Get off that skateboard, Katie Hopkins.

Get off that skateboard, Katie Hopkins.

Get off that skateboard, Katie Hopkins.


I like to think it’s an act.

No-one can be so stupid.

I like to think that you

Meet up with your friends

And you’re perfectly normal,

As easy going as the rest of us, 

Hoping that one day we will all realize

That it’s a silly joke,

A grotesque parody,

Somehow revealing our own

Misgivings and

Actually adding something to the world.


Oh, Katie,

You vain fickle brained warthog,

You gloating flap mouthed pimple,

You xenophobic motley-minded weasel,

You rank vomit-inducing ne’erdowell

With a face like a permanently surprised frog,

You toxic, provocative, class-conscious, 

suspiciously orange

Arse.

It’s like you’ve seen that Farage bloke and thought,

I’d like a piece of that,

Though he’s far too left wing for my liking.


It can’t be like this, surely,

It can’t be.

Yet a part of me suspects that it is.

If you didn’t exist,

Then we’d have to invent you.

And that, I suspect,

Is what’s already occurred.