Made for Each Other

Poem

They were always meant to be together.
She was a Pisces
And he liked fish and chips.
She was a vet
And he looked a bit like a pug.

I love you to the moon and back, he said,
Which varies depending on its orbit.
He said it with a twinkle in his eye.
Which he was due to see the optician about.
He said, I am an artist,
A visionary,
The brush sings in my hand.
She said, great,
I need the bathroom painting.

He was a locksmith.
She held the key to his heart.
The other was left with a neighbour.
Let’s make sweet music, she said,
And they wrote a song about Haribo.

They had such similar interests.
He read War and Peace
And she posted a lot on Twitter,
Both have 280 characters.
And each night they’d go home
And Netflix binge on the weather forecast.

She’d had such a sad life.
Times were hard growing up.
Food was scarce.
They had to eat the cat.
Cook a curry,
At least they knew it was
Made from Scratch.

I’ll provide for you, he said,
They give you free food in McDonald’s
If you wear a deliveroo uniform.
He’d lie awake at night wondering
If anyone’s ever had to give
A trigger warning for a spoiler alert.
And why the song
Fifty Ways to Leave Your Lover
Only mentions about six.
And why it’s called instant coffee
When you’ve still got to boil the kettle.

She’d practice yoga,
Holding her legs at ninety degrees.
He’d sigh and say,
Heaven must be missing an angle.
She took him to an exercise class.
He wore a fake beard and
An eyepatch and a parrot.
No, she said,
It’s Pilates.

She said, I’ve always been an optimist.
He said, so’s my sister, she works
At spec savers.

One day they went on a picnic.
He hired a plane and
One of the best pilots
But a terrible speller.
It wrote in the sky,
Will You Mary Me?
She hired a hot air balloon
And painted on the side, Yes!
He hired a plane to pull a banner
Which read, Fantastic!
She hired a hundred drones to spell out the words,
Well, that’s settled then.
He hired a flock of pigeons
To spell out,
What’s for dinner?
Soup, she said.

They were always meant to be together.
That night he said to her,
The world is our oyster.
And she went into anaphylactic shock

South Devon kicks ass when it comes to performance poetry!

For a while now I’ve had this thought that the South Devon poetry scene is one of the richest and most vibrant in the county, when you take into consideration the scarcity of the population in most of it, what with all them fields and things.

Torquay is a resort which has, admittedly, seen better days, but even here there are two vibrant performance poetry nights a month. Poetry Island is long established, first under Chris Brooks, and lately under Ian Beech, both of whom have done amazing things to bring big names down to the bay, and now there is a night at the Artizan Gallery, too. Exeter isn’t that far away and there are three regular monthly nights as well as an amazing array of one off events thanks to venues like the Phoenix and the Bike Shed. Plymouth has two regular nights, and even Totnes has events at the Kingsbridge Inn.

But it is the sheer variety of styles and performers which makes the scene so vibrant. It is impossible to come up with a definitive South Devon style, because there are so many different interpretations of what makes spoken word and performance poetry so engaging. Daniel Haynes is droll, funny, serious, human, everything which a Bard should be. Which is good, because he is the currently Bard of Exeter. Tim King is experimental, political, also very human. The most human of all humans is James Turner, who exiles literary excellence and a fantastic understanding of the importance of performance and voice, as did the late and very much missed Rodney Bowsher. Joanna Hatfull is impossible to categorise, fusing theatre and monologue, humor and reality into her poems which never stray too far into surrealism. And then there’s Ian Beech, whose poetry is heartfelt, honest, occasionally ranting, often fierce, always well meaning.

Add to this people like Jackie Juno, Ziggy Abd El Malak, Chris Brooks, Gavin McGrory, Morwenna Griffiths, Solomon Doornails . . .

So what flavor is there to this excellent scene? Are there any common traits? Most of the performers have developed parallel and each event serves to drive each participant on to find deeper modes of poetic expression and audience engagement. Yet there seems to be a willingness to perfect this individualism in a way that may not be the case somewhere like Bristol or London, where a similar style dominates. The rhythms are different from one poet to the next. You might get the excellent Marc Woodward with his fast paced calm delivery, followed by the enthusiasm of Chris Brooks, and then the calm, slow, assured delivery of Dan Haynes.

There’s a great thing going on down here in South Devon at the moment and it makes me glad to be a part of it. And now some of us are starting to get recognition from further afield, strange parts of the country who can only be intrigued by the creativity and art which seems so normal. When I first started performing at Poetry Island, Chris Brooks would end each evening with an appeal for performers. Yet now there are so many that there is a strict rota and waiting list! And that has got to be a very good thing.

For no reason whatsoever, here’s a couple of new poems.

Poem

You said you’d do a magic trick.
Is this your card?, you asked.
Or is this your card?
Or this?
And then you reached into my pocket
And you announced,
This, this is your card!
And then you looked at it and saw
That it was my one day megarider bus ticket
And a tiny tear formed
In the corner of your eye.
In any case,
I hadn’t even picked a card.

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